期刊論文1. | Balas, Edith(1989)。Michelangelo‘s Victory: Its Role and Significance。Gazette des Beaux-Arts,113,67-80。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
2. | Greenstein, Jack M.(1999)。Mantegna, Leonardo and the Times of Painting。Word and Image,15,217-242。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
3. | Steinberg, Leo(1973)。Leonardo‘s Last Supper。Art Quarterly,36,297-410。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
4. | Elam, Caroline(1992)。Lorenzo de‘ medici‘s Sculpture Garden。Mitteilungen des Kunsthistorischen Institutes in Florenz,36,41-84。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
5. | Korte, Werner(1955)。Das Problem des Nonfinito bei Michelanelo。Romisches Jahrbuch fur Kunstgeschichte,7,293-302。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
6. | Saflund, Gosta(1976)。The Belvedere Torso: An Interpretation。Opuscula Romana,11,63-84。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
7. | Schmitt, Annegr(1970)。Romische Antikensammlungen im Spiegel eines Musterbuchs der Renaissance。Munchner Jahrbuch der Bildenden Kunst,21,99-128。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
8. | Schulz, Juergen(1975)。Michelangelo‘s Unfinished Works。Art Bulletin,57,366-373。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
9. | Springer, Jaro(1884)。Ein Skizzenbuch von Heemskerck。Jahrbuch der koniglich preussischen Kunstsammlungen,5,327-333。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
10. | Verspohl, Franz-Joachim(1996)。Der ‘Torso’ des Apollonios und der Moses des Michelangelo- Von der Genauigkeit des Kunstlers。Daidalus,59,92-97。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
11. | Winner, Matthias(1974)。Zum Nachleben des Laokoon in der Renaissance。Jahrbuch der BerlinerMuseen,16,83-121。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
12. | 花亦芬(2000)。瓦撒利(Vasari)論「淺平浮雕」(rilievo schiacciato)─以東拿帖羅(Donatello)的浮雕創作為例。中央研究院歷史語言研究所集刊,71(4),745-805。 延伸查詢![new window](/gs32/images/newin.png) |
圖書1. | Haskell, Francis、Penny, Nicholas(1981)。Taste and the Antique: The Lure of Classical Sculpture 1500-1900。New Haven and London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
2. | Mendelsohn, Leatrice(1982)。Paragoni: Benedetto Varchis Due Lezzioni and Cinquecento Art Theory。Ann Arbor。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
3. | Barocchi, Paola(1977)。Scritti d‘ Arte del Cinquecento。Milan。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
4. | Andrews, Lew(1995)。Story and Space in Renaissance Art: The Rebirthof Continuous Narrative。Cambridge。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
5. | De Tolnay, Charles(1943)。The Youth of Michelangelo。Princeton:Princeton University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
6. | Berenson, Bernard(1980)。The Italian Painters of the Renaissance。Oxford:Phaidon。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
7. | Fiorio, Maria Teresa(1992)。Broken Sculpture: Michelangelo and the Aesthetic of the Fragment。The Genius of the Sculptor in Michelangelo‘s Work。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
8. | Bober, Phyllis Pray、Rubinstein, Ruth(1986)。Renaissance Artists and Antique Sculpture: A Handbook of Sources。Renaissance Artists and Antique Sculpture: A Handbook of Sources。London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
9. | Pollitt, J. J.(1986)。Art in the Hellenistic Age。Art in the Hellenistic Age。Cambridge。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
10. | Barkan, Leonard(1999)。Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture。Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture。New Haven and London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
11. | Gombrich, Ernst H.(1966)。The Style all‘antica: Imitation and Assimilation。Norm and Form。London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
12. | Weiss, Roberto(1969)。The Renaissance Discovery of Classical Antiquity。The Renaissance Discovery of Classical Antiquity。Oxford。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
13. | Rowland, Ingrid D.(1998)。The Culture of the High Renaissance: Ancients and Moderns in Sixteenth-Century Rome。The Culture of the High Renaissance: Ancients and Moderns in Sixteenth-Century Rome。Cambridge。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
14. | Wallace, William E.(1998)。Michelangelo: The Complete Sculpture, Painting, Architecture。Michelangelo: The Complete Sculpture, Painting, Architecture。Hugh Lauter Levin Associaties, Inc.。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
15. | Wilde, Johannes(1954)。Michelangelo‘s ’Victory‘。Charlton Lectures on Art。Oxford。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
16. | Condivi, Ascanio(1997)。Vita di Michelangelo Buonarroti。Le Vite di Michelangelo Buonnarroti, scritte da Giogio Vasari e da Ascanio Condivi。Berlin。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
17. | de Tolnay, Charles(1943)。Michelangelo IV: The Tomb of Julius II。Michelangelo IV: The Tomb of Julius II。New Jersey。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
18. | Panofsky, Erwin(1954)。Galileo as a Critic of the Arts。Galileo as a Critic of the Arts。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
19. | Goldscheider, Ludwig(2000)。Michelangelo: Paintings, sculpture, architecture, complete edition。Michelangelo: Paintings, sculpture, architecture, complete edition。London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
20. | Gombrich, Ernst H.(1976)。Means and Ends: Reflections on the History of Fresco painting。Means and Ends: Reflections on the History of Fresco painting。London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
21. | Corrain, Lucia(1987)。Le figure del tempo。Le figure del tempo。Milan。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
22. | Brandt, Kathleen Weil-Garris(1987)。Michelangelo‘s Pieta for the Capella del Re di Francia。Il se rendit en Italie: Etudes offertes a Andre Chastel。Paris and Rome。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
23. | Barolsky, Paul(1994)。The poetry of the Non Finito。The Faun in the Garden: Michelangelo and the Poetic Origins of Italian Renaissance Art。Pennsylvania。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
24. | de Tolnay, Charles(1943)。Michelangelo III: The Medici Chapel。Michelangelo III: The Medici Chapel。New Jersey。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
25. | Alberti, Leon Battista(1972)。De statua。On Painting and On Sculpture。London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
26. | Aldrovandi, Ulisse(1559)。Delle statue antiche che per tutta Roma in diversi luoghi e case si veggono。Le antichita della citta di Roma。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
27. | Barocchi, Paola(1992)。Il Giardino di San Marco: Maestri e Compagni del del Givane Michelangelo。Il Giardino di San Marco: Maestri e Compagni del del Givane Michelangelo。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
28. | Brandt, Kathleen Weil-Garris(2000)。Giovinezza di Michelangelo。Giovinezza di Michelangelo。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
29. | Brummer, Hans Henrik(1970)。The Statue Court in the Vatican Belvedre。The Statue Court in the Vatican Belvedre。Stockholm。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
30. | Farago, Claire J.(1992)。Leonardo da vinci‘s paragone: A Critical Interpretation with a New Edition of the Text in the Codex Urbinas (vol. 25)。Leonardo da vinci‘s paragone: A Critical Interpretation with a New Edition of the Text in the Codex Urbinas (vol. 25)。Leiden。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
31. | Ferino-Pagden, Sylvia(1997)。Vittoria Colonna: Dichterin und Muse Michelangelos。Vittoria Colonna: Dichterin und Muse Michelangelos。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
32. | Gombrich, Ernst H.(1976)。The Heritage of Apelles。The Heritage of Apelles。London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
33. | Hirst, Michael(1988)。Michelangelo and His Drawings。Michelangelo and His Drawings。New Haven and London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
34. | Liverani, Paolo。Der Statuenhof im Belvedere。Der Torso: Ruhm und Ratsel。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
35. | Pope-Hennessy, John(1970)。Italian High Renaissance and Baroque Sculpture。Italian High Renaissance and Baroque Sculpture。London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
36. | Saslow, James M.(1991)。The Poetry of Michelangelo: An Annotated Translation。The Poetry of Michelangelo: An Annotated Translation。New Haven and London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
37. | Schwinn, Christa(1973)。Die Bedeutung des Torso vom Belvedere fur Theorie und Praxis der bildenden Kunst。Die Bedeutung des Torso vom Belvedere fur Theorie und Praxis der bildenden Kunst。Frankfurt/ M。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
38. | de Tolnay, Charles(1959)。Michelangelo。Michelangelo。New Jersey。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
39. | Wallace, William E.。How did Michelangelo Become a Sculptor。The Genius of the Sculptor in Michelangelo‘s Work。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
40. | Williams, Robert(1997)。Art, Theory, and Culture in Sixteenth-Century: From Techne to Metatechne。Art, Theory, and Culture in Sixteenth-Century: From Techne to Metatechne。Cambridge。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
41. | Perugino, Vita、Vasari, Giorgio(1987)。Le Vite de‘piu eccellenti pittori, scultori e architettori nelle redazioni del 1550 e 1568 (3)。Le Vite de‘piu eccellenti pittori, scultori e architettori nelle redazioni del 1550 e 1568 (3)。Florence。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
42. | Hulsen, C.(1917)。Romische Antikengarten des 16 Jahrhunderts。Romische Antikengarten des 16 Jahrhunderts。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |