This thesis starts from the essence of film, to have a analytical investigation for the imagery of theatre drama. At first, the definition of theatre drama concept always has the dispute, while the central point mainly concentrates on the definition of theatre and film in theatre drama. Therefore, the chief topic of this thesis is the sort out of the aesthetic features in theatre drama, by this way to give the definition of the essence of film theatre drama art, combined with the principles of film theatre drama art, to have a discuss for the component and feature of theatre drama. Secondary, through the realism, suppositionality in drama performance in film to display and fusion the state, combining the essence of film are and lens language system, to have a discussion for the imagery feature of film, based on this, discussing the aesthetic collisions between theatre and film, as well as the feature of its unique imagery art.
The introduction of this thesis, consists of research motivation, research value, research methods, research scope, literature analysis and noun definition.
Chapter one starts from the essence and aesthetic drama principles, interpreting the art feature of drama art feature, as well as imagery interpreting for drama art feature. Then, extending to the aesthetic feature of theatre Drama and imagery study.
Chapter two based on the inherit of aesthetic feature in theatre Drama, as well as the essence of film and realism feature, to have a analyze of long focus lens and realistic and freehand in art performance.
Chapter three, based on realistic and freehand, to have a comparative analyze of the feature in theatre and film, and take a example explanation for its common imagery creation.
Chapter four and conclusion to conclude the art feature if theatre and film, aim on the conclusion of stage space, performance stylization and suppositionality.