After the ＂Post-New Cinema＂ phenomenon has swept across Taiwan, the business of moving picture in this country has began to produce a series of movies that based on local cultures, yet also founded on the perspective of ＂Cultural and creative industry＂. Furthermore, these movies has not only eliminated the same cliches in this business caused by the globalization, but also loosed the stereotype of local cultures, all these qualities has made the ＂Post-New Cinema＂ create a great deal of difference against movies from the old times. Among which, the movie ＂Seven Days in Heaven＂ from the year 2010 has put various humorous characteristics within, whose main idea was the local culture of the funeral, this genius move was so bold that has made this production surprisingly fascinating. However, we think that this movie has made ＂coming home＂ the main orientation for local cultures, which means during the process of searching ideas and producing the film, the director has already considered the interaction of the globalization and the local cultures, the issue of making the renaissance of local cultures can once again take place, and the global issues that can lead to create spaces for discussion. Therefore, through this thesis, we will discuss the techniques of motion strategies and the perspectives that the director used in this film, point out the idea of the creation of ＂Seven Days in Heaven＂ under the background of the cultural and creative industries and how they linger between the local cultures and the global vision. With all these discussions, we will present a logical response and mediation, explaining the important value of culture movements and global interactions.