Monsters, Perversion, and Enjoyment: Toward a Psychoanalytic Theory of Postmodern Horror_

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題名：	Monsters, Perversion, and Enjoyment: Toward a Psychoanalytic Theory of Postmodern Horror
書刊名：	Concentric: Literary and Cultural Studies
作者：	黃涵榆
作者(外文)：	Huang, Han-yu
出版日期：	2007
卷期：	33:1
頁次：	頁87-110
主題關鍵詞：	Enjoyment；Extimacy；Fantasy；Gothic；Horror；Monster；Father-jouissance；Perversion；Postmodern；Superego；Uncanny
原始連結：	連回原系統網址
相關次數：	被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0) 排除自我引用:0 共同引用:0 點閱:36

Abstract
This essay looks at “horror” both as a narrative (literary and especially
cinematic) genre and as a trans-genre, postmodern social and cultural milieu,
one in which horror has become entangled with excessive, pathological
fantasy and enjoyment. First, the traditional, 19th-century literary-Gothic
motifs (excess, monstrosity, transgression, and uncanny doubling) will be
explored in the light of such psychoanalytic concepts as the uncanny,
extimacy, and the “subject-beyond-subjectivization.” Then the reworking or
transformation of these motifs, especially the monster motif, in contemporary
“postmodern” horror films like Hitchcock’s Psycho (1960) and Jonathan
Demme’s The Silence of the Lambs (1991) will be discussed. This “new
Monster” will be described in terms of the superego, aggression, and
perversion in our contemporary “culture of enjoyment”; a key notion here is
the move from Freudian superego as the collective moral voice of society
(moral conscience) to Lacanian superego as perverse command to “enjoy
ourselves.” The essay’s final section offers some psychoanalytical-ethical
reflections on reading contemporary, horror-immersed culture.

以文找文

期刊論文
1.	Dolar, Mladen(1991)。I Shall Be with You on Your Wedding-Night: Lacan and the Uncanny。October，58，5-23。
2.	McKee, Patricia(2002)。Radicalization, Capitalism, and Aesthetics in Stoker’s Dracular。Novel，42-60。
3.	Zizek, Slavoj(1997)。The Supposed Subjects of Ideology。Critical Quarterly，39(2)，39-59。
4.	Wolfe, Cary、Elmer, Jonathan(1995)。Subject to Sacrifice: Ideology, Psychoanalysis, and the Discourse of Species in Jonathan Demme's Silence of the Lambs。Boundary 2，22(3)，141-170。
5.	Schopp, Andrew(2003)。The Practice of Politics of 'Freeing the Look': Jonathan Demme's The Silence of the Lambs。Camera Obscura，53，125-150。
6.	Brophy, Philip(1983)。Horrality: The Textuality of Contemporary Horror Films。Screen，27(1)，2-13。
7.	Fashy, Thomas(2003)。Killer Culture: Classical Music and the Art of Killing in Silence of the Lambs and Seven。The Journal of Popular Culture，37(1)，28-42。

會議論文
1.	Lacan, Jacques、Porter, Dennis(1992)。The Seminar of Jacques Lacan: Book VII, The Ethics of Psychoanalysis 1959-1960。New York：W. W. Norton & Company。

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1.	Braidotti, Rosi(2002)。Metamorphoses: Towards a Materialist Theory of Becoming。Cambridge：Polity Press。
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3.	Zizek, Slavoj(1993)。Tarrying with the Negative: Kant, Hegel and the Critique of Ideology。Tarrying with the Negative: Kant, Hegel and the Critique of Ideology。Durham。
4.	Stoker, Bram(1997)。Dracula。Dracula。New York。
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6.	Botting, Fred(1996)。Gothic。London：Routledge。
7.	Kay, Sarah(2003)。Žižek: A Critical Introduction。Žižek: A Critical Introduction。Cambridge。
8.	Ziarek, Ewa Płonowska(2001)。An Ethics of Dissensus: Postmodernity, Feminism, and the Politics of Readical Democracy。Standford。
9.	Rickels, Laurence A.(1999)。The Vampire Lectures。Minneapolis：University of Minnesota Press。
10.	Lacan, Jacques、Miller, Jacques-Alain、Sheridan, Alan(1978)。The Seminar of Jacques Lacan, Book XI: The Four Fundamental Concepts of Psychoanalysis。W. W. Norton & Company, Inc。
11.	Jones, Darryl(2002)。Horror: A Thematic History in Fiction and Film。Horror: A Thematic History in Fiction and Film。London。
12.	Freeland, Cynthia A.(2000)。The Naked and the Undead: Evil and the Appeal of Horror。The Naked and the Undead: Evil and the Appeal of Horror。Oxford。
13.	Lacan, Jacques(2002)。Ecrits: A Selection。Ecrits: A Selection。New York。
14.	Žižek, Slavoj(1999)。The Ticklish Subject: The Absent Center of Political Ontology。Verso。
15.	Fink, Bruce(1997)。A Clinical Introduction to Lacanian Psychoanalysis: Theory and Technique。Cambridge, MA：Harvard University Press。
16.	Žižek, Slavoj(2001)。Did Somebody Say Totalitarianism? Five Interventions in the (Mis)use of a Notion。New York：London：Verso：Verso。
17.	Žižek, Slavoj(1991)。Looking Awry: An Introduction to Jacques Lacan through Popular Culture。Cambridge, Massachusetts：October Books。
18.	Crane, Jonathan Lake(1994)。Terror and Everyday Life: Singular Moments in the History of the Horror Film。Thousands Oaks, CA：London：Sage。
19.	Žižek, Slavoj(1997)。The Plague of Fantasies。London：Verso。
20.	Žižek, Slavoj(1991)。For They Know Not What They Do: Enjoyment as a Political Factor。Verso。
21.	Žižek, Slavoj(1992)。Enjoy Your Symptom! Jacques Lacan in Hollywood and Out。London：Routledge。
22.	Carroll, Noël(1990)。The Philosophy of Horror, or, Paradoxes of the Heart。New York。
23.	Žižek, Slavoj(1989)。The Sublime Object of Ideology。London：Verso。
24.	Fink, Bruce(2004)。Lacan to the Letter: Reading Écrits Closely。Minneapolis, MN：University of Minnesota Press。
25.	Jagodzinski, Jan(2004)。Youth Fantasies: The Perverse Landscape of the Media。New York：Palgrave Macmillan。
26.	Wells, Paul(2000)。The Horror Genre: From Beelzebub to Blair Witch。Wallflower。
27.	Žižek, Slavoj(2000)。The Fragile Absolute: Or, Why Is the Christian Legacy Worth Fighting For?。Verso。
28.	Žižek, Slavoj(2001)。On Belief: Thinking in Action。Routledge。
29.	McGowan, Todd(2004)。The End of Dissatisfaction?。New York：State University of New York Press。
30.	Arata, Stephen D.(1997)。The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization。Dracula。New York。
31.	Freud, Sigmund(1959)。The Uncanny。Sigmund Freud: Collected Papers (Vol. 4)。New York。
32.	Monleon, José B.(2000)。1848: The Assault on Reason。The Horror Reader。London。
33.	Zizek, Slavoj(1992)。Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock)。Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock)。London。
34.	Tudor, Andrew(2002)。Why Horror? The Peculiar Pleasures of a Popular Genre。Horror, The Film Reader。London。
35.	Stevenson, Robert Louis(1994)。The Strange Case of Dr. Jekyll and Mr. Hyde。The Strange Case of Dr. Jekyll and Mr. Hyde。London。
36.	Simpson, Philip L.(2000)。Psycho Paths: Tracking the Serial Killer through Contemporary American Film and Fiction。Psycho Paths: Tracking the Serial Killer through Contemporary American Film and Fiction。Carbondale。
37.	Shaw, Daniel(2003)。The Mastery of Hannibal Lecter。Dark Thoughts: Philosophic Reflections on Cinematic Horror。Lanham。
38.	Schneider, Steven Jay(2003)。Murder as Art/The Art of Murder: Aestheticizing Violence in Modern Cinematic Horror。Dark Thoughts: Philosophic Reflections on Cinematic Horror。Lanham。
39.	Schneider, Steven Jay、Shaw, Daniel(2003)。Dark Thoughts: Philosophic Reflections on Cinematic Horror。Dark Thoughts: Philosophic Reflections on Cinematic Horror。Lanham。
40.	Nixon, Nicola(1998)。Making Monsters, or Serializing Killers。American Gothic: New Interventions in a National Narrative。Iowa City。
41.	Picart, Caroline J. S.、Frank, David A.(2004)。Horror and the Holocaust: Genre Elements in Schindler's List and Psycho。The Horror Film。New Brunswick, NJ。
42.	Michasiw, Kim Ian(1998)。Some Stations of Suburban Gothic。American Gothic: New Interventions in a National Narrative。Iowa City。
43.	Poe, Edgar Allan。Complete Stories and Poems of Edgar Allan Poe。Complete Stories and Poems of Edgar Allan Poe。New York。
44.	Martin, Robert K.、Savoy, Eric(1998)。American Gothic: New Interventions in a National Narrative。American Gothic: New Interventions in a National Narrative。Iowa City。
45.	Jancovich, Mark(2002)。Genre and the Audience: Genre Classifications and Cultural Distinctions in the Mediation of The Silence of the Lambs。Horror, The Film Reader。London。

圖書論文
1.	Kilgour, Maggie(1998)。The Function of Cannibalism at the Present Time。Cannibalism and the Colonial World。Cambridge：Oxford UP。

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