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題名：莎劇中的後設策略--《仲夏夜夢》及其它散例
書刊名：英美文學評論
作者：邱錦榮 引用關係
作者(外文)：Chiu, Chin-jung
出版日期：2001
卷期：5
頁次：頁55-87
主題關鍵詞：莎士比亞；後設戲劇；後設劇場；仲夏夜夢；Metadrama；Metatheater；Shakespeare；A midsummer night's dream
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(3) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:3
  • 共同引用共同引用:4
  • 點閱點閱:48
後設文類獲得「正名」雖在一九六○年代之際，但是後設策略的應用其實在個別文類裡早已萌芽。比較精緻的後設戲劇式在文藝復興後期出現，新興的劇型打破戲劇與實際人生的分界，劇作家自我審視的意圖遠超過其模仿真實人生的分界，劇作家自我審視的意圖遠超過其模仿真實人生的初衷。後設戲劇對戲劇之於人生的辯證可以簡化為：戲劇並不反映人生，戲劇反映自身，亦即：人生/戲劇在參考座標上已經主客體易位，「人生如戲」的古典說法可以新解為：戲劇提我們觀省人生的看法。 後設戲劇的理論在四十年前才成形，而莎翁在四個世紀前已經試驗了各種不同的後設策略以揭示戲劇本質。本文將以《仲夏夜夢》為討論的主軸，並援引其它九齣莎劇做為佐證，勾勒出莎劇的後設面貌。
Literally, metadrama is drama about drama. Technically, any play which has as its subject other play(s), or which attempts to describe and analyze theatrical practice and conventions and to establish general “poetics” for this particular genre qualifies as metadrama. On different scales Shakespeare experimented with metadramatical devices, ranging from the play-within-the-play to verbal and special allusions to theatrical reality. Focusing on A Midsummer Night’s Dream and drawing on nine other Shakespearean plays, the present study aims to examine Shakespeare’s dramaturgy in this respect. My reading of A Midsummer Night’s Dream suggests that the play mirrors the process of theatrical production. The inner play seems on the surface to go against the grain theatrical representation, but on a deeper level, it serves as a point of departure for an investigation of representation.
期刊論文
1.彭鏡禧(19881000)。The Playwright's Nightmare: A Histrionic Reading of A Midsummer Night's Dream。Studies in Language and Literature，3，57-71。new window  new window
2.彭鏡禧(19941000)。Two Notes on Shakespeare。Studies in Language and Literature，6，35-45。new window  new window
3.Shapiro, Michael(1981)。Role-Playing, Reflexivity, and Metadrama in Recent Shakespearean Criticism。Renaissance Drama，12，145-161。  new window
4.Hermann, A.(1989)。Travesty and Trangression: Transvestism in Shakespeare, Brecht, and Churchill。Theatre Journal，41(2)，133-154。  new window
5.Sanderson, Richard K.(1992)。Studies as Mesasage and Metadramd in English Renaissance Tragedy。Comparative Drama，26(3)，199-217。  new window
圖書
1.Shakespeare, William(1967)。As You Like It。As You Like It。London, UK：Methuen。  new window
2.Shakespeare, William(1965)。Measure for Measure。London。  new window
3.Brustein, Robert(1964)。The theatre of revolt。Boston-Toronto。  new window
4.Muir, Kenneth(1978)。The Sources of Shakespeare's Plays。New Haven：Yale University Press。  new window
5.(1995)。Shakespeare in Performance。New Jersey。  new window
6.Shakespeare, William(1980)。The Tempest。New York。  new window
7.Shakespeare, William、Brooks, Harold F.(1979)。A Midsummer Night’s Dream。London, UK：Metheun。  new window
8.Shakespeare, William(1959)。The Merchant of Venice。The Merchant of Venice。London。  new window
9.Abel, Lionel(1963)。Metatheatre: A New View of Dramatic Form。New York：Hill and Wang。  new window
10.Hornby, Richard(1986)。Drama, Metadrama, and Perception。Associated University Press。  new window
11.Hubert, Judd D.(1991)。Metatheater: The Example of Shakespeare。Lincoln：London：U of Nebraska Press。  new window
12.McHale, Brain(1987)。Postmodernist Fiction。Methuen。  new window
13.Shakespeare, William、Jenkins, Harold(1982)。Hamlet。London：Routledge。  new window
14.Cope, Jackson Ⅰ(1973)。The theater and the dream。The theater and the dream。Baltimore。  new window
15.Kott, Jan(1987)。The Bottom Translation: Marlowe and Shakespeare and the Carnival Tradition。The Bottom Translation: Marlowe and Shakespeare and the Carnival Tradition。Evanston。  new window
16.Shakespeare, William(1954)。Henry V。Henry V。London。  new window
17.Shakespeare, William(1964)。The Taming of the Shrew。The Taming of the Shrew。London。  new window
18.Shakespeare, William(1963)。The Winter’s Tale。The Winter’s Tale。London。  new window
19.Strindberg, August(1955)。Six plays of Strindberg。Six plays of Strindberg。New York。  new window
20.Trewin, J. C.(1981)。The pocket companion to Shakespeare's plays。The pocket companion to Shakespeare's plays。New York。  new window
21.(1976)。莎士比亞全集。莎士比亞全集。臺北。  延伸查詢new window
22.(1993)。The Norton Anthology of English Literature (Vol. 2)。The Norton Anthology of English Literature (Vol. 2)。New York。  new window
23.Armstrong, Philip Kofler Gary(1996)。Watching Hamlet Watching: Lacan, Shakespeare and Mirror Stage。Alternative Shakespeare。London。  new window
24.Shakespeare, William(1964)。King Lear。King Lear。London。  new window
25.Harrison, G. B.(1951)。The Complete Works of Shakespeare。New York。  new window
26.Shakespeare, William(1965)。The Arden Shakespeare: Julius Caesar。The Arden Shakespeare: Julius Caesar。London。  new window
27.Brown, John Russell(1996)。William Shakespeare: Writing for Performance。William Shakespeare: Writing for Performance。London。  new window
28.Mack, Maynard(1962)。Engagement and Detachment in Shakespeare's Plays。Essays on Shakespeare and the Elizabethan Drama in Honour of Hardin Craig。Columbia。  new window
29.Wilshire, Bruce(1982)。Role Playing and Identity: The Limits of Theatre as Metaphor。Role Playing and Identity: The Limits of Theatre as Metaphor。Bloomington and Indianapolis。  new window
 
 
 
 
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