:::

詳目顯示

回上一頁
題名:絕對音感的認知心理學研究
書刊名:關渡音樂學刊
作者:蔡振家 引用關係
作者(外文):Tsai, Chen-gia
出版日期:2004
卷期:1
頁次:頁77-92
主題關鍵詞:絕對音感/相對音感大腦造影聽覺皮質區工作記憶空間能力Absolute pitch / relative pitchBrain imagingAuditory cortexWorking memory spatial ability
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:0
  • 點閱點閱:25
絕對音感,是能夠在沒有基準音的提示之下聽出音的固定唱名的能力。本文從認知心理學的觀點重訪絕對音感的四大假說(遺傳、銘印、學習、反學習),並根據近年大腦造影的數據,提出「絕對音感╱相對音感」與「語意聯結╱空間能力」的可能關聯。由於具相對音感者在聽旋律音程時,視覺皮質區的活化區域比具絕對音感者來得廣(Zartorre et al., PNAS 95:3172-77, 1998),因此相對音感的認知可能動用到該處空間處理的神經迴路。在每個人的大腦中,絕對音高資訊登錄於初級聽覺皮質區,具絕對音感者可能在聽覺聯合皮質區保有特殊的神經迴路,能將低階的、內隱的絕對音高資訊保留到高階的音感處理中,使之成為外顯的資訊。
Absolute pitch is the ability to identify, by the name of the musical note, the pitch of any sound without reference to another sound. This paper revisits four hypotheses of absolute pitch (heredity, imprinting, learning, and unlearning), indicating probable relationships between “absolute pitch / relative pitch” and “semantic association / spatial ability” on the basis of recent data of brain imaging. The fact that relative pitch possessors show more activated clusters in visual cortex than absolute pitch possessors during melodic interval listening (Zartorre et al., PNAS 95:3172-77, 1998) suggests the involvement of the neural circuit for spatial processing in relative pitch cognition. In everyone’s brain the information of absolute pitch is encoded in primary auditory cortex. Absolute pitch possessors might have special neural circuits in auditory association cortex, which are able to preserve the lower-level, implicit information of absolute pitch at higher levels of tonal processing, thereby making it explicit.
期刊論文
1.Deutsch, Diana、Henthorn, Trevor、Dolson, Mark(2004)。Absolute pitch, speech, and tone language: Some experiments and a proposed framework。Music Perception,21(3),339-356。  new window
2.Miller, L. K.(1999)。The Savant Syndrome: Intellectual Impairment and Exceptional Skill。Psychological Bulletin,125,31-46。  new window
3.Baharloo, S.、Johnston, P. A.、Service, S. K.、Gitschier, J.、Freimer, N. B.(1998)。Absolute pitch: an approach for identification of genetic and nongenetic components。American Journal of Human Genetics,62,224-231。  new window
4.Copp, E. F.(1916)。Musical ability。Journal of Heredity,7,297-305。  new window
5.D'amato, M. R.(1988)。A search for tonal pattern perception in cebus monkeys: why monkeys can't hum a tune。Music Perception,5,453-480。  new window
6.Galletti, C.、Fattori, P.、Gamberini, M.、Kutz, D. F.(1999)。The cortical visual area V6: brain location and visual topography。European Journal of Neuroscience,11(11),3922-3936。  new window
7.Galleti, C.、Gamberini, M.、Kutz, D. F.、Fattori, P.、Luppino, G.、Matelli, M.(2001)。The cortical connections of area V6: an occipito-parietal network processing visual information。European Journal of Neuroscience,13(8),1572-1588。  new window
8.Halpern, A. R.(1989)。Memory for absolute pitch of familiar songs。Memory and Cognition,17,572-581。  new window
9.Halpern, A. R.、Zatorre, R. J.(1999)。When that tune runs through your head: a PET investigation of auditory imagery for familiar melodies。Cerebral Cortex,9,697-704。  new window
10.Hirose, H.、Kubota, M.、Kimura, I.、Yumoto, M.、Sakakihara, Y.(2004)。N100m in adults prossessing absolute pitch。NeuroReport,15(9),1383-1386。  new window
11.Hulse, S. H.、Cynx, J.(1985)。Relative pitch perception is constrained by absolute pitch in songbirds(Mimus, Molothrus, and Sturnus)。Journal of Comparative Psychology,99,176-196。  new window
12.Hulse, S. H.、Cynx, J.(1986)。Interval and contour in serial pitch perception by a passerine bird, the European starling(Sturnus vulgaris)。Journal of Comparative Psychology,100,215-228。  new window
13.Hulse, S. H.、Page, S. C.(1988)。Toward a comparative psychology of music perception。Music Perception,5,427-452。  new window
14.Janata, P.、Tillmann, B.、Bharucha, J. J.(2002)。Listening to polyphonic music recruits domain-general attention and working memory circuits。Cognitive, Affective, & Behavioral Neuroscience,2(2),121-140。  new window
15.Keenan, J. P.、Thangaraj, V.、Halpern, A. R.、Schlaug, G.(2001)。Absolute pitch and planum temporale。Neuroimage,14,1402-1408。  new window
16.Klein, M.、Coles, Martin G.、Donchin, E.(1984)。People with absolute pitch process tones without producing a P300。Science,223,1306-1309。  new window
17.Levitin, D. J.(1994)。Absolute memory for musical pitch: evidence from the production of learned melodies。Perception & Psychophysics,56,414-423。  new window
18.Levitin, D. J.、Zatorre, R. J.(2003)。On the nature of early music training and absolute pitch: a reply to Brown, Sachs, Cammuso, and Folstein。Music Perception,21(1),105-110。  new window
19.Meyer, Martin(1899)。Is the memory of absolute pitch capable of development by training?。Psychological Review,6,514-516。  new window
20.Miyazaki, K.(1988)。Musical pitch identification by absolute pitch possessors。Perception & Psychophysics,44,501-512。  new window
21.Miyazaki, K.(1993)。Absolute pitch as an inability: Identification of musical intervals in a tonal context。Music Perception,11,55-72。  new window
22.Miyazaki, K.(1995)。Perception of relative pitch with different references: Some absolute-pitch listeners can't tell musical interval names。Perception & Psychophysics,57,962-970。  new window
23.Miyazaki, K.、Rakowski, A.(2002)。Recognition of notated melodies by possessors and non-possessors of perfect pitch。Perception & Psychophysics,64,1337-1345。  new window
24.Miyazaki, K.(2004)。Recognition of transposed melodies by absolute-pitch possessors。Japanese Psychological Research,46,270-282。  new window
25.Mottron, L.、Peretz, I.、Ménard, E.(2000)。Local and global processing of music in high-functioning persons with autism: beyond central coherence?。Journal of Child Psychology and Psychiatry,41(8),1057-1065。  new window
26.Zatorre, R. J.、Meyer, E.、Perry, D. W.、Petrides, M.、Alivisators, B.、Evans, A. C.(1999)。Localization of cerebral activity during simple singing.。NeuroReport,10,3979-3984。  new window
27.Plantinga, J.、Trainor, L. J.(2003)。Long-term memory for pitch in six-month-old infants.。Annals of the New York Academy of Sciences,999,520-521。  new window
28.Lambert, J.、Frackowiak, R. S. J.、Platel, H.、Price, C.、Baron, J.-C.、Wise, R.、Lechevalier, B.、Eustache, F.(1997)。The structural components of music perception: A functional anatomical study。Brain,120,229-243。  new window
29.Renninger, L. B.、Granot, R. I.、Donchin, E.(2003)。Absolute pitch and the P300 component of the event-related potential: an exploration of variables that may account for individual differences。Music Perception,20(4),357-382。  new window
30.Saffran, J. R.、Griepentrog, G. J.(2001)。Absolute pitch in infant auditory learning: evidence for developmental reorganization。Developmental Psychology,37(1),74-85。  new window
31.Schlaug, G.(1995)。In-vivo evidence of structural brain asymmetry in musicians。Science,267,699-701。  new window
32.Sergeant, D.(1969)。Experimental investigation of absolute pitch。Journal of Research in Musical Education,17,135-143。  new window
33.Talavage, T. M.、Sereno, M. I.、Melcher, J. R.、Ledden, P. J.、Rosen, B. R.、Dale, A. M.(2004)。Tonotopic organization in human auditory cortex revealed by progressions of frequency sensitivity。Journal of Neurophysiology,91,1282-1296。  new window
34.Tooze, Z. J.、Harrington, F. H.、Fentress, J. C.(1990)。Individually distinct vocalizations in timbre wolves 'canis lupus'。Animal Behaviour,(40)11,723-730。  new window
35.Spitzer, M.、Walter, H.、Bretschneider, V.、Gron, G.、Zurowski, B.、Wunderlich, A. P.、Tomczak, R.(2003)。Evidence for quantitative domain dominance for verbal and spatial working memory in frontal and parietal cortex.。Cortex,39,897-911。  new window
36.Witelson, Sandra F.、Pallie, Wazir(1973)。Left hemisphere specialization for language in the newborn: neuroanatomical evidence of asymmetry。Brain,96(3),641-646。  new window
37.Zatorre, R. J.(2003)。Absolute pitch: a model for understanding the influence of genes and development on neural and cognitive function。Nature Review Neuroscience,6(7),692-695。  new window
38.Zatorre, R. J.、Perry, D. W.、Beckett, C. A.、Evans, A. C.、Westbury, C. F.(1998)。Functional anatomy of musical processing in listeners with absolute pitch and relative pitch。Proceedings of the National Academy of Sciences of the United States of America,95,3172-3177。  new window
圖書
1.Levitin, D. J.、Parncutt, R.(1994)。Absolute Pitch。The New Grove Dictionary of Music and Musicians (1)。London。  new window
2.Abraham, O.(1901)。Das absolute Tonbewußsein.。Sammelband der internationalen Musikgesellschaft(3)。  new window
3.Grandin, T.、Scariano, M.(1986)。Emergence: Labeled Autistic.。Emergence: Labeled Autistic.。  new window
4.Lang, A.(1993)。Absolute Gehör。Musikpsychologie. Ein Handbuch。Hamburg: Reinbek.。  new window
5.Révész, G.(1913)。Zur Grundlegung der Tonpsychologie.。Zur Grundlegung der Tonpsychologie.。Leipzig。  new window
6.Sacks, O.(1995)。An Anthropologist On Mars: Seven Paradoxical Tales。New York,:Alfred A. Knopf.。  new window
7.Slonimsky, N.(1988)。Perfect Pitch: A Life Story。Perfect Pitch: A Life Story。  new window
8.Trehub, S. E.(2001)。Absolute Pitch。The New Grove Dictionary of Music and Musicians (Vol. 20)。New York。  new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
QR Code
QRCODE