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題名：自由女「俠」？--試論李安和王度盧的《臥虎藏龍》中的女性意識
書刊名：電影欣賞學刊
作者：蔡秀粧
作者(外文)：Deppman, Hsiu-chuang
出版日期：2007
卷期：25:4=132
頁次：頁174-191
主題關鍵詞：自由；江湖；女俠；Freedom；Jianghu；Lady knights-errant
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:0
  • 點閱點閱:151
期刊論文
1.Klein, Christina(2004)。Crouching Tiger, Hidden Dragon: A Diasporic Reading。Cinema Journal，43(4)，18。  new window
2.Chan Kenneth(2004)。The Global Return of the Wu Xia Pian [Chinese Sword-Fighting Movie]: Ang Lee's Crouching Tiger, Hidden Dragon。Cinema Journal，43(4)，14。  new window
3.Schamus, James(2004)。Aesthetic Identities: A Response to Kenneth Chan and Christina Klein。Cinema Journal，43(4)，45+47。  new window
4.Cai(2005)。Gender Imaginations in Crouching Tiger, Hidden Dragon and the Wuxia World。positions: east asia cultures critique，13(2)，443+461。  new window
5.Kim, L. S.(2006)。Crouching Tiger, Hidden Dragon: Making Women Warriors-a Transnational Reading of Asian Female Action Heroes。Jump Cut，48。  new window
6.Kao, Karl S. Y.(1989)。Bao and Baoying: Narrative Causality and External Motivations in Chinese Fiction。Chinese Literature: Essays, Articles, Reviews，11，115-138。  new window
7.Showalter, Elaine(2001)。Sex Goddess。The America Prospect，12(9)，38。  new window
8.Teo, Stephen(2002)。King Hu。Sense of Cinema。  new window
9.Teo, Stephen(2000)。Love and Swords: The Dialectics of Martial Arts Romance。Sense of Cinema。  new window
10.Teo, Stephen(2001)。We Kicked Jackie Chan's Ass!An Interview with James Schamus。Sense of Cinema。  new window
11.Zhou, Juanita Huan(1998)。Ashes of Times: The Tragedy and Salvation of the Chinese Intelligentsia。Asian Cinema，10(1)，62-70。  new window
圖書
1.劉紹銘、陳永明(1998)。武俠小說論卷。香港：明河社。  延伸查詢new window
2.Chan Felicia(2003)。Crouching Tiger, Hidden Dragon: Cultural Migrancy and Translatability。Chinese Films in Focus: 25 New Takes。London：British Film Institut。  new window
3.Freud, Sigmund(1961)。Civilization and Its Discontents。  new window
4.Berry, Christopher、Farquhar, Mary(2006)。China on screen: Cinema and the National。New York。  new window
5.Yek, Emilie Yueh-yu、Davis, Darrell William(2005)。Taiwan Film Directors: A Treasure Island。New York：Columbia University Press。  new window
6.王度廬(2001)。臥虎藏龍。臥虎藏龍。臺北。  延伸查詢new window
7.Liu, James J. Y.(1967)。The Chinese Knight-Errant。London：Chicago：Routledge and Kegan Paul：University of Chicago Press。  new window
8.焦雄屏(1988)。臺灣新電影。時報文化出版企業股份有限公司。  延伸查詢new window
9.陳儒修(1994)。電影帝國另一種注視：電影文化研究。臺北：萬象。  延伸查詢new window
10.Berry, Michael J. A.(2005)。Speaking in Images: Interviews with Contemporary Chinese Filmmakers。Speaking in Images: Interviews with Contemporary Chinese Filmmakers。New York。  new window
11.Corliss, Richard(2000)。Martial Masterpiece。Crouching Tiger, Hidden Dragon: A Portrait of the Ang Lee Film。New York。  new window
12.Lai, Sophia Sufen(1999)。From Cross-dressing Daughter to Lady Knight-Errant: The Origin and Evolution of Chinese Women Warriors。Presence and Presentation: Women in the Chinese Literati Tradition。New York。  new window
13.Martin, Fran(2005)。The China Simulacrum: Genre, Feminism, and Pan-Chinese Cultural Politics in Crouching Tiger, Hidden Dragon。邊緣上的島嶼：臺灣新電影與之後。香港。  延伸查詢new window
14.Pu, Songling(2002)。The Lady Knight-Errant。Traditional Chinese Stories: Themes and Variations。Boston。  new window
15.Teo, Stephen(2005)。Wuxia Redux: Crouching Tiger, Hidden Dragon as a Model of Late Transnational Production。Hong Kong Connections: Transnational Imagination in Action Cinema。Hong Kong。  new window
其他
1.A Conversation with Ang Lee and James Schamus。  new window
2.(2006)。謝謝你曾經愛過我。  延伸查詢new window
3.李安(1997)。冰風暴。  延伸查詢new window
4.李安(2000)。臥虎藏龍。  延伸查詢new window
5.李安(1991)。推手。  延伸查詢new window
6.李安(1993)。喜宴。  延伸查詢new window
7.李安(1995)。理性與感性。  延伸查詢new window
8.李安(1994)。飲食男女。  延伸查詢new window
9.李安(1999)。與魔鬼共騎。  延伸查詢new window
10.李安(2003)。綠巨人浩克。  延伸查詢new window
11.李安(2005)。斷背山，紐約：焦點影業。  延伸查詢new window
 
 
 
 
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