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題名：義大利重要城市歌劇發展與歌劇院演出實務之探究
書刊名：中山人文學報
作者：洪于淳
作者(外文)：Hung, Yu-chun
出版日期：2009
卷期：27
頁次：頁135-163
主題關鍵詞：義大利歌劇；歌劇院；威尼斯；羅馬；拿坡里；米蘭；Italian opera；Opera houses；Florence；Venice；Rome；Naples；Milan
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  • 共同引用共同引用:2
  • 點閱點閱:26
義大利在歌劇的發展上具有其他國家難以匹敵的優勢，它除了在歌劇史上佔有獨占鰲頭的地位，產生了無以計數的歌劇作品，還在不同的城市中建立了許多極富代表性的歌劇院。當義大利歌劇從佛羅倫斯開始發展之後，逐漸將重心移轉至威尼斯、羅馬、拿坡里，與米蘭等地，而其過程更因為各地不同的歷史背景而發展出不盡相同的歌劇風格。本論文主要從義大利歌劇在不同時期所展現出的風格，探討從十七世紀初至二十世紀的義大利歌劇，其展演空間如何從最初皇宮貴族的宴會廳到專門的歌劇院，更進一步發展至現代規模歌劇院之過程。在劃時代的第一座商業歌劇院，聖卡西亞諾歌劇院(Teatro San Cassiano)於1637年開幕之後為了區隔貴族與平民，而增加供貴族使用的獨立包廂，以增加商業歌劇院之收益。因此觀眾席的設計逐漸成?歌劇院重要的考量項目之一，之後更朝向可容納大量觀眾的大型歌劇院方向來發展。然而，探討現存的義大利大型歌劇院如聖卡羅歌劇院(Teatro di San Carlo)、鳳凰歌劇院(Teatro La Fenice)，與史卡拉歌劇院(Teatro Alla Scala)等現代規模的歌劇院，並非僅是為了闡述歌劇院的發展史，而是要針對不同風格與規模的歌劇與其所從屬的歌劇院之間所存在的關聯，提出更多音樂上的佐證，以充實歌劇史之全面性。
Italy has its dominant position in the opera history, besides the numberless operatic works by Italian composers, there are also many great opera houses built all over in this country. Opera arose in Florence and then went followed by other cities, for instance Venice, Rome, Naples and Milan. Because Italian opera had its progression in different period, this paper is going to discuss the style and the changing of the Italian opera. Italian opera had been treated as the court entertainments from the 17th century to the 18th century. After the first opera house, Teatro San Cassiano was opened to the public in 1637, the box area were set for separating aristocratic and lower classes. For increasing the revenue of the public opera houses, there were more and more separated box. Therefore, the design of the seating becomes important, and has the tendency to built large opera houses. However, focus on the great opera house such as Teatro di San Carlo, Teatro La Fenice and Teatro Alla Scala, not only for illustrating the opera history, but providing more music examples to demonstrate the interaction of operatic performance and its performing venues.
期刊論文
1.徐玫玲(20030700)。莊歌劇的歷史回顧。輔仁學誌. 人文藝術之部，30，211-226。  延伸查詢new window
2.DelDonna, Anthony Robert(2002)。Production Practices at the Teatro di San Carlo, Naples, in the late 18th Century。Early Music，30(3)，429-442。  new window
3.Elliott, Janclaire(2001)。The Orchestras for the Cairo and Milan Premieres of Aida。The Opera Quarterly，647-661。  new window
4.Harwood, Gregory W.(1986)。Verdi's Reform of the Italian Opera Orchestra。19th Century Music，10(2)，108-134。  new window
5.Toelle, Jutta(2007)。Venice and Its Opera House: Hope and Despair at the Teatro La Fenice, 1866-97。Journal of Musicological Research，26(1)，33-54。  new window
6.(2007)。From the Archives March 1887: Signor Verdi's Otello。Musical Opinion，16-17。  new window
學位論文
1.蔡郁潔(1999)。從Metastasio劇本看十八世紀義大利莊歌劇之發展，臺北。  延伸查詢new window
圖書
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17.Weaver, Robert Lamar(2001)。Melani。The New Grove Dictionary of Music and Musicans (16)。Oxford。  new window
18.Weaver, Robert Lamar(1997)。Potestà di Colognole, Il。The New Grove Dictionary of Opera (3)。London。  new window
19.Zoppelli, Luca(1997)。Venice。The New Grove Dictionary of Opera (4)。London。  new window
20.徐玫玲(2009)。西洋音樂美學發展之辯證。西洋音樂美學發展之辯證。臺北。new window  延伸查詢new window
21.Antolini, Bianca Maria(1997)。Rome。The New Grove Dictionary of Opera (4)。London。  new window
22.Beranek, Leo L.(1996)。Concert and Opera Hall: How They Sound。Concert and Opera Hall: How They Sound。New York。  new window
23.Beranek, Leo L.(2004)。Concert Halls and Opera Houses: Music, Acoustics, and Architecture。Concert Halls and Opera Houses: Music, Acoustics, and Architecture。New York。  new window
24.Brockett, Oscar G.、Hildy, Franklin J.(2008)。The Theatre History of the Theatre。The Theatre History of the Theatre。  new window
25.Busch, Hans(1979)。Verdi's Aida: The History of an Opera in Letters and Documents。Verdi's Aida: The History of an Opera in Letters and Documents。Minneapolis。  new window
26.Carter, Time(2001)。Arcadian Academy。The New Grove Dictionary of Music and Musicans (1)。Oxford。  new window
27.Celletti, Rodolfo(1996)。A History of Bel Canto。A History of Bel Canto。Oxford。  new window
28.Dahlhaus, Carl(1995)。Esthetics of music。Esthetics of music。Cambridge。  new window
29.Di Benedetto, Renato、Fabris, Dinko(2001)。Naples。The New Grove Dictionary of Music and Musicians (17)。Oxford。  new window
30.Donà, Mariangela(1997)。Milan。The New Grove Dictionary of Opera (3)。London。  new window
31.Gossett, Philip(2008)。Divas and Scholars: Performing Italian Opera。Divas and Scholars: Performing Italian Opera。Chicago/London。  new window
32.Graf, Herbert(1973)。Opera for the People。Opera for the People。New York。  new window
33.Hartnoll, Phyllis(1998)。The Theatre: A Concise History。The Theatre: A Concise History。London/New York。  new window
34.Heartz, Daniel、Brown, Bruce Alan(2001)。Rococo。The New Grove Dictionary of Music and Musicians (21)。Oxford。  new window
35.Hugues, Spike(1956)。Great Opera Houses。Great Opera Houses。London。  new window
36.Johnson, Victoria、Fulcher, Jane F.、Ertman, Thomas(2007)。Opera and Society in Italy and France from Moteverdi to Bourdieu。Opera and Society in Italy and France from Moteverdi to Bourdieu。Cambridge。  new window
37.Kimbell, David(1995)。Italian Opera。Italian Opera。Cambridge/New York/Melbourne/Sydney。  new window
38.Zoppelli, Luca(2001)。Venice。The New Grove Dictionary of Music and Musicians (26)。Oxford。  new window
39.Berlioz, Hector(1969)。Les Troyens。Les Troyens。Kassel/Basel/Paris/London。  new window
40.Monteverdi, Claudio(1998)。L'Orfeo。L'Orfeo。Kassel/Basel/London/New York/Prag。  new window
41.Monteverdi, Claudio(1977)。L'invoronazione di Poppea。L'invoronazione di Poppea。London。  new window
42.Rossini, Gioachino(2004)。Mose in Egitto。Mose in Egitto。Pesaro。  new window
43.Verdi, Giuseppe(1986)。Otello。Otello。New York。  new window
其他
1.Verdi, Giuseppe(2004)。Otello，Taipei。  new window
2.History。  new window
3.Our History。  new window
4.History。  new window
 
 
 
 
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