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來源文獻資料
摘要
外文摘要
引文資料
題名:
音樂現代主義、停滯感,與《春之祭》
書刊名:
臺大文史哲學報
作者:
王育雯
作者(外文):
Wang, Yuhwen
出版日期:
2004
卷期:
61
頁次:
頁53-101
主題關鍵詞:
春之祭
;
史特拉汶斯基
;
停滯感
;
推進
;
連貫性
;
秩序感
;
完形心理學
;
The Rite of Spring
;
Stravinsky
;
Stasis
;
Progression
;
Continuity
;
Order
;
Gestalt psychology
原始連結:
連回原系統網址
相關次數:
被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
排除自我引用:0
共同引用:0
點閱:27
史特拉汶斯基(Igor Stravinsky)被視為音樂「現代主義」的主要作曲家之一。不少學者也將他的《春之祭》這部作品視為「現代主義」的一部重要代表作;這樣看法的一個主要原因,是其中所謂的「停滯不前」(stasis) 之特質。這種特質,又往往與史氏音樂的「不連貫」、「片段性」(fragmentation)相提並論。然而,也有一些學者不贊同「停滯不前」是史氏音樂的特質,並在史氏的其它作品中,指出其前後連貫性或向前邁進的現象。只是一直尚未見到明確的解說,能夠闡釋《春之祭》如何具有向前邁進的動力或推進力(momentum, progression),而非以停滯不前作為其前後組織的邏輯基礎。本文即在藉由詳盡的分析,指出在此作品的各樂章中,推進力如何行塑,如何表現,以及其變化的過程,特別是在節奏、節拍、以及小單元組成(cellular grouping)等層面上的再現與變化。藉由這個分析,本研究冀望指出以「停滯不前」作為音樂的「現代主義」之基礎所呈現的問題。
以文找文
Igor Stravinsky is regarded as a highly important composer in musical modernism. His monumental work The Rite of Spring is considered one of the representative works of musical modernism on the basis of its “stasis,” which is often associated with the qualities of discontinuity and fragmentation. Yet is stasis truly a major quality of The Rite? Some scholars have pointed out how Stravinsky’s other works exhibit continuity or progression, and some even indicate that in The Rite “ideas do develop,” that it pushes forward and thus displays progression. Nevertheless, there is as yet no solid music analysis indicating how The Rite progresses and pushes forward. This study tries to present just such an analysis. It is found that movements of the work progress primarily through recurrences and changes in cellular groupings and rhythmic and metric organizations. With this finding, it is hoped that the relationship between musical modernism and the quality of “stasis” be reconsidered.
以文找文
期刊論文
1.
Korsyn, Kevin(1993)。Brahms Research and Aesthetic Ideology。Music Analysis,12(1),89-103。
2.
Walsh, Stephen(2000)。Jonathan Cross, The Stravinsky Legacy。Music Analysis,19(2),279-285。
3.
Garner, W. R.(1970)。Good Patterns Have Few Alternatives。American Scientist,58(1),34-42。
4.
Smyth, David H.(2000)。The Stravinsky Legacy by Jonathan Cross。Journal of Music Theory,44(1),231-236。
5.
Rochberg, Georg(1984)。Can Art Survive Modernism?。Critical Inquiry,11,317-340。
6.
Kramer, Jonathan D.(1984)。Can Modernism Survive George Rochberg?。Critical Inquiry,11(2),317-354。
7.
Hasty, C.(1986)。On the Problem of Succession and Continuity in Twentieth-Century Music。Music Theory Spectrum,8,58-74。
8.
Kielian-Gilbert, M.(1987)。The Rhythm of Form: Correspondence and Analogy in Stravinsky's Design。Music Theory Spectrum,9,42-66。
9.
Morgan, R. P.(2003)。The Concept of Unity and Musical Analysis。Music Analysis,22(1/ 2),7-50。
10.
Pasler, J.(1993)。Postmodernism, Narrativity, and the Art of Memory。Contemporary Music Review,7,3-32。
11.
Street, A.(1989)。Superior Myths, Dogmatic Allegories: the Resistance to Musical Unity。Music Analysis,8(1/ 2),77-123。
12.
Whittall, A.(2002)。Defusing Dionysus: New Perspectives on the Rite of Spring。Music Analysis,21(1),87-104。
13.
Hasty, Christopher(1986)。On the Problem of Succession and Continuity in Twentieth-Century Music。Music Theory Spectrum,8,58-74。
14.
Kielian-Gilbert, Marianne(1987)。The Rhythm of Form: Correspondence and Analogy in Stravinsky’s Design。Music Theory Spectrum,9,42-66。
15.
Morgan, Robert P.(2003)。The Concept of Unity and Musical Analysis。Music Analysis,22(1/2),7-50。
16.
Pasler, Jann(1993)。Postmodernism, Narrativity, and the Art of Memory。Contemporary Music Review,7(2),3-32。
17.
Street, Alan(1989)。Superior Myths, Dogmatic Allegories: the Resistance to Musical Unity。Music Analysis,8(1/2),77-123。
18.
Whittall, Arnold(2002)。Defusing Dionysus: New Perspectives on the Rite of Spring。Music Analysis,21(1),87-104。
圖書
1.
McClary, Susan(1991)。Feminine Endings: Music, Gender, and Sexuality。Feminine Endings: Music, Gender, and Sexuality。Minnesota。
2.
Hill, Peter(2000)。Stravinsky: the Rite of Spring。Cambridge:Cambridge University Press。
3.
Paddison, Max(1993)。Adorno's Aesthetics of Music。Adorno's Aesthetics of Music。Cambridge。
4.
Taruskin, Richard(1996)。Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra。Berkeley:University of California Press。
5.
Toorn, Pieter C. van den.(1987)。Stravinsky and the Rite of Spring。Berkeley:University of California Press。
6.
Adorno, Theodor Wiesengrund(1973)。Philosophy of Modern Music。New York。
7.
Kramer, Lawrence(1990)。Music as Cultural Practice 1800-1900。Berkeley, Los Angeles, Oxford。
8.
Sadie, Stanley、Tyrrell, John(2001)。The New Grove Dictionary of Music and Musicians。New York。
9.
Cross, Jonathan(1998)。The Stravinsky legacy。Cambridge:Cambridge University Press。
10.
Gombrich, E. H.(1984)。The Sense of Order: a Study in the Psychology of Decorative Art。Itasca, IL:Ithaca, NY:Cornell University Press。
11.
Adorno, T. W.(1973)。Philosophy of Modern Music。Philosophy of Modern Music。London, UK。
12.
Arnheim, R.(1972)。Order and Complexity in Landscape Design。Toward a Psychology of Art。Berkeley。
13.
Botstein, L.(2001)。Modernism。The New Grove Dictionary of Music and Musicians。New York, NY。
14.
Boulez, P.(1998)。Notes of an Apprenticeship。Notes of an Apprenticeship。New York, NY。
15.
Carter, E.(1977)。The Writings of Elliott Carter。The Writings of Elliott Carter。Bloomington。
16.
Cone, E. T.(1972)。Stravinsky: the Progress of a Method。Perspectives on Schoenberg and Stravinsky。New York, NY。
17.
Forte, A.(1978)。The Harmonic Organization of the Rite of Spring。The Harmonic Organization of the Rite of Spring。New Haven。
18.
Hartwell, R.(1993)。Postmodernism and Art Music。The Last Post: Music After Modernism。Manchester, UK。
19.
Kramer, L.(1990)。Music as Cultural Practice: 1800-1900。Music as Cultural Practice: 1800-1900。Berkeley, CA。
20.
Leyetchkiss, V.(1985)。Igor Stravinsky: the Rite of Spring Piano Solo。Igor Stravinsky: the Rite of Spring Piano Solo。New York, NY。
21.
McClary, S.(1991)。Feminine Endings: Music, Gender and Sexuality。Minneapolis, MN:University of Minnesota Press。
22.
Paddison, M.(1993)。Adorno's Aesthetics of Music。Adorno's Aesthetics of Music。Cambridge。
23.
Stravinsky, I.(1958)。An Autobiography。An Autobiography。New York, NY。
24.
Taruskin, R.(1996)。Stravinsky and the Russian Traditions: a Biography of the Works Through Mavra. 2 vols.。Stravinsky and the Russian Traditions: a Biography of the Works Through Mavra. 2 vols.。Berkeley。
25.
Whittall, A.(1997)。Modernist Aesthetics, Modernist Music: Some Analytical Perspectives。Music Theory in Concept and Practice。Rochester, NY。
26.
Arnheim, Rudolf(1972)。Order and Complexity in Landscape Design。Toward a Psychology of Art。Berkeley。
27.
Boulez, pierre(1998)。Notes of an Apprenticeship。Notes of an Apprenticeship。New York。
28.
Carter, Elliott(1977)。The Writings of Elliott Carter。The Writings of Elliott Carter。Bloomington。
29.
Cone, Edward(1972)。Stravinsky: The Progress of a Method。Perspectives on Schoenberg and Stravinsky。New York。
30.
Forte, Allen(1978)。The Harmonic Organization of the Rite of Spring。The Harmonic Organization of the Rite of Spring。New Haven。
31.
Hartwell, Robin(1993)。Postmodernism and Art Music。The Last Post: Music After Modernism。Manchester, UK。
32.
Hill, Peter(2000)。Stravinsky: The Rite of Spring。Stravinsky: The Rite of Spring。Cambridge。
33.
Leyetchkiss, Vladimir(1985)。Igor Stravinsky: The Rite of Spring for Piano Solo。Igor Stravinsky: The Rite of Spring for Piano Solo。New York。
34.
Stravinsky, Igor(1958)。An Autobiography。An Autobiography。New York。
35.
Van den Toorn, Pieter C.(1987)。Stravinsky and The Rite of Spring。Stravinsky and The Rite of Spring。Berkeley。
36.
Whittall, Arnold(1997)。Modernist Aesthetics, Modernist Music: Some Analytical Perspectives。Music Theory in Concept and Practice。Rochester, N. Y.。
圖書論文
1.
Kramer, J. D.(1995)。Beyond Unity: Toward an Understanding of Musical Postmodernism。Concert Music, Rock, and Jazz Since 1945: Essays and Analytical Studies。Rochester, NY:University of Rochester Press。
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