“Spring” is an imagery which is often used in classical Chinese poetry. Since it is the beginning of one year, spring usually embraces the meaning of passing a year in the twinkling of an eye. A damsel, first awakening of love, is even much easily to yearn for love in the special season, spring “Spring” becomes a kind of metaphor in rhymes. Written by Tang Xianzu, the tenth chapter of Mudanting, “Jingmeng,” described the main character, Du Liniang, missed her beloved, who was an official in other city, because the spring scenery triggered the feeling of longing for lover. This completely is inherited form the lyric imagery of “spring.” The temporal and spatial background, activities of characters, psychological consciousness, and manipulation of imagery are related to “spring” through lyrics, dialogue, and prompt in “Jingmeng.” This essay tries to read the elegant and graceful lyrics one by one in terms of the imagery of “spring.” Such careful reading might deeply master the aesthetic perception of lyric literature, and perceived Du’s subtle feeling. The first scene, stroll and chant in the garden, focused on the concrete scenery like spring scenery; sequentially, the second scene touched off the abstract feeling of desiring for love through the grasp from “Zaoluopao.” Although “Jingmeng” can be viewed as a sentimental lyrics which we so-called “felling spring and chanting will” (ganchun yinzhi), its artistic achievement is more than being as a literary classic, and then we still have to locate it on the stage where artistic works perform.