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題名:藝乘三部曲 : 覺性如何圓滿?
作者:鍾明德 引用關係
出版日期:2013
出版項:臺北:國立臺北藝術大學
ISBN:9789860381542
主題關鍵詞:表演藝術現代戲劇佛教修持
學門:藝術學
資料類型:專書
相關次數:
  • 被引用次數被引用次數:期刊(7) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:0
  • 點閱點閱:15
期刊論文
1.姚海星(19961000)。史丹尼斯拉夫斯基在蘇聯。藝術評論,7,219-237。new window  延伸查詢new window
2.鍾明德(20120700)。這是種出神的技術:史坦尼斯拉夫斯基和葛羅托斯基的演員訓練之被遺忘的核心。戲劇學刊,16,119-152。new window  延伸查詢new window
3.鍾明德(20100400)。從「動即靜」的源頭出發回去:一個受葛羅托斯基啟發的「藝乘」研究。長庚人文社會學報,3(1),71-112。new window  延伸查詢new window
4.Rouget, Gilbert(1961)。Un chromatisme africain。L'Homme,1(3),30-46。  new window
5.Zarish, Janet、鍾明德(20050100)。To be an Actor。戲劇學刊,1,195-219。new window  延伸查詢new window
6.吳榮順(20040700)。偶然與意圖--論布農族pasibutbut的「泛音現象」與「喉音唱法」。美育,140,15-26。  延伸查詢new window
7.黃應貴(19830600)。東埔社的宗教變遷:一個布農族聚落的個案研究。中央研究院民族學研究所集刊,53,105-132。  延伸查詢new window
8.Wallace, B. Alan、Shapiro, Shauna L.(2006)。Mental balance and well-being: Building bridges between Buddhism and western psychology。American Psychologist,61(7),690-701。  new window
9.Walsh, Roger、Shapiro, Shauna L.(2006)。The meeting of meditative disciplines and Western psychology: A mutually enriching dialogue。American Psychologist,61(3),227-239。  new window
10.陳偉誠、厲復平(19990400)。寂靜地奔跑:與葛羅托斯基工作的過程--專訪陳偉誠。表演藝術,76,86-89。  延伸查詢new window
11.Croyden, Margaret(1969)。Notes from the Temple: A Grotowski Seminar。The Drama Review,14(1)=45,178-183。  new window
12.Currier, Robert S.(1999)。Monologue: My Dinners with Jerzy。Callboard,1999(March)。  new window
13.Levin, Theodore C.、Edgerton, Michael E.(1999)。The Throat Singers of Tuva。Scientific American,281(3),80-87。  new window
14.Lendra, I. W.(1991)。Bali and Grotowski: Some Parallels in the Training Process。The Drama Review,35(1),113-139。  new window
15.White, Ar. Andrew(2006)。Stanislavsky and Ramacharak: The Influence of Yoga and Tum-of-the Century Occultism on the System。Theatre Survey,47(1),73-92。  new window
16.van Tongeren, Mark C.(1995)。A Tuvan Perspective on Throat Singing。CNS Publications,35。  new window
17.黃應貴(19810900)。東埔社土地制度之演變--一個臺灣中部布農族聚落的研究。中央研究院民族學研究所集刊,52,115-149。  延伸查詢new window
18.葛羅托斯基、鍾明德(20090100)。邁向貧窮劇場。戲劇學刊,9,41-47。new window  延伸查詢new window
19.Grotowski, Jerzy(1999)。Untitled Text by Jerzy Grotowski, Signed in Pontedera, Italy, July 4, 1998。The Drama Review,43(2)=162,11-12。  new window
20.Kuharski, Allen J.(1999)。Jerzy Grotowski: Ascetic and Smuggler。Theater,29(2),10-15。  new window
21.Barba, Eugenio、Flaszen, Ludwik、Sanzenbach, Simone(1965)。A Theatre of Magic and Sacrilege。The Tulane Drama Review,9(3),172-189。  new window
22.Munk, Erika、Coco, Bill、Croyden, Margaret(1969)。"Notes from the Temple: A Grotowski Seminar," and "An Interview with Margaret Croyden"。The Drama Review,14(1),178-183。  new window
23.Wegner, William H.(1976)。The Creative Circle: Stanislavski and Yoga。Educational Theatre Journal,28(1),85-89。  new window
會議論文
1.明立國(1991)。布農族祈禱小米豐收歌之發微。中國民族音樂學會第一屆學術研討會。台北。  延伸查詢new window
2.吳榮順(1999)。布農族「八部音合唱」的「虛幻」與「真象」。「後山音樂祭」學術研討會,台東縣立文化中心 。台東:台東縣立文化中心。77-99。  延伸查詢new window
3.吳榮順(2002)。複音歌樂的口傳與實踐,布農族pasibutbut「複音模式」、「聲響事實」、「複音變體」。2002國際民族音樂研討會。台北:國家圖書館。23-45。  延伸查詢new window
學位論文
1.Laster, Dominika(2011)。Grotowski's Bridge Made of Memory: Embodied Memory, Witnessing and Transmission in the Grotowski Work(博士論文)。New York University。  new window
2.Wolford, Lisa Ann(1996)。The Occupation of the Saint: Grotowski's Art as Vehicle(博士論文)。Northwestern University。  new window
3.Dunkelberg, Kermit(2008)。Grotowski and North American Theatre: Translation, Transmission, Dissemination(博士論文)。New York University。  new window
4.李宗芹(2009)。身體力場--舞蹈治療中的身體知識(碩士論文)。輔仁大學。  延伸查詢new window
5.吳榮順(1988)。布農族的傳統歌謠及祈禱小米豐收歌的研究(碩士論文)。國立臺灣師範大學。  延伸查詢new window
6.吳榮順(1996)。Le chant du pasi but but chez les Bunun de Taiwan: une polyphonie sous forme de destruction et de recreation(博士論文)。Université de Paris X (Nanterre),Paris。  new window
7.朱宏章(2004)。論「斯坦尼斯拉夫斯基體系」於當代表導演藝術教育中之價值:以兩岸教學現況為例(博士論文)。中央戲劇學院,北京。  延伸查詢new window
圖書
1.Flaszen, Ludwik(2010)。Grotowski & Company。Holstebro:Icarus。  new window
2.Maharaj, Sri Nisargadatta(1973)。I Am That。Durham, North Carolina:Acorn Press。  new window
3.Moore, Sonia(1984)。The Stanislavski System: The Professional Training of an Actor。New York:Penguin Handbooks。  new window
4.Richards, Thomas(2008)。Heart of Practice。New York:Routledge。  new window
5.Slowiak, James、Cuesta, Jairo(2007)。Jerzy Grotowski。Routledge。  new window
6.Thubten, Anam(2012)。The Magic of Awareness。Ithaca, NY:Snow Lion Publications。  new window
7.隆波通(2012)。正念動中禪的原理與方法。台北:正念動中禪學會。  延伸查詢new window
8.Benedetti, Jean(2007)。The Art of the Actor: The Essential History of Acting, from Classical Times to the Present Day。New York:Routledge。  new window
9.Osinski, Zbigniew(1986)。Grotowski and His Laboratory。New York:PAJ Publications。  new window
10.隆波田(2009)。自覺手冊。台北:正念動中禪學會。  延伸查詢new window
11.Barba, Eugenio(1999)。Land of Ashes and Diamonds: My Apprenticeship in Poland。Black Mountain Press。  new window
12.Armstrong, Karen(2005)。A Short History of Myth。Canongate Books Ltd.。  new window
13.Benedetti, Jean(1998)。Stanislavski and the Actor。Methuen Drama。  new window
14.Rouget, Gilbert(1985)。Music and Trance: A Theory of the Relations between Music and Possession。Chicago:The University of Chicago Press。  new window
15.Kumiega, Jennifer(1985)。The Theatre of Grotowski。Methuen。  new window
16.Grotowski, Jerzy、Wolford, Lisa、Schechner, Richard(1997)。The Grotowski Sourcebook。New York:Routledge。  new window
17.Stanislavsky, Konstantin、瞿白音(2006)。我的藝術生活。臺北市:書林。  延伸查詢new window
18.余錦虎、歐陽玉(2002)。神話‧祭儀‧布農人。臺中:晨星出版社。  延伸查詢new window
19.Maslow, Abraham H.(1976)。Religions, values, and peak-experiences。New York:Penguin Books。  new window
20.Stanislavsky, Constantin、鄭雪來(2006)。演員自我修養:第二部。北京:中國電影出版社。  延伸查詢new window
21.Godwin, Joscelyn(1991)。The Mystery of the Seven Vowels: In Theory and Practice。Grand Rapids, MI:Phanes Press。  new window
22.Van Tongeren, Mark C.(2002)。Overtone singing: Physics and Metaphysics of Harmonics in East and West。Amsterdam:Fusica。  new window
23.呂炳川(1979)。呂炳川音樂論述稿。台北:時報文化出版公司。  延伸查詢new window
24.鍾明德(1999)。舞道。臺北:時報出版公司。  延伸查詢new window
25.江亦麗(1997)。商羯羅。臺北:東大圖書。  延伸查詢new window
26.Turner, Victor(1987)。The Anthropology of Performance。New York:PAJ Publications。  new window
27.Benedetti, Jean(1988)。Stanislavski。London:Methuen Drama。  new window
28.Stanislavski, Constantin、Hapgood, Elizabeth Reynolds(1948)。An Actor Prepares。Taipei:Bookman。  new window
29.Turner, Victor W.(1969)。The Ritual Process: Structure and Anti-Structure。Cornell University Press。  new window
30.竹村牧男、蔡伯郎(2003)。覺與空--印度佛教的展開。臺北市:東大圖書。  延伸查詢new window
31.Richards, Thomas(1995)。At Work with Grotowski on Physical Actions。Routledge。  new window
32.明立國(1989)。臺灣原住民族的祭禮。臺原出版社。  延伸查詢new window
33.呂炳川(19820000)。臺灣土著族音樂。臺北:百科文化事業股份有限公司。new window  延伸查詢new window
34.鍾明德(20070000)。OM:泛唱作為藝乘。臺北:國立臺北藝術大學。new window  延伸查詢new window
35.鍾明德(20010000)。神聖的藝術:葛羅托斯基的創作方法研究。臺北:揚智文化。new window  延伸查詢new window
36.Grotowski, Jerzy(1968)。Towards a Poor Theatre。New York:Simon and Schuster。  new window
37.Allain, Paul(2009)。Grotowski's Empty Room。New York:Seagull Books。  new window
38.Brook, Peter(1968)。"Preface," Towards a Poor Theatre。New York:Simon and Schuster。  new window
39.Carnicke, Sharon Marie(2009)。Stanislavsky in Focus: An Acting Master for the Twenty-first Century。Routledge。  new window
40.Leighton, R.、新新聞編譯中心(1998)。費曼的最後旅程。臺北:新新聞文化。  延伸查詢new window
41.Manderino, Ned(2001)。Stanislavski's Fourth Level: A Superconscious Approach to Acting。Los Angeles:Manderino Books。  new window
42.林崇安(2001)。內觀實踐。臺北:大千出版社。  延伸查詢new window
43.史坦尼斯拉夫斯基、鄭雪來(1985)。演員創作角色。北京:中國電影出版社。  延伸查詢new window
44.史坦尼斯拉夫斯基、林陵、史敏徒(1985)。演員自我修養。北京:中國電影出版社。  延伸查詢new window
45.Wolford, Lisa Ann(1996)。Grotowski's Objective Drama Research。Mississippi:University Press of Mississippi。  new window
46.鍾明德(2007)。從貧窮劇場到藝乘:薪傳葛羅托斯基。書林出版公司。  延伸查詢new window
47.謝汝光(2003)。微宇宙音樂穿透DNA:進入生命中的身心靈。臺北:自然風文化事業股份有限公司。  延伸查詢new window
48.新竹縣五峰鄉賽夏族文化藝術協會(2004)。臺灣賽夏族paSta'ay kapatol(巴斯達隘祭歌)歌詞祭儀資料。新竹:五峰鄉賽夏族文化藝術協會。  延伸查詢new window
49.鄭雪來、姜麗、孫維善、史坦尼斯拉夫斯基(1985)。史坦尼斯拉夫斯基全集。北京:中國電影出版社。  延伸查詢new window
50.史坦尼斯拉夫斯基、瑪‧阿‧弗烈齊阿諾娃(1990)。史坦尼斯拉夫斯基體系精華。北京:中國電影出版社。  延伸查詢new window
51.Manderino, Ned(1989)。The Transpersonal Actor: Reinterpreting Stanislavski。Los Angeles:Manderino Books。  new window
52.Gunaratana, Venerable Henepola(1991)。Mindfulness in Plain English。Taipei。  new window
53.Morelos, Ronaldo(2009)。Trance Forms: A Theory of Performed States of Consciousness。  new window
54.Riefenstahl, Leni(1976)。The People of Kau。New York:St. Martin's Press。  new window
55.Yogananda, Paramahansa(2003)。Autobiography of a Yogi。LA。  new window
56.Teresa of Avila Saint(2003)。The Life of St. Teresa of Jesus, of The Order of Our Lady of Carmel。Grand Rapids, MI:Christian Classics Ethereal Library。  new window
57.Thich Nhat Hanh(1988)。Breathe! You Are Alive。London。  new window
58.Sontag, Susan(1982)。The Aesthetics of Silence。A Susan Sontag Reader。New York。  new window
其他
1.Daly, Owen(2011)。Grotowski and Yoga,http://owendaly.com/jeff/Grotowb.htm。  new window
2.Goldman, Jonathan(2003)。Sound Streams,http://www.healingsounds.com。  new window
3.Horowitz, Carl(2007)。An Actor Prepares and Yoga,http://www.yogascope.com/blog/2007/01/actor-prepares-and-yoga.html。  new window
4.(2010)。Be Still and Know,http://www.osho.com/library/ online-library-indifferent-unattached-become-28640c73-a02.aspx。  new window
5.Shephard, William(2000)。“Acting As Bliss," Source Material on Jerzy Grotowski,http://www.halifaxfarm.com/jeff/grotows8.htm。  new window
6.(2003)。Method of Learning Overtone Singing Khoomei,http://www.tranquanghai.net。  new window
7.McRae, John R.(2008)。The Platform Sutra of the Sixth Patriarch,http://www.thezensite.com/ZenTeachings/Translations/PlatformSutra_McRaeTranslation.pdf。  new window
8.Young, Shinzen(2012)。How Meditation Works,http://here-and-now.org/VSI/Articles/TheoryMed/theoryHow.htm。  new window
圖書論文
1.Grotowski, Jerzy(1998)。A Kind of Volcano。Gurdjieff: Essays and Reflections on the Man and His Teaching。New York:Continuum。  new window
2.Turnbull, Colin(1990)。Liminality: a synthesis of subjective and objective experience。By Means of Performance。New York:Cambridge University Press。  new window
3.Ruffini, Franco(2009)。The empty room: studying Jerzy Grotowski's Towards a poor theatre。Grotowski's empty room。Seagull Books。  new window
4.Schechner, Richard(1997)。Exoduction: Shape-shifter, shaman, trickster, artist, adept, director, leader, Grotowski。The Grotowski Sourcebook。New York:Routledge。  new window
5.Brook, Peter(1997)。Grotowski: Art as a Vehicle。The Grotowski Sourcebook。New York:Routledge。  new window
6.Grotowski, Jerzy(1995)。From the Theatre Company to Art as Vehicle。At Work with Grotowski on Physical Actions。Routledge。  new window
7.Wolford, Lisa Ann(1997)。Action, the Unrepresentable Origin。The Grotowski Sourcebook。New York:Routledge。  new window
8.許常惠(1988)。布農族的歌謠--民族音樂學的考察。民族音樂論述稿。台北:樂韻出版社。  延伸查詢new window
9.Barba, Eugenio(2006)。The Performer's Montage and the Director's Montage。A Dictionary of Theatre Anthropology: The Secret Art of the Performer。New York:Routledge。  new window
10.Grotowski, Jerzy(2006)。Pragmatic Laws。A Dictionary of Theatre Anthropology: The Secret Art of the Performer。New York:Routledge。  new window
11.Taviani, Ferdinando(1997)。In Memory of Ryszard Cieslak。The Grotowski Sourcebook。New York:Routledge。  new window
12.Fumaroli, Marc(2009)。Grotowski, or the Border Ferryman。Grotowski's Empty Room。New York:Seagull Books。  new window
 
 
 
 
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