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一、樂譜
Beethoven, Ludwig van. 33 Veränderungen über einen Walzer von Anton Diabelli, Op. 120. Autograph. NE 294. Beethoven-Haus Bonn. https://www.beethoven.de/
de/media/view/4981473048264704.
________. 33 Veränderungen über einen Walzer von Anton Diabelli, Op. 120. Revised Copy. HCB Mh 55. Beethoven-Haus Bonn. https://www.beethoven.de/de/
media/view/5792388509335552.
________. 33 Veränderungen über einen Walzer von Anton Diabelli, Op. 120. First Edition. Vienna, 1824.
________. Thirty-Three Variations on a Waltz by A. Diabelli, Op. 120. Edited by Hans
von Bülow. Variations for Piano, bk.1. New York: Schirmer, 1926.
________. 33 Veränderungen über einen Walzer von Anton Diabelli, Op. 120. Edited by Artur Schnabel. Berlin: Ullstein Verlag, n.d..
________. 33 Veränderungen über einen Walzer von Anton Diabelli, Op. 120. Edited by Siegfried Kross. Variationen für Klavier, vol. 2. Munich: G. Henle Verlag, 1973.
________. 33 Veränderungen über einen Walzer von Anton Diabelli, Op. 120. Variationen für Klavier, vol. 1. 10th ed. Edited by Erwin Ratz. Wien: Musikverlag, 1973.
________. 33 Veränderungen über einen Walzer von Anton Diabelli, Op. 120. Edited by Felix Loy. Munich: G. Henle Verlag, 2019.
________. 33 Veränderungen über einen Walzer von Anton Diabelli, Op. 120. Edited by Mario Aschauer. Kassel: Bärenreiter-Verlag, 2019.
二、西文書目
Anderson, Emily ed. The Letters of Beethoven. Vol. 1. New York: W. W. Norton and Company, 1986.
Apel, Willi. The History of Keyboard Music to 1700. Translated and revised by Hans
Tischler. Bloomington: Indiana University Press, 1972.
Bach, Carl Philipp Emanuel. Essay on the True Art of Playing Keyboard Instruments.
Translated by William J. Mitchell. New York: W. W. Norton, 1949.
Blom, Eric. Classics: Major and Minor. London: J.M. Dent, 1958.
Brendel, Alfred. "Der nenu Stil." In Nachdenken über Musik. Munich: Piper Verlag, 1977.
________. "Must Classical Music be Entirely Serious? II Beethoven's Diabelli Variations." In Music, Sense and Nonsense: Collected Essays and Lectures. London: Biteback Publishing, 2017.
Brown, Clive. Classical and Romantic Performing Practice 1750-1900. New York: Oxford University Press, 2002.
Burk, John. The life and Works of Beethoven. New York: Modern Library, 1943.
Butor, Michel. Dialogue avec 33 variations de Ludwig van Beethoven sur une valse de Diabelli. Paris: Gallimard, 1971.
Clementi, Muzio. Introduction to the Art of Playing the Pianoforte, Op. 42. London,
n.d..
Cooper, Barry ed. et al. The Beethoven Compendium: A Guide to Beethoven's Life and Music. London: Thames and Hudson, 1991.
Cooper, Martin. Beethoven: The Last Decade 1817-1827. New York: Oxford University Press, 1985.
Dahlhaus, Carl. Ludwig van Beethoven: Approaches to his Music. Translated by Mary Whittall. Oxford: Clarendon Press, 1991.
Drake, Kenneth. The Beethoven Sonatas and the Creative Experience. Bloomington: Indiana University Press, 1994.
Frisch, Walter. Brahms and the Principle of Developing Variation. Berkeley: University of California Press, 1984.
Gordon, Stewart. A History of Keyboard Literature: Music for the Piano and its
Forerunners. New York: Schirmer, 1996.
Hummel, Johann Nepomuk. Anweisung zum Piano-Forte-Spiel. Vienna, 1827.
Kalbeck, Max, ed. Johannes Briefwechsel. Vol. 1. Berlin, 1907.
________, ed. Johannes Brahms Briefwechsel. Vol. 8. Berlin, 1915.
Kalkbrenner, Friedrich Wilhelm. Pianoforte-Schule, Op.108. Leipzig, n.d..
Kanwischer, Alfred. From Bach's Goldberg to Beethoven's Diabelli: Influence and
Independence. Boston: Rowman and Littlefield, 2014.
Kinderman, William. "Beethoven." Chap. 3 in Nineteenth-Century Piano Music.
2nd ed. Edited by R. Larry Todd. New York: Routledge, 2004.
________. Beethoven's Diabelli Variations. New York: Oxford University Press,
1987.
Kirby, F.E. A Short History of Keyboard Music. New Jersey: Amadeus Press, 1995.
Koch, Heinrich Christoph. Versuch einer Anleitung zur Composition: Nebst einem
vollständigen Register über alle drey Theile. Böhme, 1793.
Littlewood, Julian. The Variations of Johannes Brahms. London: Plumbago Books, 2004.
Milchmeyer, Johann Peter. Die wahre Art das Pianoforte zu Spielen. Dresden, 1797.
Moser, Andreas, ed. Johannes Brahms Briefwechsel. Vol. 5. 1912. Reprint, Tutzing,
1974.
Münster, Arnold. Studien zu Beethovens Diabelli-Variationen. Munich: G. Henle Verlag, 1982.
Newman, William. Beethoven on Beethoven: Playing His Piano Music His Way. New York: W. W. Norton and Company, 1998.
Pollini, Francesco. Metodo pel clavicembalo. Milan, n.d..
Quantz, Johann Joachim. Versuch einer Anweisung die Flöte traversiere zu spielen.
Berlin, 1752.
Rellstab, Johann Carl Friedrich. Anleitung für Clavierspieler. Berlin, 1790.
Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: W. W.
Norton and Company, 1998.
Rosenblum, Sandra. Performance Practices in Classic Piano Music: Their Principles
and Applications. Bloomington: Indiana University Press, 1989.
Rudolf, Max. The Grammar of Conducting: A Comprehensive Guide to Baton Technique and Interpretation. 2nd ed. New York: Schirmer, 1980.
Schiedermair, Ludwig. Der Junge Beethoven. Leipzig: Quelle and Meyer, 1925.
Schindler, Anton. Beethoven as I Knew Him. New York: Dover Publications, 1996.
Schnabel, Artur. My life and Music. Edited by Edward Crankshaw. London, 1961.
Schumann, Robert. Gesammelte Schriften über Musik und Musiker. Vol. 1. Leipzig,
1854.
Sisman, Elaine. Haydn and the Classical Variation. Cambridge, MA: Harvard
University Press, 1993.
Solomon, Maynard. "The Creative Periods of Beethoven." In Beethoven Essays.
Cambridge, MA: Harvard University Press, 1988.
________. Late Beethoven: Music, Thought, Imagination. Berkeley, CA: University
of California Press, 2003.
Stanley, Glenn, ed. The Cambridge Companion to Beethoven. Cambridge, UK:
Cambridge University Press, 2000.
________. "The 'wirklich ganz neue Manier' and the Path to It: Beethoven's Variations for Piano, 1783-1802." In Beethoven Forum 3, edited by Christopher Reynolds et al., 53-79. Lincoln: University of Nebraska Press, 1994.
Starke, Friedrich. Wiener Pianoforte Schule, Op.108. Vienna, n.d..
Taruskin, Richard. The Oxford History of Western Music: The Nineteenth Century. New York: Oxford University Press, 2005.
Thayer, Alexander Wheelock. Thayer's Life of Beethoven. Revised and edited by Elliot Forbes. New Jersey: Princeton University Press, 1967.
Tovey, Donald Francis. A Companion to Beethoven's Piano Sonatas. 1998. Reprint,
London: ABRSM, 2004.
________. Beethoven. New York: Oxford University Press, 1945.
________. Essays in Music Analysis: Chamber Music. London: Oxford University Press, 1944.
Türk, Daniel Gottlob. Klavierschule. Leipzig, 1789.
Uhde, Jürgen. Beethovens Klaviermusik. Vol. 1. Stuttgart: Reclam-Verlag, 1968.
Wegeler, Franz and Ferdinand Ries. Beethoven Remembered: The Biographical Notes of Franz Wegeler and Ferdinand Ries. German, n.d..
________. Biographische Notizen uber Ludwig van Beethoven. Coblenz, 1838.
三、辭典
Brown, Maurice J.E. "Bagatelle." In Grove Music Online. Oxford University Press,
2001. Accessed April 18, 2021. https://0-doi.org.opac.lib.ntnu.edu.tw/10.1093/
gmo/9781561592630.article.01758.
Cyr, Mary. "Performance Practice in Western Art Music." In Oxford Bibliographies.
New York: Oxford University Press, 2016. Accessed March 31, 2021. http://10.1093 /OBO/9780199757824-0189.
Kerman, Joseph et al. "Beethoven, Ludwig van." In Grove Music Online. Oxford
University Press, 2001. Accessed October 22, 2020. https://doi.org/10.1093/gmo/ 9781561592630.article.40026.
Randel, Don Michael. "Variation." In The Harvard Concise Dictionary of Music and
Musicians. Cambridge: Havard University Press, 1999.
Russell, Tilden A. and Hugh Macdonald. "Scherzo." In Grove Music Online. Oxford
University Press, 2001. Accessed April 1, 2021. https://0-doi.org.opac.lib.ntnu. edu. tw/10.1093/gmo/9781561592630.article.24827.
Sadie, Stanley et al. "Mozart, (Johann Chrysostom) Wolfgang Amadeus." In Grove
Music Online. Oxford University Press, 2001. Accessed March 28, 2021. https://0
doi.org.opac.lib.ntnu.edu.tw/10.1093/gmo/9781561592630.article.6002278233.
Sisman, Elaine. "Variation." In Grove Music Online. Oxford University Press, 2001.
Accessed October 22, 2020. https://0-doi.org.opac.lib.ntnu.edu.tw/10.1093/gmo/
9781561592630.article.29050.
Steinbeck, Wolfram. "Kross, Siegfried." In Grove Music Online. Oxford University
Press, 2001. Accessed April 22, 2021. https://doi.org.opac.lib.ntnu.edu.tw/10.1093/
gmo/9781561592630.article.15577.
Weber, Horst. "Varietas, variatio / Variation, Variante." In Handwörterbuch der
musikalischen Terminologie. Edited by Hans Heinrich Eggebrecht. Stuttgart:
Franz Steiner Verlag, 2005.
四、外文期刊
Cooper, Barry. "Beethoven's Uses of Silence." The Musical Times 152, no. 1914 (Spring 2011): 25-43.
Dickinson, Alan Edgar Frederic. "Beethoven's Early Fugal Style." The Musical Times
96, no. 1344 (February 1955): 76-79.
Geiringer, Karl. "The Structure of Beethoven's Diabelli Variations." The Musical
Quarterly 50, no. 4 (October 1964): 496-503.
Herzog, Patricia. "The Practical Wisdom of Beethoven's Diabelli Variations." The
Musical Quarterly 79, no. 1 (Spring 1995): 33-54.
Horne, William. "Late Beethoven and 'The First Power of Inspiration' in Brahms's
Variations on an Original Theme, Op. 21, No. 1." Journal of Musicological Research 30 (2011): 106-111.
Kinderman, William. "The Evolution and Structure of Beethoven's Diabelli Variations." Journal of the American Musicological Society 35, no. 2 (Summer 1982): 306-328.
Kross, Siegfried. "Eine problematische Stelle in Beethovens Diabelli-Variationen." Die Musikforschung 16, no. 3 (July/September 1963): 267-270.
Martin, James. "The Structure of Beethoven's Diabelli Variations." The Beethoven
Journal 12, no. 1 (Spring 1997): 7-13.
Misch, Ludwig. "Fugue and Fugato in Beethoven's Variation Form." The Music
Quarterly 42, no. 1 (January 1956): 14-27.
Porter, David. "The Structure of Beethoven's Diabelli Variations, Op. 120." The Music Review 31 (November 1970): 295-297.
Sisman, Elaine. "Brahms and the Variation Canon." 19th-Century Music 14, no. 2
(Autumn, 1990): 132-153.
Tyson, Alan. "Weiterers über die problematische Stelle in Beethovens Diabelli-
Variationen." Die Musikforschung 18, no. 1 (January/March 1965): 46-48.
Wintle, Christopher. "Milton Babbitt's Semi-Simple Variations." Perspectives of New Music 14, no. 2 (Spring/Summer 1976): 111-154.
五、學術論文
Chua, Yun Ying. "Closure in Beethoven's Diabelli Variations, Op. 120." PhD diss.,
University of Manchester, 2004.
Drabkin, William. "A Study of Beethoven's Opus 111 and Its Sources." PhD diss.,
Princeton University, 1976.
Hung, Yu-Sui Esther. "Beethoven's Variations WoO 76, Opp. 34, 35, and 120: A
Comparative Analysis Between and Among." D.M.A. diss., University of
Cincinnati, 2007.
Jensen, Lia M. "From Waltz to Minuet: A Narrative Journey of Memory in Beethoven's Diabelli Variations, Op. 120." D.M.A. diss., University of Nebraska, 2006.
Lee, Ming-Shung. "A Selected Study of Three Variations by Bach, Beethoven, and
Brahms." D.M.A. diss., University of Cincinnati, 2003.
Su, Yingying. "Reinvention of the Classical Variations Form in Beethoven's Diabelli
Variations." D.M.A. diss., Northwestern University, 2015.
六、中文書目
董學渝。《貝多芬狄亞貝里三十三及c小調三十二變奏曲之研究》。台北：全音樂譜出版社，1993。
七、翻譯專書
Drake, Kenneth.《貝多芬鋼琴奏鳴曲──他本人的彈奏和教學》(The Sonatas of Beethoven, as He Played and Taught Them)。王杰珍 譯。桃園：原笙國際有限公司，2008。
八、網路資源
Brodsky, Seth. "Luciano Berio: Variazioni (5), for piano." Accessed April 13, 2021.
https://www.allmusic.com/composition/variazioni-5-for-piano-mc0002404293.
Müllemann, Norbert. "Beethoven's 'Diabelli' variations in a new guise." Henle Blog,
April 6, 2020. Accessed June 9, 2021. https://www.henle.de/blog/en/2020/04/06/
beethovens-diabelli-variations-in-a-new-guise/.
Neue Schubert-Ausgabe. "Dr. Felix Loy." Accessed April 26, 2021. https://schubert- ausgabe.de/en/contact/team/dr-felix-loy/.
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