The purpose of this paper is to introduce the original insight of Shakespearean specialists and scholars to show that in A Midsummer Night’s Dream, Shakespeare is actually stressing the cruelty and bestiality behind the dream-bringing fairies’ pleasing or even benevolent appearance. By giving the invisible fairy kingdom embodied form and place, and by giving the fairies a living center to their nature, office, behavior and doings, Shakespeare deserves the merit attributed to Homer. Like the primeval forest in the Greek mythology, Shakespeare’ midsummer night wood has a horrifying dark picture, ugly and brutal, filthy and fierce. And like the gods in the mythological stories, Shakespeare’s fairies are menacing and powerful. On the other side of their surpassing beauty, they are treacherous and malicious, exerting a deadly and destructive power over men. Their benevolence towards men comes merely by chance; on the contrary, they often inflict punishment on men out of sheer malice. They are idle producers of dreams. Their essential office is to send and bring dreams to mortals, and their influence over the mind is throughout material the love-juice they splash upon their victims’ eyelids not only cause mental confusion in them, but also threaten them with physical injury.