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題名:碎形於幾何史之典範轉移上的啟示
書刊名:商業設計學報
作者:謝寶泰 引用關係
作者(外文):Hsieh, Pao-tai
出版日期:2004
卷期:8
頁次:頁273-282
主題關鍵詞:碎形典範轉移FractalParadigm shift
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:0
  • 點閱點閱:18
本文以孔恩(Thomas Kuhn)的典範轉移(paradigm shift)觀點追溯幾何史上的八種典範轉移-歐氏幾何、人是萬物的尺度、投影學、笛卡兒十字座標、磚花、對稱群、非歐氏幾何及碎形(fractal)-在造形設計上的影響。 由於碎形是晚近新創的理論,其學理與應用仍在持續發展中,因此,本文概述各個幾何典範轉移之後,側重在碎形的描述及新啟示的探索,這些新啟示包括「以新思維看」、「主觀定客觀」、「簡單蘊複雜」、「明確生難測」、「以電腦創新」等五大項,並認為躬逢此新典範伊始之際,探索新幾何是明智的抉擇。
By applying the ideas of Thomas Kuhn's 'paradigm shift' to geometry history, this paper chooses 'Euclidean Geometry', 'Measure of Human', 'Projection', 'Descartes' coordinate', Tessellation', 'Group Theory', 'Non-Euclidean Geometry' and 'Fractal' as paradigm shifts in the geometry history, and reviews their influences on the design of forms. Since fractal is a new theory, its indications and applications are still under development. This research paper focus on its indications and concludes that (1) 'seeing with new thinking', (2) 'making objective with subjective', (3) 'revealing complexity with simplicity', (4) 'having unpredictability with determinism', (5) 'applying computer to innovation' are five indications of fractal. Additionally, this paper considers that it is a good choice to explore this new geometry as one that has the opportunity to encounter the growing of this new paradigm shift of geometry.
期刊論文
1.Shearer, Rhonda Roland(1992)。Chaos Theory and Fractal Geometry: Their Potential Impact on the Future of Art。Leonardo,25(2),143-152。  new window
圖書
1.Mandelbrot, B. B.(1983)。The Fractal Geometry of Nature。The Fractal Geometry of Nature。San Francisco, CA:W. H. Freeman。  new window
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3.Whitford, Frank(1984)。Bauhaus。London:Thames and Hudson Ltd.。  new window
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5.Ferrier, Jean-Louis(1988)。Art of Our Century。New York:Prentice Hall Editions。  new window
6.呂清夫(198403)。造形原理。臺北:雄獅圖書公司。  延伸查詢new window
7.Kuhn, Thouas S.、程樹德、傅大為、王道還、錢永祥(1989)。科學革命的結構。臺北:遠流出版公司。  延伸查詢new window
8.Locher, J. L.(1971)。The world of M. C. Escher。New York:Harry N. Abrams。  new window
9.Pickover, Clifford A.(1990)。Computers, pattern, chaos, and beauty。N.Y.:Martin's Press。  new window
10.Gerstner, Karl(1986)。The Forms of Color: the Interaction of Visual Elements。The MIT Press。  new window
11.牛頓文庫(1987)。圖說科學技術史(上)。圖說科學技術史(上)。臺北。  延伸查詢new window
12.Le Corbusier(1968)。Modulor。Modulor。Cambridge。  new window
13.Wright, Lawrence(1983)。Perspective in Perspective。Perspective in Perspective。London。  new window
14.Thompson, D‘arcy(1961)。On Growth and Form。On Growth and Form。NY。  new window
15.Pearce, Peter(1980)。Structure in Nature is a Strategy for Design。Structure in Nature is a Strategy for Design。Cambridge。  new window
16.Macgillavry, Caroline H.(1976)。Fantasy and Symmetry: The Periodic Drawings of M. C. Escher。Fantasy and Symmetry: The Periodic Drawings of M. C. Escher。NY。  new window
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19.Frere, Jean-Claude、Leonardo-Paiter(1995)。Inventor, Visionary, Mathematician, Philosopher, Engineer。Inventor, Visionary, Mathematician, Philosopher, Engineer。Paris。  new window
20.Tarasov, L.(1986)。The Amazingly Symmetrical World。The Amazingly Symmetrical World。Moscow。  new window
21.Richter, P. H.、Peitgen, H. O.(1986)。The Beauty of Fractals-Images of Complex Dynamical Systems。The Beauty of Fractals-Images of Complex Dynamical Systems。Berlin ; New York。  new window
 
 
 
 
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