Cyberspace is considered a virtual zone that allows one to either hide or reveal their identities within this environment the issues of lesbianism find their contact area in cyberspace wherein deliberation takes place on confessions of coming out of the "closet", also raised are conflicts among gender, social, and medical aspects. It could be that representations of the female body and unavoidably and deliberately unreliable narrations in cyberspace using hypertexts create a new epoch of lesbian writing. This paper aims to examine the aesthetics of narrative writing and audio visual art in lesbian autobiographic hypertexts which are chosen from the winner of the Electronic Literature Organization in 2001, Caitlin Fisher's These Waves of Girls; and Shu-Lea Cheang's Brandon (1989), the first Asian-American woman artist to have exhibited her cyber artwork in the Guggenheim Museum in 1989. Accordingly, the challenge of this paper lies in the integrated analysis of gender studies, cyberfeminism and technology as the writing or artistic form. Most theories applied here are cyberfeminism, postmodernism, and gender studies. Our research will concentrate on female lesbian hypertext writing and female cyborg artwork, and hopefully, we will be able to expedite research on cyberfeminism in Taiwan.