The purpose of my paper is an exploration of Hayao Hamada, a writer who sent from colonized Taiwan back to Japan after the World War II, and of his images as an intellectual, and of the appearance of his life established in the tide of history and survival in the face of rapidly changing under the impact of the environment. Hayao Hamada was the one of the representative writers in the period of Taiwan ruled by Japanese. My study on him is 1946 to 1962 mainly when he was repatriated from Taiwan to Japan; and the theme is an analysis of his cultural activities, biographical stories, literary works, etc. re-spread out after the repatriation in order to explore his thought and feeling as a repatriated intellectual. After repatriation, he developed not only his literature, but also supported the social activities for the other repatriated. Until 1950s early he had an ambition to become a writer who was professional, played an important role in central literary and had an attempt to reflect his consciousness as a repatriated in his literature. However, since the early 1950s to the early 1960s, the mentioned structure of consciousness of Hamada was gradually replaced through a local writer consciousness of Miyagi and such change could be revealed in its cultural activities and literature.