This thesis focuses on Zhong Lihe’s life writing, trying to connect the things that happened in his life with his writing from different stages. In doing so, it shows the progress of his literary writing and his tenacity toward life struggles. From his life journey, we can also examine the contemporary developments, social changes and the experiences of suffering people.
The thesis is divided into six chapters. The introduction explains the motivation and purpose of the research. Firstly, I will define "life writing", and the thesis aims to connect Lihe’s life experiences with the progress of the times. The literature review, on the other hand, will revisit previous research to explore the essences of Zhong Lihe's life writing.
The second chapter, "Creation perspectives and Literary Environment", discusses its internal and external factors that shaped his literary views and his commitment to writing in a truth-oriented way. Then with "Literary Writers Newsletter", a publication by Taiwan native Hakka writers as the theme, the thesis will explore the literary environment in which he lived as well as the mission he undertook.
The third chapter, "Homeland Experience and Taiwanese Identity", focuses on his early life in mainland China. From the dual perspectives of an intellectual, we can observe the northern region, as well as the international situation and human changes after World War II. It also leads us to re-examine Taiwan's positioning and self-identity. In my opinion, the "homeland ties" extend beyond geographical boundaries. It also embodies the emotional connections between the writer and the homeland.
The fourth chapter, "Narratives of Illness and Reflections on Life", focuses on Zhong Lihe‘s struggles with lung disease after returning to Taiwan. It depicts the hardship and positivity of patients in the hospital. Through the narratives of illness, it portrays the struggles between life and death, and later helps him understand the purpose in his life.
The fifth chapter "Images of Meinong and Sentiments for the Hometown" explores various depictions of his hometown Meinong, including its natural landscapes and cultural activities. It breaks free from feudal barriers, alerts the changes of rural reforms, and also praises the resilience of the grassroots people. The sixth chapter is the conclusion, which offers a comprehensive overview of Zhong Lihe’s life writing, and manifests his literary works as timeless classics.
Zhong Lihe writes his own life plight in words, and his literary works transcend reality. Meanwhile, he also guides a wide range of readers with his literary creation. With his sincerity in writing, he truly becomes a literary guide.