參考文獻

一、外文專書

Block, Geoffrey. Ives: Concord Sonata: Piano Sonata no.2 ("Concord, Mass., 1840-1860"). Cambridge Music Handbook, Cambridge: Cambridge University Press, 1996.

Block, Geoffrey and J. Peter Burkholder, eds.. Charles Ives and the Classical Tradition. New Haven, CT: Yale University Press, 1996.

Boatwright, Howard, ed.. Essays Before a Sonata, The Majority, and Other Writings. New York: W. W. Norton, 1970.

Burkholder, J. Peter. All Made of Tunes: Charles Ives and the Uses of Musical Borrowing. New Haven, CT: Yale University Press, 1995.

_______. ed.. Charles Ives and His World. New Jersey: Princeton University Press, 1996.

_______. Charles Ives: The Ideas Behind the Music. New Haven: Yale University Press, 1985.

Cone, Edward T.. Musical Form and Musical Performance. New York: W. W. Norton, 1968.

Cowell, Henry, and Sydney Cowell. Charles Ives and His Music. New York: Oxford University Press, 1955; rev., 2nd ed., New York: Oxford University Press, 1969; reprint, New York: DaCapo Press, 1983.

Feder, Stuart. Charles Ives: "My Father`s Song": A Psychoanalytic Biography. New Haven, CT: Yale University Press, 1992.

Gann, Kyle. Charles Ives's Concord: Essays After a Sonata. Illinois: University of Illinois Press, 2017.

Gordon, Stewart. A History of Keyboard Literature: Music for the Piano and Its Forerunners. Belmont, USA: Schirmer, 1996.

Henderson, Clayton W.. The Charles Ives Tunebook. Bibliographies in American Music Number 14. Warren, Michigan: Harmonie Park Press, 1990.

Hitchcock, H. Wiley. Music in the United States: A Historical Introduction. Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1974.

Ives, Charles E.. Memos. Edited by John Kirkpatrick. New York: W. W. Norton, 1972; reprint, 1991.

_______. Selected Correspondence of Charles Ives. Edited by Tom C. Owens. Berkeley: University of California Press, 2007.

Kirby, F. E.. Music For Piano: A Short History. New Jersey: Amadeus Press, LLC. 1995, reprint 1997, 2000, 2004.

Lambert, Philip. The Music of Charles Ives. Composers of the 20th Century. New Haven, CT: Yale University Press, 1997.

_______. ed.. Ives Studies. Cambridge: Cambridge University Press, 1997.

Magee, Gayle Sherwood. Charles Ives Reconsidered. Music in American Life. Urbana: University of Illinois Press, 2008.

Mellers, Wilfrid. Music in a New Found Land: Themes and Developments in the History of American Music. London: Barrie and Rockliff, 1964; rev. 2nd ed., 1987.

Meyer, Leonard B.. Emotion and Meaning in Music. Chicago: The University of Chicago Press, 1956.

Perlis, Vivian. Charles Ives Remembered: An Oral History. New Haven, CT: Yale University Press, 1974; reprint, New York: Da Capo Press, 1994. Reprint edition with a foreword by J. Peter Burkholder. Music in American Life. Urbana, IL: University of Illinois Press, 2002.

Perry, Rosalie Sandra. Charles Ives and the American Mind. Kent, Ohio: Kent State University Press, 1974.

Rossiter, Frank. Charles Ives and His America. New York: W. W. Norton and Company, Inc., 1980.

Starr, Larry. A Union of Diversities. New York: Schirmer Books, 1992.

Swafford, Jan. Charles Ives: A Life with Music. New York: Norton, 1996.


二、外文期刊論文

Ballantine, Christopher. "Charles Ives and the Meaning of Quotation in Music." The Musical Quarterly, Vol. 65, No. 2 (Apr. 1979): 167-184.

Bellamann, Henry. "Charles Ives: The Man and His Music." Musical Quarterly xix, 1933.

_______. "Reviews: 'Concord, Mass., 1840-1860 (A Piano Sonata by Charles Ives)." Double Dealer 2 (October 1921): 166-169.

Bruhn, Christopher. "The Transitive Multiverse of Charles Ives's "Concord" Sonata." The Journal of Musicology, Vol. 28, No. 2 (Spring 2001): 166-194.

Burkholder, J. Peter. "Quotation and Emulation: Charles Ives's Uses of His Models." The Musical Quarterly, Vol. 71, No.1 (1985): 1-26.

_______. "The Evolution of Charles Ives's Music: Aesthetics, Quotation, Technique." Ph. D. diss., University of Chicago, 1983

_______. "The Organist in Ives." Journal of the American Musicological Society, Vol. 55, No.2 (Summer, 2002) : 255-310.

_______. "The Uses of Existing Music: Musical Borrowing as a Field." Notes, Second Series, Vol. 50, No. 3 (Mar. 1994): 851-870.

Carter, Elliott. "The Case of Mr. Ives." Modern Music 16 (March-April 1939): 172-76.

Clark, Sondra Rae. "The Element of Choice in Ives's 'Concord Sonata'." The Musical Quarterly, Vol. 60, No.2 (Apr. 1974): 167-186.

Copland, Aaron. "One Hundred and Fourteen Songs." MM, XI (January-February 1934): 59-64.

Dickinson, Peter. "A New Perspective for Ives." The Musical Times, Vol. 115, No.1580 (Oct. 1974): 836-838.

Feder, Stuart. "Decoration Day: A Boyhood Memory of Charles Ives." The Musical Quarterly, Vol. 66, No.2 (Apr. 1980): 234-261.

Gann, Kyle. "What is the Concord Sonata?" Arts Journal, 3 Apr. 2014.

Gilman, Lawrence. "Music: A Masterpiece of American Music Heard Here for the First Time." The New York Herald Tribune (21 January 1939): 9.

Kolodin, Irving. "Pianist Plays Work By Ives: John Kirkpatrick Gives Town Hall Recital." New York Sun, 21 Jan. 1939. Charles Ives and His World, 321-322.

Kramer, A. Walter. "A Pseudo-Literary Sonata!!!" Musical America 33 (April 2, 1921): 36.

Marshall, Dennis. "Charles Ives's Quotations: Manner or Substance?" Perspective of New Music, Vol. 6, No.2 (Spring - Summer, 1968): 45-56.

Rosenfeld, Paul. "Ives' Concord Sonata." Modern Music 16/2 (Jan-Feb 1939): 109-112.

"Amusements: The German Dramatic Association." Danbury Evening News (17 January 1888): 3.

"Concord Unconquered." Musical Courier 82 (April 28, 1921) : 22.

"Insurance Man." Time 33, no.5 (30 Jan. 1939): 44-45.

三、中文與譯文書目

梭羅，《湖濱散記》，孔繁雲譯。台北：志文出版社。民國73年，77年再版。

梭羅，《湖濱散記》，吳明實譯。台北：台灣英文雜誌社有限公司出版，民79年。

陳長房，《梭羅與中國》。台北：三民書局股份有限公司，民國80年。

陳波，《愛默生》，傅偉勳/韋政通主編。台北：東大圖書股份有限公司，民88年。

張愛玲，《愛默森選集》。台北：皇冠文學出版有限公司，1992年。

彭聖錦，《鋼琴演奏與風格》。台北：雙木林出版社有限公司，民85年。

赫洛德•荀伯格，《現代樂派》，陳琳琳譯。台北：萬象圖書股份有限公司，1994。

Bernstein, Leonard.〈論美國音樂如何吸收種族成分〉，《伯恩斯坦創見集》，林元譯。台北：智庫股份有限公司，1996年初版，2015年再版。

Kamien, Roger.《音樂認識與欣賞》，王美珠等譯。台北：美商麥格羅•希爾國際股份有限公司台灣分公司，2005年。

Levitin, Daniel J..《迷戀音樂的腦》，王心瑩譯。台北：大家出版，2013。


四、中文期刊論文

石磊。〈論艾夫斯《第二鋼琴奏鳴曲康科德》〉。中國黑龍江省：《北方音樂》，第十一期，2009年，頁14-23。

黃雅蘭。〈艾伍士康寇爾奏鳴曲的音樂風格與意念〉。國立臺北藝術大學音樂學組在職專班碩士論文，2005年。

曾子嘉。〈從《康科德奏鳴曲》探討艾伍士的音樂創作與思維〉。國立臺灣師範大學音樂研究所碩士論文，2006年。

趙慶輝。〈《康科德奏鳴曲》與愛默生〉。中國天津：《天津音樂學院學報》，第二期，2004年，頁77-81。

劉洋洋。〈試論查爾斯•艾夫斯創作歷程、創作手法與風格特徵〉。中國呼倫貝爾：《呼倫貝爾學院學報》，第十六卷第三期，2008年，頁47-52。

Schonberg, Harold. 〈美國作曲家—艾伍士〉，李鴛英譯。《全音音樂文摘》，第十卷第一期，頁100-107。台北市：全音音樂文摘雜誌社，1986年。


五、網路資源

Burkholder, J. Peter. "Borrowing." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 30 Nov. 2016.
http://www.oxfordmusiconline.com/subscriber/article/grove/music/A2240263.

_______. "Borrowing in American Music." The Grove Dictionary of American Music, 2nd ed., 25 July 2013.
https://doi-org.dbs.tnua.edu.tw/10.1093/gmo/9781561592630.article.A224026.

_______. et al. "Ives, Charles." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 3 Nov. 2016.

Thiemel, Matthias. "Accent", New Grove Online, Oxford Music Online. Oxford University Press. 25 July 2013.
https://doi-org.dbs.tnua.edu.tw/10.1093/gmo/9781561592630.article.00098.

六、樂譜

Ives, Charles. Piano Sonata No.2, "Concord," with the Essays Before a Sonata. Introduction by Stephen Drury. New York, Dover Publications, INC., 2012.

_______. Piano Sonata No.2, "Concord Mass., 1840-1860", second edition, Associated Music Publishers, Inc., 1947.