The modern communication of Sino-French culture initially began in the era of Louis XIV. Louis XIV was active in external expansion and turned his attention to the Far East after his accession to the throne. He granted the title of "King's mathematician" for six Jesuits in 1685 and sent them to China for the investigation of science and culture. Since then, Sino-French bilateral exchanges were launched for nearly a century. Jesuits acted as the liaison: on one hand, they wrote what they saw and heard in China in letters and reports, sent them back to France with all kinds of books for a better understanding of China and talked with the Jesuits that returned to France and reported the actual situation, with a higher curiosity and passion about China. As a result, Chinese thinking and culture became the most popular topic in the intellectual circle and Chinese arts and crafts became the most fashionable arts collected by upper-class aristocracies. China became one kind of fashion from the royal ball to the streets of Paris and each article was admired and adored. However, how was China visualized and spatialized in this boom? How was China imagined, defined and symbolized in foreign culture? What kind of rhetoric was used to affect consumption and create desire and Chinese life? By adopting the research method of taking literature, images and historical data as the reference and mutual confirmation, this article aims to explore in the perspective of material culture the preliminary communication of Sino-French culture: how the material culture of China, as the otherness of foreign culture, gave French new sensory experience and created the special and creative Chinese lifestyle and taste, and further observation of the changes and influence of Sino-French culture communication on French art taste.