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題名：Government Policy and Traditional Performing Arts in the People's Republic of China
書刊名：民俗曲藝
作者：楊沐
作者(外文)：Yang, Mu
出版日期：2003
卷期：141
頁次：頁55-94
主題關鍵詞：國家政策；傳統表演藝術；中華人民共和國；中國共產黨；經濟改革；Government policy；Traditional performing arts；People's Republic of China；Chinese Communist Party；Economic reform
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本文論述中華人民共和國 (香港地區除外) 的國家政策與傳統表演藝術之間的關係。為使讀者對所述現狀有更深的了解，文中對該國1949年立國之前的有關情況亦有簡略回顧。作者不僅論述直接針對傳統表演藝術的國家政策，而且審視到一些易被忽略的黨政方針，例如與傳統表演藝術似乎並無直接關聯的其他政策，包括該國的少數民族政策。實際上那些政策對全國的傳統表演藝術有相當大的影響。作者在論述中不限於介紹性的描述，而對有關情況作了分析，並提出一些相關論題進行研討，涉及意識形態、現代主義、國家主義、商業化和社會變革等方面。
This article deals with the situation regarding government policy and traditional performing arts in the People’s Republic of China (PRC) excluding its Hong Kong region. For a better understanding of the situation relevant deve10pment before 1949 (the year when the PRC was established) is also briefly reviewed. The author not only pays attention to government policies directly targeting traditional performing arts, but also examines some easily neglected aspects, such as government policies in general and policies that may not appear relevant to the performing arts induding the policies toward minority ethnic groups in China and their cultures. These policies have substantially affected the traditional performing arts in that country. Not content with simply depicting relevant situations and providing information, the author also analyzes the situation and addresses and discusses a number of re1evant issues concerning such aspects as ideology, modernism, nationalism, commercialism and social transformation.
期刊論文
1.楊沐(1996)。Music Loss among Ethnic Minorities in China - A Comparison of the Li and Hui Peoples。Asian Music，27(1)，103-131。  new window
2.楊沐(1997)。On Musical Instruments of the Li People of Hainan。The World of Music，39(3)，91-112。  new window
3.Guy, Nancy(1999)。Governing the Arts, governing the State: Peking Opera and Political Authority in Taiwan。Ethnomusicology，43(3)，508-526。  new window
4.楊沐(1998)。Erotic Musical Activity in Multiethnic China。Ethnomusicology，42(2)，199-264。  new window
5.楊沐(1994)。On the Hua'er Songs of North-Western China。Yearbook for Traditional Music，26，100-116。  new window
6.楊沐(1994)。Academic Ignorance or Political Taboo? Some Issues in China's Study of Its Folk Song Culture。Ethnomusicology，38(2)，303-320。  new window
7.曉星(1989)。音樂領域必須堅持社會主義文藝方向－在紀念「講話」發表四十五週年座談會上的發言。人民音樂，8，14-21。  延伸查詢new window
8.Tuohy, S.(2001)。The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation。Ethnomusicology，45(1)，107-131。  new window
9.Lau, Frederick(1998)。Packaging Identity Through Sound: Tourist Performances in Contemporary。Journal of Musicological Research，17，113-134。  new window
10.戴嘉枋(1987)。面臨挑戰的反思－從音樂新潮論我國現代音樂的異化與反異化。音樂研究，1，44-55。  延伸查詢new window
11.戴嘉枋(1987)。面臨挑戰的反思─從音樂新潮論我國現代音樂的異化與反異化。音樂研究，1987(1)，44-55。  延伸查詢new window
12.Lau, Frederick(1998)。Packaging Identity Through Sound: Tourist Performances in Contemporary China。Journal of Musicological Research，17，113-134。  new window
13.Tuohy, Sue(2001)。The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation。Ethnomusicology，45(1)，107-131。  new window
14.曉星(1989)。音樂領域必須堅持社會主義文藝方向─在紀念《講話》發表四十五周年座談會上的發言。人民音樂，1989(8)，14-21。  延伸查詢new window
15.楊沐(1994)。Academic Ignorance or Political Taboo？ Some Issues in China’s Study of Its Folk Song Culture。Ethnomusicology，38(2)，303-320。  new window
16.楊沐(1998)。Erotic Musical Activity in Multiethnic China。Ethnomusicology，42(2)，199-264。  new window
圖書
1.汪毓和(1984)。中國近現代音樂史。中國近現代音樂史。北京：人民音樂出版社。  延伸查詢new window
2.Jones, Andrew F.(2001)。Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age。Duke University Press。  new window
3.戴嘉枋(1995)。樣板戲的風風雨雨：江青，樣板戲及內幕。北京：知識出版社。  延伸查詢new window
4.趙宋光(1964)。論五度相生調式體系。上海：上海文藝出版社。  延伸查詢new window
5.(1989)。中華人民共合國大辭典。中華人民共合國大辭典。北京。  延伸查詢new window
6.文化部文學音樂研究所(1980)。中國民歌。中國民歌。上海。  延伸查詢new window
7.Wong, Isabel(1984)。Geming Gequ: Songs for the Education of the Masses。Popular Chinese Literature and Performing Arts in the People's Republic of China 1949-1979。Berkeley。  new window
8.Mao, Zedong(1980)。Talks at the Yan'an Conference on Literature and Art。Mao Zedong's 'Talks at the Yan'an Conference on Literature and Art': A Translation of the 1943 Text with Commentary。Ann Arbor, MI。  new window
9.黎英海(1959)。漢族調式及其和聲。漢族調式及其和聲。上海。  延伸查詢new window
10.Holm, D.(1984)。Folk Art as Propaganda: The Yangge movement in Yan'an。Popular Chinese Literature and Performing Arts in the People's Republic of China 1949-1979。Berkeley。  new window
11.Holm, David(1984)。Folk Art as Propaganda: The Yangge movement in Yan’an。Popular Chinese Literature and Performing Arts in the People’s Republic of China, 1949-1979。Berkeley。  new window
12.黎英海(1959)。漢族調式及其和聲。漢族調式及其和聲。上海。  延伸查詢new window
13.汪毓和(1984)。中國近代音樂史。中國近代音樂史。北京。  延伸查詢new window
14.Wong, Isabel K.(1984)。Geming Gequ: Songs for the Education of the Masses。Popular Chinese Literature and Performing Arts in the People’s Republic of China, 1949-1979。Berkeley。  new window
15.張克明(1989)。中華人民共和國大辭典。北京：中國國際廣播出版社。  延伸查詢new window
16.文化部文學藝術研究院音樂研究所(1980)。中國民歌。中國民歌。上海。  延伸查詢new window
17.(1994)。Yearbook for Traditional Music(Vol. 26)。Yearbook for Traditional Music(Vol. 26)。New York。  new window
18.趙宋光(1964)。論五度相生調式體系。論五度相生調式體系。上海。  延伸查詢new window
19.毛澤東(1980)。Talks at the Yan’ an Conference on Literature and Art。Talks at the Yan’ an Conference on Literature and Art。Ann Arbor。  new window
其他
1.中國共產黨中央委員會(1953)。中共中央關於農業生產互助合作的決議，沒有紀錄。  延伸查詢new window
2.中國共產黨中央委員會(1951)。中共中央關於農業生產互助合作的決議（草案），沒有紀錄。  延伸查詢new window
3.Chen, Mei-Juin(2001)。The Worlds of Mei Lanfang，Hohokus, NJ。  new window
4.(2003)。Constitution of the People's of Republic of China，沒有紀錄。  new window
5.(1999)。Constitution of the People’s Republic of China。  new window
6.中國共產黨中央委員會(1951)。中共中央關於農業生產互助合作的決議（草案）。  延伸查詢new window
7.中國共產黨中央委員會(1953)。中共中央關於農業生產互助合作的決議。  延伸查詢new window
8.Chen, Mei-Juin(2001)。The Worlds of Mei Lanfang，Hohokus, N.J.。  new window
 
 
 
 
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