一、原始資料
（一）樂譜
“67 Swedish Folk Songs.” Scribd. Accessed April 24, 2022. https://www.scribd.com/document/367469091/67-Swedish-Folk-Songs.
Berlioz, Hector. La mort d’Ophélie, Op. 18 No. 2. In Hector Berlioz Werke, series VI, vol. 14, 75-88. Leipzig: Breitkopf & Härtel, 1903.
Brahms, Johannes. Fünf Ophelia-Lieder für eine Sopranstimme und Klavierbegleitung. Wiesbaden: Breitkopf & Härtel, 1961.
Chausson, Ernest. Chansons de Shakespeare, Op. 28. Paris: Rouart, Lerolle & Cie., 1910.
Faccio, Franco. Amleto. Edizione critica della partitura. Edited by Anthony Barrese. 3 vols. Milan: Ricordi, 2014.
Saint-Saëns, Camille. La mort d’Ophélie. In Vingt mélodies et duos, vol. 1, 59-67. Paris: Durand et Schœnewerk, 1885.
Strauss, Richard. 6 Lieder, Op. 67. London: Boosey & Hawkes, 1964.
Thomas, Ambroise. Hamlet. Paris: Heugel, 1869.
（二）文字
Afzelius, Arvid August. “Näckens Polska / In des Meeres tiefsten Wunderhallen.” German translation by Amalie von Helvig. Lyrics Translate. Accessed April 24, 2022. https://lyricstranslate.com/en/nackens-polska-des-meeres-tiefsten-wunderhallen.html.
Bosio, Elisa. “L’epistolario di Arrigo Boito.” PhD diss., University of Padova, 2010.
Dumas, Alexandre, and Paul Meurice. Hamlet, prince de Danemark: drame en vers en cinq actes et huit parties. 1853. Reprint, Paris: Hachette Livre - BNF, 2013.
Grammaticus, Saxo, and François de Belleforest. The Norse Hamlet. English Translation by Søren Filipski. N.p.: Hythloday Press, 2013.
Schlötterer, Reinhold, ed. Die Texte der Lieder von Richard Strauss. Kritische Ausgabe. Pfaffenhofen: W. Ludwig Verlag, 1988.
Shakespeare, William. Hamlet, Prince of Denmark. Edited by Philip Edwards. Cambridge: Cambridge University Press, 2003.
———. Romeo und Julia, Hamlet, Othello. German translation by August Wilhelm Schlegel and Ludwig Tieck. Zürich: Diogenes Verlag AG, 1979.
莎士比亞。《哈姆雷》。彭鏡禧譯。修訂版。臺北：聯經，2014。
———。《哈姆雷特》。朱生豪譯。臺北：世界書局，1996。
———。《哈姆雷特》。孫大雨譯。臺北：聯經，1999。
———。《哈姆雷特》。梁實秋譯。臺北：遠東圖書，2017。
（三）影音
ChembaLiszt. “A. Thomas: Hamlet [Niquet] - HNK Zagreb, 2011.” Directed by Michiel Dijkema, conducted by Hervé Niquet, Croatian National Theatre in Zagreb, November 19, 2011. YouTube video. Uploaded July 10, 2020. Accessed January 24, 2024. https://www.youtube.com/watch?v=gLfrPd6Y1NU.
Faccio, Franco. Hamlet. Directed by Olivier Tambosi, conducted by Paolo Carignani. Bregenz Festival, July 2016. C Major 740608, 2017. 2 DVDs.
Roberto Job _2. “Franco Faccio AMLETO atti 1 & 2 (1865-71).” Conducted by Anthony Barrese, Opera Southwest, October 26, 2014. YouTube video. Uploaded October 30, 2016. Accessed January 15, 2024. https://www.youtube.com/watch?v=eLo97onFcD0.
———. “Franco Faccio AMLETO atti 3 & 4 (1865-71).” Conducted by Anthony Barrese, Opera Southwest, October 26, 2014. YouTube video. Uploaded October 30, 2016. Accessed January 15, 2024. https://www.youtube.com/watch?v=LeRMeAyQPcw.
Thomas, Ambroise. Hamlet. Conducted by Antonio de Almeida. Recorded March 8-19, 1993. EMI France CDCC 7 54820 2, 1993. 3 CDs.
二、研究資料
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Ashbrook, William. “Boito, Arrigo [Enrico].” Grove Music Online. Oxford Music Online. Published online 2001. Accessed January 22, 2023. https://doi.org/10.1093/gmo/9781561
592630.article.03430.
———. “Faccio, Franco [Francesco Antonio].” Grove Music Online. Oxford Music Online. Published online 2001. Accessed March 22, 2023. https://doi.org/10.1093/gmo/97815615
92630.article.09203.
Barbuscia, Giuseppe. “Shakespeare’s Reception in Italy: Two Translations of The Tempest (A Case Study).” Folia Linguistica et Litteraria, no. 24 (2018): 45-65.
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———. “Sources.” In Faccio, Amleto, 1:vi-vii.
———. “Critical Notes.” In Faccio, Amleto, 1:viii-xxxv.
———. “Librettos.” In Faccio, Amleto, 3:307-327.
Bradley, Andrew Cecil. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. London: Dodo Press, 2009.
Bunt, Bonita Elissa. “Finding the Shakespeare in Ambroise Thomas’ Hamlet: A Comparison of Plot and Character in the Seventeenth-Century English Play and the Nineteenth- Century French Opera.” DMA diss., University of Nevada, Las Vegas, 2017.
Conroy Jr., Peter V. “A French Classical Translation of Shakespeare: Ducis’ Hamlet.” Comparative Literature Studies 18, no. 1 (March 1981): 2-14.
Corbin, John. The Elizabethan Hamlet: A Study of the Sources and of Shakespeare’s Environment, to Show That the Mad Scenes Had a Comic Aspect Now Ignored. London: Elkin Mathews, Vigo Street, W., 1895.
d’Angelo, Emanuele. “Boito e Shakespeare prima di Verdi: Genesi e fonti dell’Amleto del 1865.” Verdiperspektiven 1 (2016): 43-66.
———. “Oggi la musica è tutta al melodramma.” In Arrigo Boito drammaturgo per musica: Idee, visioni, forma e battaglie, 3-16. Venice: Marsilio Editori, 2010.
———. “Tra Hugo fils e Dumas père: Fonti francesi dell’Amleto di Arrigo Boito.” In The Lark and the Nightingale: Shakespeare e l’Opera, edited by Camillo Faverzani, 123-136. Sediziose voci: Studi sul melodrama 5. Lucca: Libreria Musicale Italiana, 2017.
Dahlhaus, Carl. Nineteenth-Century Music. English translation by J. Bradford Robinson. Berkerly: University of California Press, 1989.
De Rensis, Raffaello. Franco Faccio: Arte, Scapigliatura, Patriottismo. Rome: NeoClassica, 2016.
“De Rensis Images: L’Amleto de A. Boito: con lettere inedite di A. Boito.” Opera Southwest. Accessed March 26, 2023. https://www.operasouthwest.org/amleto/de-rensis-images.
Döhring, Sieghart. “Die Wahnsinnsszene.” In Die Couleur locale in der Oper des 19. Jahrhunderts, edited by Heinz Becker, 279-314. Regensburg: Gustav Bosse Verlag, 1976.
Dreher, Diane Elizabeth. Domination & Defiance: Fathers & Daughters in Shakespeare. Lexington, KY: University Press of Kentucky, 1986.
Dusinberre, Juliet. Shakespeare and the Nature of Women. 2nd ed. New York: St. Martin’s Press, 1996.
Elliott, Jr., John R. “The Shakespeare Berlioz Saw.” Music & Letters 57, no. 3 (July 1976): 292-308.
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Fauser, Annegret. “Ambroise Thomas: Hamlet, Opéra en cinq actes.” In Pipers Enzyklopädie des Musiktheaters: Oper, Operette, Musical, Ballett, edited by Carl Dahlhaus, 6:286-290. Munich: Piper Verlag, 1997.
———. “Ophelie: Shakespeare in Paris.” In booklet of Thomas, Hamlet, 3CDs, 33-41.
Fischer-Dieskau, Martin. Dirigieren im 19. Jahrhundert: Der italienische Sonderweg. Mainz: Schott Music, 2016.
Forbes, Elizabeth. “Hamlet.” In booklet of Thomas, Hamlet, 3 CDs, 20-28.
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———. On Brahms and His Circle: Essays and Documentary Studies. Revised and enlarged by George S. Bozarth. Sterling Heights, MI: Harmonie Park Press, 2006.
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Greenblatt, Stephen. Will in the World: How Shakespeare Became Shakespeare. New York: W. W. Norton & Company, 2005.
Griffiths, Christian Michael. “Richard Strauss, Drei Lieder der Ophelia Opus 67, 1-3, Interpreted as a Work of German Expressionism.” BA (Hons) thesis, Monash University, 2012.
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Gurr, Andrew. The Shakespearean Stage 1574-1642. 3rd ed. Cambridge: Cambridge University Press, 1992.
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Hepokoski, James A. Review of The Operas of Verdi, Vol. III: From “Don Carlos” to “Falstaff” by Julian Budden. Journal of the American Musicological Society 35, no. 3 (1982): 577-585. Accessed August 5, 2023. https://doi.org/10.2307/830990.
Heylen, Romy. Translation, Poetics, and the Stage: Six French Hamlets. London: Routledge, 1993.
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Prosser, Eleanor. Hamlet and Revenge. Stanford, CA: Stanford University Press, 1967.
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Schüssler, Kerstin. “Noi, più baldi e men devoti / Vogliam l’arte dei nepoti: Arrigo Boitos und Franco Faccios Oper Amleto als Manifest des nuovo melodrama.” In Aspetti musicali: Musikhistorische Dimensionen Italiens 1600 bis 2000. Festschrift für Dietrich Kämper zum 65. Geburtstag, edited by Norbert Bolin, Christoph von Blumröder, and Imke Misch, 175-186. Cologne: Verlag Dohr, 2001.
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Tägil, Ingela. “Christina Nilsson (1843-1921): Biography.” English translation by Jill Ann Johnson. Swedish Musical Heritage. Published 2015. Accessed April 22, 2022. https://www.swedishmusicalheritage.com/composers/nilsson-kristina/.
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沈雕龍。〈固定樂思：白遼士執念的樂音實踐〉。國立臺灣師範大學碩士論文，2008。
———。〈｢歌劇裡，詩必須是音樂乖順的女兒」：以莫札特三部維也納諧劇為例談義語歌劇的韻文入樂〉。《音樂研究》第23期（2015年11月）：1-32。
施妤青。〈布拉姆斯與史特勞斯《奧菲利亞之歌》比較研究〉。東海大學碩士論文，2017。
張婉禎。〈挑戰符號父親：《哈姆雷特》與《馬克白》中女性角色的瘋狂與主體性〉。國立彰化師範大學碩士論文，2006。
許秀彬。〈從孟德爾頌的《仲夏夜之夢》看劇樂之音樂形塑與戲劇詮釋〉。國立臺灣師範大學碩士論文，2009。
雅各布斯哈根（Arnold Jacobshagen）。〈形式依循功能：析論華格納的《禁止戀愛》〉，陳怡文譯。收錄於《華格納研究：神話、詩文、樂譜、舞台》，羅基敏、梅樂亙主編，2013年臺北華格納國際學術會議論文集，96-126。臺北：華滋出版，2017。
黃柳蕙。〈威爾第歌劇之「梭利塔模式」研究：以《弄臣》、《遊唱詩人》與《茶花女》為例〉。國立臺灣師範大學碩士論文，2006。
楊書昕。〈奧菲利亞的典型人格：論史特勞斯的《三首奧菲利亞歌曲》及傑克．亨吉的《四首給奧菲利亞的歌與十四行詩》〉。國立臺北教育大學碩士論文，2018。
蔡永凱。〈理查．史特勞斯樂團歌曲研究〉。國立臺灣師範大學博士論文，2013。
———。〈理查．史特勞斯的「鋼琴藝術歌曲樂團化」：創作、演出與出版〉。《音樂研究》第22期（2015年5月）：35-65。
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———。〈威爾第的《法斯塔夫》〉。《音樂月刊》第150期（1995年3月）：146-152。
———。〈龐開利的《嬌宮妲》（上）〉。《音樂月刊》第155期（1995年8月）：138-141。
———。〈龐開利的《嬌宮妲》（下）〉。《音樂月刊》第156期（1995年9月）：130-134。
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