參考資料

一、中文與中譯文獻
書目

王美珠。《音樂 文化 人生：系統音樂學的跨學科研究議題與論文》。台北：美樂出版社，2012。

___________。《音樂．跨域．文集》系統音樂學的跨學科研究議題與論文。台北：美樂出版社，2012。

___________。《音樂美學：歷史與議題》。台北：五南出版社，2017。

李斯特（Liszt, Franz）。《李斯特論蕭邦》張澤民／高士彥譯。台北：世界文物出版社，1993。

亞里斯多德（Aristotle）。《亞理斯多德〈創作學〉譯疏》（Poetics）王士儀譯註。台北：聯經出版，2003。

保羅．齊迪亞（Paul Kildea）。《蕭邦與他的鋼琴前奏曲》（Chopin’s Piano：A Journey Through Romanticism）韓絜光譯。台北：商周出版，2019。

茂木健一郎。《音樂腦：一切皆誕生於音樂》王文萱譯。台北：天下雜誌出版，2010。

索洛甫磋夫（A. Соловцов）。《肖邦的创作》中央音乐学院编译室譯。北京：人民音乐出版社，1960。

傑伊．海因里希斯（Jay Heinrichs）。《說理 I &II》（Thank You for Arguing：What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion）李祐寧譯，台北：天下雜誌出版，2018。
 
焦元溥。《聽見蕭邦》，台北：聯經出版，2010。

___________。《遊藝黑白：世界鋼琴家訪問錄四》，台北：聯經出版，2019。

楊沛仁。《音樂史與欣賞》。2001初版，台北：美樂出版社，2012第十七版。

漢里克．阿皮恩斯基（Henryk Opieński）編輯。《蕭邦書信集（上）、（下）》（Chopin’s Letters）潘保基譯。台北：世界文物出版社，1995。

劉亞猛。《西方修辭學史》北京：外語教學與研究出版社， 2008。

謝哲青。《永恆的凝望：天才閃耀的時代》，台北：皇冠出版，2020。

期刊論文

王美珠、陳亞群。〈從Joachim Burmeister的音樂修辭學（Musikalische Rhetorik）理論談巴洛克時期的音樂理解〉，《國立台北藝術大學關渡音樂學刊》三期（2005）：21-40。存取日期 2020年 5月 12日。DOI： 10.29873/GMJ.200512.0002

范紋綺。《蕭邦四首敘事曲的音樂與演奏詮釋》。國立臺北藝術大學音樂博士論文，2014。

陳希茹。〈「音樂修辭學」的適用性問題及其意義〉，《國立高雄師範大學 高雄師大學報》十七期 （2004）：197-212。存取日期 2020年 5月 12日。DOI：10.7060/KNUJ.200412.0197

陳亞群。《旋律學研究》。國立臺北藝術大學音樂碩士論文，2010。

簡汝瑾。《蕭邦〈馬厝卡舞曲〉：傳統的沉澱與淬鍊》。國立臺北藝術大學音樂博士論文，2011。
 
二、外文文獻
書目

Bach, Carl Philipp Emanuel. Essay on the True Art of Playing Keyboard Instru-ments, trans. and ed. William J. Mitchell. New York and London: W.W. Norton & Company, Inc., 1949.

Burmeister, Joachim. Musical Poetics. Translated by Benito V. Rivera. New Ha-ven and London: Yale University Press, 1993.

Chen, I-Chen. Narrative in the Ballades of Fryderyk Chopin: Rhythm as a Reflec-tion of Adam Mickiewicz’s Poetic Ballade. Saarbrücken: VDM Verlag Dr. Müller, 2009

Coker, Wilson. Music and Meaning: A Theoretical Introduction to Musical Aes-thetics, New York: The Free Press, 1972

Eigeldinger, Jean-Jacques. Chopin: Pianist and Teacher as Seen by His Pupils. Cambridge: Cambridge University Press, 1986.

Eigeldinger, Jean-Jacques. "Twenty-four Preludes Op. 28: Genre, Structure, Sig-nificance." In Chopin Studies. edited by Jim Samson, 167-93 England: Cambridge University Press, 1988.

Goehr, Lydia. The Imaginary Museum of Musical Works. Oxford: Clarendon press, 1992.

Goldberg, Halina. Music in Chopin's Warsaw. New York: Oxford University Press, 2008.

Halporn, James W., Martin Ostwald and Thomas G. Rosenmeyer, The Meters of Greek and Latin Poetry, Rev. ed. Norman: University of Oklahoma Press, 1980.

Hoggins, Thomas ed., Chopin Preludes, Opus 28: An Authoritative Score, Histori-cal Background, Analysis, Views and Comments, New York: W.W. Norton & Company, 1973.

Kallberg, Jeffrey. Chopin at the Boundaries: Sex, History, and Musical Genre. Convergences: Inventories of the Present, ed. Edward W. Said. Cambridge: Har-vard University Press, 1996.

Kramer, Lawrence. Music and Poetry. Berkeley: University of California Press, 1986.

Lanham, Richard A.. A Handlist of Rhetorical Terms. 2nd ed, Berkeley: University of California Press, 1991.

Lewis, Clarence Irving. Mind and The World-Order: Outline of A Theory of Knowledge. New York: Dover Publications, 1956.

Methuen-Campbell, James. Chopin Playing - From The Composer to The Present Day. London: Victor Gollancz, 1981.

Meyer, Leonard B., Emotion and Meaning in Music, Chicago: University of Chi-cago Press, 1956.

Tchaikovsky, Modeste ed., The Life & Letters of Peter Ilich Tchaikovsky, Translat-ed by Rosa Newmarch, London: The Bodley Head, 1906

Rink, John, and Jim Samson, eds. Chopin Studies 2. Cambridge: Cambridge Uni-versity Press, 1994.

Rosen, Charles. Music and Sentiment. New Haven and London: Yale University Press, 2010.

Schonberg, Harold C. The Great Pianists: from Mozart to the Present. New York: Simon & Schuster, 1987.

Schweizer, Albert. J. S. Bach, Vol.2, Translated by Ernest Newman, London: Adam & Charles Black, 1923.

期刊論文

Agawu, V. Kofi. "Concepts of Closure and Chopin's Opus 28." Music Theory Spectrum 9 (1987): 1-17. Accessed May 12, 2021. doi:10.2307/746116.

Anne Swartz, "Elsner, Chopin, and Musical Narrative as Symbols of Nation." The Polish Review 39, no. 4 (1994): 445-56. Accessed April 14, 2021. http://www.jstor.org/stable/27920653.

Biamonte, Nicole. "Variations on a Scheme: Bach's 'Crucifixus' and Chopin's and Scriabin's E-Minor Preludes." Intégral 26 (2012): 47-89. Accessed April 14, 2021. http://www.jstor.org/stable/23629590.

Caplin, William. "Theories of Musical Rhythm in the Eighteenth and Nineteenth Centuries." The Cambridge History of Western Music Theory, edited by Thomas Christensen, 657–94. The Cambridge History of Music. Cambridge: Cambridge University Press, 2002. http://dx.doi.org /10.1017/CHOL9780521623711.023.

Gilbert, Creighton E. "What Is Expressed in Michelangelo's "Non-Finito"." Arti-bus Et Historiae 24, no. 48 (2003): 57-64. Accessed April 4, 2021. http://dx.doi.org /10.2307/1483730.

Goddard, Cliff. "Interjections and Emotion (with Special Reference to “surprise” and “disgust”)". Emotion Review 6, no. 1 (2014): 53–63. Accessed April 4, 2021. http://dx.doi.org /10.1177/1754073913491843.

Goldberg, Halina. "Phrase Structure in Chopin's Early Works in the Light of Els-ner's Instruction." Indiana Theory Review 28, no. 1/2 (2010): 1-13. Accessed April 14, 2021. http://www.jstor.org/stable/24046495.

Kallberg, Jeffrey. "Chopin's March, Chopin's Death." 19th-Century Music 25, no. 1 (2001): 3-26. Accessed April 14, 2021. http://dx.doi.org /10.1525/ncm.2001.25.1.3.

______________. "The Rhetoric of Genre: Chopin's Nocturne in G Minor." 19th-Century Music 11, no. 3 (1988): 238-61. Accessed April 9, 2021. doi:10.2307/746322.

Rogers, Michael R. "Chopin, Prelude in A Minor, Op. 28, No. 2." 19th-Century Music 4, no. 3 (1981): 245-50. Accessed April 14, 2021. http://dx.doi.org /10.2307/746697.

Yamamura, Kaoru. "Rhetorical Approach to the Performance of Eighteenth-Century Keyboard Music on the Modern Piano: C. P. E. Bach’s Fantasia in G Minor, WQ. 117-13 and Mozart’s Fantasia in D Minor, k. 397", ( D. M. diss., In-diana University, 2013). Accessed 23 Apr. 2021. https://core.ac.uk/reader/213832170
辭典

Alex Preminger ed. Princeton Encyclopedia of Poetry and Poetics. Enlarged Edi-tion. Princeton University Press, New Jersey. 1974

"Antecedent and consequent" in The New Grove Dictionary of Music and Musi-cians, 2nd ed., Vol. 1, edited by Stanley Sadie, New York: Macmillan, 2001.

Bent, Ian D., and Anthony Pople. "Analysis" in The New Grove Dictionary of Music and Musicians, 2nd ed., Vol. 1, edited by Stanley Sadie, New York: Macmil-lan, 2001.

Brown, Maurice J.E., and Kenneth L. Hamilton. "Arabesque (i)" in The New Grove Dictionary of Music and Musicians, 2nd ed., Vol. 2, edited by Stanley Sadie, New York: Macmillan, 2001.

Caldwell, John, and Malcolm Boyd. "Dies irae" in The New Grove Dictionary of Music and Musicians, 2nd ed., Vol. 7, edited by Stanley Sadie, New York: Macmil-lan, 2001.

Carter, Tim. "Word-painting" in The New Grove Dictionary of Music and Musi-cians, 2nd ed., Vol. 27, edited by Stanley Sadie, New York: Macmillan, 2001.

Davies, Stephen, and Stanley Sadie. "Interpretation" in The New Grove Diction-ary of Music and Musicians, 2nd ed., Vol. 12, edited by Stanley Sadie, New York: Macmillan, 2001.

Drabkin, William. "Vierhebigkeit" in The New Grove Dictionary of Music and Musicians, 2nd ed., Vol. 26, edited by Stanley Sadie, New York: Macmillan, 2001.

_____________. "Fortspinnung" in The New Grove Dictionary of Music and Mu-sicians, 2nd ed., Vol. 9, edited by Stanley Sadie, New York: Macmillan, 2001.

Fortune, Nigel. "Strophic variations" in The New Grove Dictionary of Music and Musicians, 2nd ed., Vol. 24, edited by Stanley Sadie, New York: Macmillan, 2001.

Jander, Owen, and Ellen T. Harris. "Bel canto" in The New Grove Dictionary of Music and Musicians, 2nd ed., Vol. 3, edited by Stanley Sadie, New York: Macmil-lan, 2001.

Ledbetter, David, and Howard Ferguson. "Prelude" in The New Grove Dictionary of Music and Musicians, 2nd ed., Vol. 20, edited by Stanley Sadie, New York: Mac-millan, 2001.

London, Justin. "Rhythm" in The New Grove Dictionary of Music and Musicians, 2nd ed., Vol. 21, edited by Stanley Sadie, New York: Macmillan, 2001.

Samson, Jim. "Chopin, Fryderyk Franciszek" in The New Grove Dictionary of Mu-sic and Musicians, 2nd ed., Vol. 5, edited by Stanley Sadie, New York: Macmillan, 2001.

Schnapper, Laure. "Ostinato" in The New Grove Dictionary of Music and Musi-cians, 2nd ed., Vol. 18, edited by Stanley Sadie, New York: Macmillan, 2001.

"Texture" in The New Grove Dictionary of Music and Musicians, 2nd ed., Vol. 25, edited by Stanley Sadie, New York: Macmillan, 2001.

Theresa Enos ed. Encyclopedia of Rhetoric and Composition: Communication from Ancient Times to the Information Age, New York & London: Garland Pub-lishing, Inc, 1996.

Thiemel, Matthias. "Agogic" in The New Grove Dictionary of Music and Musi-cians, 2nd ed., Vol. 1, edited by Stanley Sadie, New York: Macmillan, 2001.

Weber, William. "Recital" in The New Grove Dictionary of Music and Musicians, 2nd ed., Vol. 20, edited by Stanley Sadie, New York: Macmillan, 2001.

Wilson, Blake, George J. Buelow, and Peter A. Hoyt. "Rhetoric and music" in The New Grove Dictionary of Music and Musicians, 2nd ed., Vol. 21, edited by Stanley Sadie, New York: Macmillan, 2001.

 
三、樂譜

Bach, Johann Sebastian. Bach-Gesellschaft Ausgabe, Band 14. Edited by Franz Kroll. Leipzig: Breitkopf und Härtel, 1866.

_____________. Partita No.3 in E major, BWV 1006. Edited by Carl Flesch. Leipzig: Edition Peters, 1948.

_____________. Bach-Gesellschaft Ausgabe, Band 4. Edited by Julius Rietz. Leipzig: Breitkopf und Härtel, 1854.

Beethoven, Ludwig van. Sonaten für das Pianoforte. Leipzig: Breitkopf und Här-tel, 1862.

_____________. Concerto No. 2 in B flat Major for Pianoforte, Op.19. Edited by Theodor Kullak. New York: G. Schirmer, 1901.

Brahms, Johannes. Sämtliche Werke, Band 14. Edited by Eusebius Mandyczewski. Leipzig: Breitkopf & Härtel, 1927.

Chopin, Frédéric. 24 Préludes. Edited by Alfred Cortot. Translated by D. Ponsonby. Paris: Salabert Editions, 2002.

_____________. Preludes. Edited by Ignacy J. Paderewski. Warsaw: Polskie Wydawnictwo Muzyczne SA, 1953.

_____________. Preludia. Edited by Jan Ekier. Wydanie Narodowe. Warsaw: Polskie Wydawnictwo Muzyczne SA, 2016.

_____________. Preludes & Rondo. Revision by Claude Debussy. Paris: Durand et Cie., 1915.

_____________. Preludes. Edited by Carl Mikuli. New York: G. Schirmer, 1943.

_____________. Preludes. Edited by Ewald Zimmerman. Munchen: G. Henle Verlag, 1982.

_____________. Complete Works for the Piano, Vol.5: Ballades. Edited by Ra-fael Joseffy. New York: G. Schirmer, 1916.

_____________. Complete Works for the Piano, Vol.4: Nocturnes. Edited by Carl Mikuli. New York: G. Schirmer, 1894

_____________. 12 Études, Op. 25. Edited by Alfred Cortot. Paris: Maurice Sen-art, 1916.

Liszt, Franz. Symphonische Dichtungen für grosses Orchester, Bd.1. Leip-zig: Breitkopf und Härtel, 1885.

Mozart, Wolfgang Amadeus. 19 Sonatas for the Piano. Edited by Siegmund Lebert and Wilhelm Scharfenberg. New York: G. Schirmer, 1893.

Schubert, Franz. Songs. Trans. by Theodore Baker New York: G. Schirmer, 1895.

_____________. Gesänge für eine Singstimme mit Klavierbegleitung, Band 1. Ed-ited by Max Friedlaender. Leipzig: Edition Peters, 1910.

Schumann, Robert. Robert Schumanns Werke, Serie XIII: Für eine Singstimme, mit Begleitung des Pianoforte. Edited by Clara Schumann. Leipzig: Breitkopf & Härtel, 1912.

四、網站

國家教育研究院: 雙語詞彙、學術名詞暨辭書資訊網
http://terms.naer.edu.tw/

博納羅蒂之家博物館 （Casa Buonarroti）https://www.casabuonarroti.it/museo/collezioni/opere-michelangelo/

IMSLP/ Petrucci Music Library.
https://imslp.org/

Silva Rhetoricae.
http://rhetoric.byu.edu/