A significant range of Shirley Geok-lin Lim's poetry dwells on place and the fraught relationship between self and place: a relationship often expressed in terms of the land and the biotic community. This essay will focus on the ecological consciousness which underlies Lim's poetry and the poet's treatment of the nonhuman world as material reality which must be recognized as such and ultimately cared for. In her work, Lim interweaves identity, place and gender with ecology and reveals an environmentalism which has yet to be fully explored and appreciated by critics.