| 期刊論文| 1. | Wrightm, Patrick(1992)。Home is Where the Cart Is。The Independent，12-15。   | | 2. | Deutsche, Rosalyn(2002)。Sharing Strangeness: Krzyszt of Wodiczko's Ægis and the Question of Hospitality。Grey Room，6，26-43。 | | 3. | Chua, Eu-Jin(2006)。Laurie Anderson's Telepresence。Postmodern Culture，16(2)。 | 圖書| 1. | Lovejoy, Margot(2004)。Digital Currents: Art in the Electronic Age。Routledge。 | | 2. | Kristeva, Julia、Roudiez, Leon S.(1991)。Strangers to Ourselves。Columbia University Press。 | | 3. | Wodiczko, Krzyztof(1999)。Critical Vehicles-Writings, Projects, Interviews。Critical Vehicles-Writings, Projects, Interviews。Cambridge。 | | 4. | Kaprow, Allan(2003)。The legacy of Jackson Pollock。Essays on the blurring of art and life。Berkeley/Los Angeles。 | | 5. | Hebdige, Dick(1992)。The Machine is Unheimlich。Public Address: Krzysztof Wodiczko。 | | 6. | Golden, Thelma(2004)。Art: 21-Art in the Twenty-First Century-Season One。Art: 21-Art in the Twenty-First Century-Season One。NY, USA。 | | 7. | Dixon, Steve(2007)。The Digital Double。Digital Performance: A History of New Media in Theatre, Dance, Performance, Art, and Installation。Cambridge, MA/London。 | | 8. | Boswell, Peter(1992)。Art and the Public Domain。Public Address: Krzysztof Wodiczko。 | | 9. | Bonnet, Ann(2004)。存在與再現之間─當代肖像攝影。身體變化：西方藝術中身體的概念和意象。臺北。 延伸查詢 | 圖書論文| 1. | Simmel, Georg、Levine, Donald N.(1971)。The Stranger。On Individuality and Social Forms: Selected Writings。Chicago, Illinois：University of Chicago Press。 | | 2. | Freud, Sigmund(1955)。The Uncanny。The Standard Edition of the Complete Psychological Works of Sigmund Freud。London：The Hogarth P。 | |