:::

詳目顯示

回上一頁
題名:音樂會的社會性:比較兩場鋼琴獨奏會
書刊名:臺灣社會學研究
作者:郭曉玲 引用關係傅仰止 引用關係
作者(外文):Kuo, Hsiao-lingFu, Yang-chih
出版日期:1998
卷期:2
頁次:頁83-118
主題關鍵詞:音樂會聽眾社會性藝術欣賞社會聯繫ConcertAudienceSociabilityAesthetic functionSocial ties
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(3) 博士論文(1) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:17
  • 點閱點閱:60
     音樂會蘊涵豐富的社會性。以古典音樂會為例,社會性容易透過不同參與模式展現出來。本文參考現代都會公共場合的活動,以及近代音樂會演變的文獻,並藉助在兩場鋼琴獨奏會收集的問卷資料(N=189)和實地觀察所得, 提示古典音樂會所具有的不同社會性。演奏者在居住城市以外所舉行的音樂會,具有比較明顯的藝術欣賞功能;反之在本地所舉行的演奏會則展現比較強列的主會聯繫特質。以藝術欣賞為主要動機的音樂會參與者,多半有其共同特徵,尤其是社會階層和生活型態所建構的身份認同文化。藝術欣賞活動的社會性基於這些共同特徵,在音樂會中潛而不顯。以社會聯繫為骨幹的參與模式,則透過參與者的直接聯結和社會互動,得以具體彰顯其社會性。本文以多項實例比較這兩種音樂會參與模式的社會性,進而反省現代都會公共場合中的社會秩序。
     Concerts embrace various forms of sociability. Such sociability emerges in classical music concerts that differ in how the audiences participate. Situated in the study of public places in the modern metropolis on the one hand, and the development of the Western classical concert on the other, this article compares two piano recitals to reveal contrasting play forms of soiability. Empirical data include questionnaire surveys of the audiences (N=189), in-depth interviews, and observations. In the recital held away from the performer's hometown, most of the audience come exclusively to enjoy classical music. While the participants of the recital rarely know one another, they share a common interest, socioecon omic status, and lifestyle. This common ground paves the may for sociability to breed in the concert. By contrast, many people participate in the recital given in the performer's hometown for social purposes, rather than classical music. Most members of the audience are closely connected to one another. They also know the performer much better through various social ties. Sociability of the concert flourishes out of such social ties not just in the recital, but also before and after the recital, when the participants interact and communicate intensively regarding the event. Based on these major findings, the study moves on to reflect on the privatization of the modern social life.
期刊論文
1.Feld, S. L.(1982)。Social Structural Determinants of Similarity among Associates。American Sociological Review,47(6),797-801。  new window
2.Fischer, C. S.(1981)。The Public and Private Worlds of City Life。American Sociological Review,46(3),306-316。  new window
3.Wirth, Louis(1938)。Urbanism as a Way of Life。American Journal of Sociology,44(1),1-24。  new window
4.傅仰止(19951200)。都市人的社會心理特質:公私場域之分。中國社會學刊,18,17-73。new window  延伸查詢new window
5.Lofland, Lyn H.(1989)。Social Life in the Public Realm: A Review。Journal of Contemporary Ethnography,17(4),453-482。  new window
6.張繼高(1985)。音樂會和聽眾。音樂與音響,140,56-72。  延伸查詢new window
7.Johnson, James H.(1992)。Musical Experience and the Formation of a French Musical Public。Journal of Modern History,64(2),191-226。  new window
8.Verbruuge, Lois M.(1977)。The Structure of Adult Friendship Choices。Social Forces,56(2),576-597。  new window
9.Lofland, Lyn H.(0)。For the Love of the City: The Contributions of William H. Whyte to the Study of Urban Public Space。Section of Community and Urban Sociology Newsletter,19(4),5-7。  new window
學位論文
1.林義郎(1984)。表演藝術活動觀賞行為與其價值觀及生活型態關係之研究(碩士論文)。國立政治大學。  延伸查詢new window
2.陳德揚(1991)。藝術休閒的相關因素之研究(碩士論文)。國立政治大學,台北。  延伸查詢new window
3.黃志全(1989)。報紙表演藝術訊息的使用與滿足研究--以國家劇院及音樂廳觀眾為研究對象(碩士論文)。輔仁大學,台北。  延伸查詢new window
圖書
1.Lofland, Lyn H.(1973)。A World of Strangers: Order and Action in Urban Public Space。New York:Basic Books。  new window
2.Sadie, Stanley(1988)。The Norton/ Grove Concise Encyclopedia of Music。New York, NY:W. W. Norton & Company。  new window
3.國立編譯館(1994)。音樂名詞。臺北:桂冠圖書公司。  延伸查詢new window
4.Martorella, Rosanne(1982)。The Sociology of Opera。The Sociology of Opera。New York, NY。  new window
5.Popenoe, David(1985)。Private Pleasure, Public Plight: American Metropolitan Community Life in Comparative Perspective。Private Pleasure, Public Plight: American Metropolitan Community Life in Comparative Perspective。New Brunswick, NJ。  new window
6.Simmel, Georg(1910)。Sociability。Georg Simmel on Individuality and Social Forms。Chicago, IL。  new window
7.行政院文化建設委員會(1994)。藝文活動消費人口調查-臺灣地區藝文活動消費潛力評估。藝文活動消費人口調查-臺灣地區藝文活動消費潛力評估。臺北。  延伸查詢new window
8.Blau, Herbert(1990)。The Audience。The Audience。Baltimore, MD。  new window
9.Hanna, Judith Lynne(1983)。The Performer-Audience Connection: Emotion to Metaphor in Dance and Society。The Performer-Audience Connection: Emotion to Metaphor in Dance and Society。Austin。  new window
10.Shepherd, John(1991)。Music as Social Text。Music as Social Text。Cambridge。  new window
11.Supicic, Ivo(1987)。Music in Society: A Guide to the Sociology of Music。Music in Society: A Guide to the Sociology of Music。Stuyvesant, NY。  new window
其他
1.行政院文化建設委員會(1994)。臺灣地區藝文活動參與滿意度調查報告,臺北市。  延伸查詢new window
圖書論文
1.Simmel, Georg(1971)。The Metropolis and Mental Life。On Individuality and Social Forms。University of Chicago Press。  new window
2.瞿海源(1997)。社會階層、文化認同與音樂喜好。九〇年代的台灣社會。臺北:中央研究院社會學研究所籌備處。  延伸查詢new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
:::
無相關著作
 
QR Code
QRCODE