| 期刊論文1. | Deutsch, Diana、Henthorn, Trevor、Dolson, Mark(2004)。Absolute pitch, speech, and tone language: Some experiments and a proposed framework。Music Perception,21(3),339-356。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Miller, L. K.(1999)。The Savant Syndrome: Intellectual Impairment and Exceptional Skill。Psychological Bulletin,125,31-46。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | Baharloo, S.、Johnston, P. A.、Service, S. K.、Gitschier, J.、Freimer, N. B.(1998)。Absolute pitch: an approach for identification of genetic and nongenetic components。American Journal of Human Genetics,62,224-231。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 4. | Copp, E. F.(1916)。Musical ability。Journal of Heredity,7,297-305。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 5. | D'amato, M. R.(1988)。A search for tonal pattern perception in cebus monkeys: why monkeys can't hum a tune。Music Perception,5,453-480。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 6. | Galletti, C.、Fattori, P.、Gamberini, M.、Kutz, D. F.(1999)。The cortical visual area V6: brain location and visual topography。European Journal of Neuroscience,11(11),3922-3936。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 7. | Galleti, C.、Gamberini, M.、Kutz, D. F.、Fattori, P.、Luppino, G.、Matelli, M.(2001)。The cortical connections of area V6: an occipito-parietal network processing visual information。European Journal of Neuroscience,13(8),1572-1588。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 8. | Halpern, A. R.(1989)。Memory for absolute pitch of familiar songs。Memory and Cognition,17,572-581。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 9. | Halpern, A. R.、Zatorre, R. J.(1999)。When that tune runs through your head: a PET investigation of auditory imagery for familiar melodies。Cerebral Cortex,9,697-704。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 10. | Hirose, H.、Kubota, M.、Kimura, I.、Yumoto, M.、Sakakihara, Y.(2004)。N100m in adults prossessing absolute pitch。NeuroReport,15(9),1383-1386。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 11. | Hulse, S. H.、Cynx, J.(1985)。Relative pitch perception is constrained by absolute pitch in songbirds(Mimus, Molothrus, and Sturnus)。Journal of Comparative Psychology,99,176-196。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 12. | Hulse, S. H.、Cynx, J.(1986)。Interval and contour in serial pitch perception by a passerine bird, the European starling(Sturnus vulgaris)。Journal of Comparative Psychology,100,215-228。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 13. | Hulse, S. H.、Page, S. C.(1988)。Toward a comparative psychology of music perception。Music Perception,5,427-452。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 14. | Janata, P.、Tillmann, B.、Bharucha, J. J.(2002)。Listening to polyphonic music recruits domain-general attention and working memory circuits。Cognitive, Affective, & Behavioral Neuroscience,2(2),121-140。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 15. | Keenan, J. P.、Thangaraj, V.、Halpern, A. R.、Schlaug, G.(2001)。Absolute pitch and planum temporale。Neuroimage,14,1402-1408。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 16. | Klein, M.、Coles, Martin G.、Donchin, E.(1984)。People with absolute pitch process tones without producing a P300。Science,223,1306-1309。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 17. | Levitin, D. J.(1994)。Absolute memory for musical pitch: evidence from the production of learned melodies。Perception & Psychophysics,56,414-423。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 18. | Levitin, D. J.、Zatorre, R. J.(2003)。On the nature of early music training and absolute pitch: a reply to Brown, Sachs, Cammuso, and Folstein。Music Perception,21(1),105-110。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 19. | Meyer, Martin(1899)。Is the memory of absolute pitch capable of development by training?。Psychological Review,6,514-516。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 20. | Miyazaki, K.(1988)。Musical pitch identification by absolute pitch possessors。Perception & Psychophysics,44,501-512。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 21. | Miyazaki, K.(1993)。Absolute pitch as an inability: Identification of musical intervals in a tonal context。Music Perception,11,55-72。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 22. | Miyazaki, K.(1995)。Perception of relative pitch with different references: Some absolute-pitch listeners can't tell musical interval names。Perception & Psychophysics,57,962-970。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 23. | Miyazaki, K.、Rakowski, A.(2002)。Recognition of notated melodies by possessors and non-possessors of perfect pitch。Perception & Psychophysics,64,1337-1345。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 24. | Miyazaki, K.(2004)。Recognition of transposed melodies by absolute-pitch possessors。Japanese Psychological Research,46,270-282。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 25. | Mottron, L.、Peretz, I.、Ménard, E.(2000)。Local and global processing of music in high-functioning persons with autism: beyond central coherence?。Journal of Child Psychology and Psychiatry,41(8),1057-1065。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 26. | Zatorre, R. J.、Meyer, E.、Perry, D. W.、Petrides, M.、Alivisators, B.、Evans, A. C.(1999)。Localization of cerebral activity during simple singing.。NeuroReport,10,3979-3984。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 27. | Plantinga, J.、Trainor, L. J.(2003)。Long-term memory for pitch in six-month-old infants.。Annals of the New York Academy of Sciences,999,520-521。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 28. | Lambert, J.、Frackowiak, R. S. J.、Platel, H.、Price, C.、Baron, J.-C.、Wise, R.、Lechevalier, B.、Eustache, F.(1997)。The structural components of music perception: A functional anatomical study。Brain,120,229-243。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 29. | Renninger, L. B.、Granot, R. I.、Donchin, E.(2003)。Absolute pitch and the P300 component of the event-related potential: an exploration of variables that may account for individual differences。Music Perception,20(4),357-382。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 30. | Saffran, J. R.、Griepentrog, G. J.(2001)。Absolute pitch in infant auditory learning: evidence for developmental reorganization。Developmental Psychology,37(1),74-85。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 31. | Schlaug, G.(1995)。In-vivo evidence of structural brain asymmetry in musicians。Science,267,699-701。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 32. | Sergeant, D.(1969)。Experimental investigation of absolute pitch。Journal of Research in Musical Education,17,135-143。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 33. | Talavage, T. M.、Sereno, M. I.、Melcher, J. R.、Ledden, P. J.、Rosen, B. R.、Dale, A. M.(2004)。Tonotopic organization in human auditory cortex revealed by progressions of frequency sensitivity。Journal of Neurophysiology,91,1282-1296。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 34. | Tooze, Z. J.、Harrington, F. H.、Fentress, J. C.(1990)。Individually distinct vocalizations in timbre wolves 'canis lupus'。Animal Behaviour,(40)11,723-730。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 35. | Spitzer, M.、Walter, H.、Bretschneider, V.、Gron, G.、Zurowski, B.、Wunderlich, A. P.、Tomczak, R.(2003)。Evidence for quantitative domain dominance for verbal and spatial working memory in frontal and parietal cortex.。Cortex,39,897-911。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 36. | Witelson, Sandra F.、Pallie, Wazir(1973)。Left hemisphere specialization for language in the newborn: neuroanatomical evidence of asymmetry。Brain,96(3),641-646。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 37. | Zatorre, R. J.(2003)。Absolute pitch: a model for understanding the influence of genes and development on neural and cognitive function。Nature Review Neuroscience,6(7),692-695。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 38. | Zatorre, R. J.、Perry, D. W.、Beckett, C. A.、Evans, A. C.、Westbury, C. F.(1998)。Functional anatomy of musical processing in listeners with absolute pitch and relative pitch。Proceedings of the National Academy of Sciences of the United States of America,95,3172-3177。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 圖書1. | Levitin, D. J.、Parncutt, R.(1994)。Absolute Pitch。The New Grove Dictionary of Music and Musicians (1)。London。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Abraham, O.(1901)。Das absolute Tonbewußsein.。Sammelband der internationalen Musikgesellschaft(3)。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | Grandin, T.、Scariano, M.(1986)。Emergence: Labeled Autistic.。Emergence: Labeled Autistic.。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 4. | Lang, A.(1993)。Absolute Gehör。Musikpsychologie. Ein Handbuch。Hamburg: Reinbek.。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 5. | Révész, G.(1913)。Zur Grundlegung der Tonpsychologie.。Zur Grundlegung der Tonpsychologie.。Leipzig。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 6. | Sacks, O.(1995)。An Anthropologist On Mars: Seven Paradoxical Tales。New York,:Alfred A. Knopf.。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 7. | Slonimsky, N.(1988)。Perfect Pitch: A Life Story。Perfect Pitch: A Life Story。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 8. | Trehub, S. E.(2001)。Absolute Pitch。The New Grove Dictionary of Music and Musicians (Vol. 20)。New York。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | |
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