This paper explores the intended meaning of one of Wen Tingyun's "Ding Xifan" ci poems, proposing that it was written to express the feelings of Su Wu who was sent on a mission to the Xiongnu and then detained by them. It examines Wen's motive in composing this ci poem and offers a critical close reading of the text to substantiate its propositions. It also compares Wen's shi poem, "Su Wu miao" (The Su Wu Temple) with the "Ding Xifan" ci poem to establish a larger context for the consideration of the latter, and to expose the differentiating characteristics of these two poetic genres. It ponders the possible connection between Su Wu's experience and Wen's scholarly disposition, suggesting a new perspective from which to evaluate Wen's creative art. It proposes the critical concept of liubai (a deliberate blankness) as a path to understanding Wen's compositional technique of tiaojie (a jump connection). Based on this close reading, the paper also corrects previous scholars' erroneous views, such as those of Xia Chengtao's in his Wen Feiqing xinian (Chronology of Wen Feiqing).