以雄渾論分析拜倫三部著作：〈紀隆的囚犯〉、〈黑暗〉和《曼弗雷德》_

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題名：	以雄渾論分析拜倫三部著作：〈紀隆的囚犯〉、〈黑暗〉和《曼弗雷德》
作者：	尼琅菘
作者(外文)：	Jon Eric Nichols
校院名稱：	國立高雄師範大學
系所名稱：	英語學系
指導教授：	張逸帆博士
學位類別：	博士
出版日期：	2013
主題關鍵詞：	拜倫；雄渾論；紀隆的囚犯；黑暗；曼弗雷德；Lord Byron；The Sublime；The Prisoner of Chillon；Darkness；Manfred
原始連結：	連回原系統網址
相關次數：	被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0) 排除自我引用:0 共同引用:0 點閱:19

本論文採用浪漫時期三個重要的雄渾理論，分析拜倫三部主要作品中的雄渾。拜倫較少被視為雄渾作家的代表，然而他的許多作品呈現浪漫時期的雄渾精神。
早在拜倫發展成為成熟的作家之前，不少雄渾理論已經發展完成，並已明確指出，有哪些經驗符合雄渾的定義。本論文採用三位理論家的雄渾理論，作為分析拜倫作品的主要框架。這三位理論家是：希臘評論家卡修斯朗吉弩斯（Cassius Longinus），愛爾蘭政治家德蒙伯克（Edmund Burke），以及德國哲學家康德（Immanuel Kant）。這三位理論家對於浪漫時期雄渾理論的發展和運用有極大的影響力，因此本論文採用他們的理論來分析拜倫作品。
本文分析拜倫的三部作品：〈紀隆的囚犯〉（The Prisoner of Chillon），〈黑暗〉（Darkness）和《曼弗雷德》（Manfred）。這些作品皆完成於1816年，豐富地呈現拜倫雄渾的特質和他創作時的心態。在創作這三部作品時，拜倫正面臨個人情感的困境；他的婚姻由於醜聞爆發而濱臨破裂，隨即他離開祖國英國，選擇自我放逐的生活。這些情感上的混亂與不安，轉換成創作的能量，使拜倫得以寫出這些雄渾的作品。
本論文包括五章。第一章說明本論文研究動機，浪漫時期的歷史背景，並針對拜倫的研究進行文獻回顧。第二章運用朗吉弩斯的崇高理論，用以分析拜倫詩作〈紀隆的囚犯〉。第三章採用伯克的雄渾論，用以檢視拜倫詩作〈黑暗〉中呈現的雄渾特質。第四章以康德的雄渾論來解析拜倫的劇作《曼弗雷德》。第五章為結論，綜論雄渾論在浪漫時期及其後的發展，並評估這些雄渾理論後續的發展對於拜倫作品的優點。

以文找文

This dissertation argues that many of Lord Byron’s works feature the characteristics which were generally associated with the practice of the sublime within the Romantic era, even though Byron is usually less appreciated as a writer of the sublime. To substantiate my central arguments, three important works by Lord Byron were selected to be analyzed with three theories of the sublime which were in prominence during the Romantic era.
By the time Lord Byron had reached maturity as a writer, several theories had already been developed for determining which experiences were evocative of the sublime and which experiences were not. In this dissertation the theories to be employed as the theoretical framework for my analyses were developed by Cassius Longinus, the Greek critic, Edmund Burke, the Irish statesman, and the German philosopher Immanuel Kant. These three theorists were chosen because of their influence upon the development and practice of the sublime during the Romantic era.
The three works by Byron which are analyzed are “The Prisoner of Chillon,” “Darkness” and Manfred. These works—primarily composed in 1816—display the richness of their sublime attributes as well as Byron’s mental state as he composed them. Each of these works was written while he was dealing with the emotional turmoil that proceeded from the scandalous dissolution of his marriage and his subsequent self-imposed exile from England. Emotional turmoil of this sort is speculated to be crucial to the creation of works with sublime attributes.
This dissertation contains five chapters. The first chapter, the introduction, provides the motivation, a historical context and a literature review. Chapter two provides an analysis of the poem “The Prisoner of Chillon” using Longinus’ theory of the sublime. Chapter three introduces Edmund Burke’s concept of the sublime and utilizes his guidelines for identifying the sublime as a theoretical framework in order to analyze Byron’s poem “Darkness.” Chapter four uses Kant’s notion of the sublime as the basis for conducting an analysis of Byron’s drama Manfred. The final chapter is devoted to a brief discussion of some of the theories of the sublime which were either developed within or after the Romantic era. In so doing, this dissertation aims to evaluate their relative merits for the purpose of analyzing the works of Lord Byron.

以文找文

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