:::

詳目顯示

回上一頁
題名:中國園林假山之哲學觀
書刊名:造園學報
作者:趙重生
作者(外文):Chao, Chung-sheng
出版日期:2005
卷期:10:2
頁次:頁61-85
主題關鍵詞:陰陽理論中國傳統園林假山設計原則釋經學Yin-yang theoryTraditional Chinese gardensDesign principles of artificial mountainHermeneutics
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(1) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:0
  • 點閱點閱:34
中國園林設計之目的,乃經由園中景象以象徵自然萬象。園林設計,可從總體佈局、疊山、理水、建築及花木等五層面來討論。本文聚焦在假山設計層面,擬探究傳統哲學對中國園林假山設計是否構成重要之影響。並以釋經學研究法來探討傳統哲學觀、假山設計理論、傳統文化與中國園林間相互關係等三個影響園林假山設計原則的主要因子,再以現存園林假山實例查驗之。本文之結論為以陰陽理論為基礎之傳統哲學觀對中國園林假山設計起到一十分重要的影響。在本研究中得出下列五點附帶結論: 1)透過對真山特徵之概括、提煉,中國造園家得以靈活運用假山設計原則,來達到在有限面積之空間中神遊無窮宇宙之目的。 2)透過諸如假/真、咫尺/山林、境、意、空間/時間等主題之對立且統一設計原則,傳統宇宙觀方得以強力影響中國園林假山設計。 3)透過對中國園林假山之靜觀及動觀,造園家希冀遊園者能興起徜徉真山真水之思,進而臻至天(自然)人合一化境。 4)要欣賞中國園林之無窮意趣,遊園者如先具備傳統文化之素養,則更能深入體驗。 5)道家思想提供園林(假山)設計原則之主要根基。
The design purpose of Chinese garden is to symbolize myriad natural phenomena through various scenes inside gardens. Garden design can be further divided into five aspects i.e. general layout, artificial mountain, pond, architecture and flower/tree. This essay focuses on artificial mountain design, and deals with the following issue: did traditional philosophic aspect constitute an important influence on artificial mountain designs in Chinese gardens? This study proposes to explore the following three major factors, namely, traditional philosophic aspect, design theory of artificial mountain, and traditional culture/garden inter-relationships, by way of hermeneutical approach, and further substantiates them with extant examples of artificial mountains in Chinese gardens. The conclusion of this essay is that the traditional philosophic aspect based on Yin-yang theory had a positive influence upon artificial mountain designs in Chinese gardens. There are also five subsidiary conclusions: 1) By way of summarizing and distilling the characteristics of real mountains, Chinese garden designers aptly applied the design prinicples of artificial mountain in Chinese gardens so as to achieve the purpose of letting spirit wander through the universe while body still remaining inside a confined space of limited area. 2) Through contrasting and yet unified design principles composed of themes such as artificial/real, limited area/mountain and forest, precinct/idea, space/time, the traditional philosophic aspect was able to have a positive influence upon the artificial mountain designs in Chinese gardens. 3) By providing strollers with the choices of both static and dynamic viewings on artificial mountains in Chinese gardens, the garden designers hoped to simulate the strolling experience of real mountains and waters, and eventually led viewers into a state of mind wherein Nature and Man are One. 4) It is necessary for garden strollers to have a better understanding of traditional culture in order to appreciate the spirit and meanings contained in Chinese garden designs. 5) Garden (artificial mountain) design principles in China were based upon Taoist thought.
期刊論文
1.成玉寧(1991)。園藝藝術民族風格淺識。中國圔林,7(1),2-5。  延伸查詢new window
2.羅清吉、凌德麟(20010300)。從哲學思想的觀點比較中西方傳統庭園的特質差異。中國園藝,47(1),93-103。  延伸查詢new window
3.Corner, James(1991)。A Discourse on Theory II : Three Tyrannies of Contemporary Theory and the Alternative of Hermeneutics。Landscape Journal,10(2),115-133。  new window
4.Fung, Stanislaus(1998)。The Interdisciplinary Prospects of Reading Yuan ye。Studies in the History of Gardens and Designed Landscapes,18(3),211-231。  new window
學位論文
1.Chao, Chung-Sheng(1989)。Aspects of Traditional Chinese Houses and Gardens(博士論文)。The University of Sydeny,Sydeny, N.S.W.。  new window
2.柯英宗(2003)。‘牆’在中國傳統江南私家園林整體氛圍上所起穿插、滲透之作用(碩士論文)。朝陽科技大學。  延伸查詢new window
圖書
1.王毅(1991)。園林與中國文化。上海:人民出版社。  延伸查詢new window
2.文震亨、陳植(1984)。長物志。江蘇:江蘇科學技術出版社。  延伸查詢new window
3.天津大學建築系(1982)。承德古建築。香港:三聯書店。  延伸查詢new window
4.李耳(600 B .C .)。道德經。  延伸查詢new window
5.李漁(1975)。閒情偶寄。台北:臺灣時代書局。  延伸查詢new window
6.宗白華(1989)。美學散步。台北:淑馨出版社。  延伸查詢new window
7.沈復、俞平伯(1980)。浮生六記。北京:人民文學出版社。  延伸查詢new window
8.計成、陳植(1991)。園冶注釋。台北:崇智國際文化。  延伸查詢new window
9.清華大學建築系(1981)。頤和園。北京:朝華出版社。  延伸查詢new window
10.陳從周(1983)。揚洲園林。上海:上海科學技術出版社。  延伸查詢new window
11.陳從周(1984)。說園。上海:同濟大學出版社。  延伸查詢new window
12.陳從周(1997)。惟有園林。天津:百花文藝出版社。  延伸查詢new window
13.張岱(2000)。陶庵夢憶。南京:江蘇古籍出版社。  延伸查詢new window
14.劉敦楨(1978)。蘇州古典園林。北京:中國建築工業出版社。  延伸查詢new window
15.Coomaraswamy, Ananda K.(1977)。Selected Papers: Traditional Art and Symbolism。Princeton, New Jersey:Princeton University Press。  new window
16.Forke, Alfred(1925)。The World- Conception of the Chinese。London:Arthur Probsthain。  new window
17.Sung, Z. D.(1980)。The Text of Yi King (and its Appendixes) : Chinese Original with English Translation。Taipei:Wen-hua t'u-shu kung-ssu, rpt.。  new window
18.國立歷史博物館(1984)。八大石濤書畫集。臺北:國立歷史博物館。  延伸查詢new window
19.Stein, Rolf A.、Brooks, Phyllis(1990)。The World in Miniature-Container Gardens and Dwellings in Far Eastern Religious Thought。Stanford University Press。  new window
圖書論文
1.趙重生(1998)。由紅樓夢大觀圔之『大観』一詞反思中國傳統園林的創作。第十—屆建築研究成果發表會論文集。台北:中華民國建築學會。  延伸查詢new window
2.Ames, Roger T.(1993)。(Sun-tzu: The Art of Warfare: The First English Translation Incorporating the Recently Discovered Yin-ch üeh-shan Texts) Introduction。Sun-tzu: The Art of Warfare: The First English Translation Incorporating the Recently Discovered Yin-ch üeh-shan Texts。New York:Ballantine Books。  new window
3.Fung, Stanislaus(1999)。Longing and Belonging in Chinese Garden History。Perspectives on Garden Histories。Washington D.C.:Dumbarton Oaks and the Trustees for Harvard University。  new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top