| 期刊論文| 1. | 方聞、邱琳婷(200308)。中國繪畫何以是歷史。當代，74=192，50-71。 延伸查詢 | | 2. | Fong, Wen C.(2003)。Why Chinese Painting is History。The Art Bulletin，258-309。  | | 3. | Grabar, Oleg(1982)。On the Universality of the History of Art。Art Journal，42(4)，282。 | | 4. | Rowley, George(1960)。Art and History。Record of The Art Museum, Princeton University，19(1)，76-83。 | | 5. | Pope, John A.(1947)。Sinology or Art History: Notes on Methods in the Study of Chinese Art。Harvard Journal of Asiatic Studies，10，388-417。 | | 6. | Soper, Alexander C.(1948)。Life-Mocion and The Sense of Space in Early Chinese Representational Art。The Art Bulletin，30(3)，167-186。 | | 7. | 徐蘋芳(199802)。中國石窟寺考古學的創建歷程--讀宿白先生中國石窟寺研究。文物，54-63。 延伸查詢 | 圖書| 1. | Silver, Larry、Onians, John(2004)。Atlas of World Art。London：Oxford University Press。 | | 2. | Kaufmann, Thomas DaCosta(2004)。Toward a Geography of Art。University of Chicago Press。 | | 3. | Panofsky, Erwin、Wood, Christopher S.(1997)。Perspective as Symbolic Form。New York：Zone Books。 | | 4. | Fong, Wen(1984)。Images of the Mind: the Edward L. Elliott Family and John B. Elliott Collections of Chinese Calligraphy and Painting at the Art。Princeton：The Art Museum, Princeton University。 | | 5. | Elkins, James、Summers, David(2003)。Real Spaces: World Art History and the Rise of Western Moslemism。London：Phaidon。 | | 6. | Weitzmann, Kurt(1994)。Sailing with Byzantium from Europe to America of an Art Historian。Munchen：Editio Maris。 | | 7. | Loewy, Emmanuel、Fochergill, John(1907)。The Rendering of Nature in Early Greek Art。London。 | | 8. | Rowley, George(1947)。Principles of Chinese Painting: With Illustrations from the DuBois Schank Morris Collection。Priaceton, N.J.：Princeton University Press。 | | 9. | Temple, William(1935)。Nature, Man and God: Being the Gifford Lectures Delivered in the University of Glasgow in the Academic Years, 1932-1933 and 1933-1934。London：Macmillan and Co.。 | | 10. | Rowley, George(1959)。Principles of Chinese Painting。Princeton：Princeton University Press。 | | 11. | Michaelis, Aldolf、Kahnweiler, Bectina(1908)。A Century of Archaeological Discoveries。London。 | | 12. | 米海里司、郭沫若(1929)。美術考古一世紀。上海。 延伸查詢 | | 13. | Fong, Wen(2001)。Between Two Cultures: late-Nineteenth and Twentiethy-Century Chinese Paintings form the Robert Ellsworth Collection in The Metropolitan Museum of Art。New York：The Metropolocan Museum of Art。 | | 14. | 王庡昌(1947)。一九四六~四七中國美術年鑑。上海：上海市文化運動委員會。 延伸查詢 | | 15. | Legge, James(1861)。The Chinese Classics。Hong Kong：London：Legge：Trubner。 | | 16. | Bryson, Norman(1983)。Vision and painting: the logic of the gaze。Yale University Press。 | 單篇論文| 1. | Elkins, James。Chinese Landscape Painting as Western Art History。 | | 2. | 方聞。"Interview" by黃后明、申雲豔、邱忠嗚、彭慧萍。 延伸查詢 | 圖書論文| 1. | White, Hayden(2002)。The Westernization of World History。Western historical thinking: an intercultural debate。New York：Berghahn。 | | 2. | Bryson, Norman(1988)。Gaze in an Expanded Field。Vision and Visuality。New York：New Press。 | | 3. | Fong, Wen(1996)。The Literatii Artists of the Ming Dynasty。Possessing the Past: Treasurees from the National Palace Museum, Taipei。New York：The Metropolitan Museum of Art。 | |