圖書| 1. | 于潤洋(2000)。現代西方音樂哲學導論。現代西方音樂哲學導論。長沙。 延伸查詢 |
| 2. | 熊偉、高宣揚(1994)。現象學與海德格。台北：遠流。 延伸查詢 |
| 3. | Husserl, K.、倪梁康、張廷國(2005)。生活世界現象學。上海：譯文出版社。 延伸查詢 |
| 4. | Ingarden, Roman(1986)。The work of music and the problem of its identity。London：Macmillan。  |
| 5. | Dell'Antonio, Andrew(2004)。Beyond Structural Listening? Postmodern Modes of Hearing。Berkeley：Los Angeles：London：University of California Press：University of California Press：University of California Press。 |
| 6. | Husserl, Edmund、Schumann, Karl、李幼蒸(1994)。純粹現象學通論。臺北：桂冠。 延伸查詢 |
| 7. | Dufrenne, Mikel、韓樹站、陳榮生(1996)。審美經驗現象學。北京：文化藝術出版社。 延伸查詢 |
| 8. | Dufrenne, Mikel、Casey, Edward S.、Anderson, Albert A.、Domingo, Willis、Jacobson, Leon(1973)。The Phenomenology of Aesthetic Experience。Evanston, IL：Northwestern University Press。 |
| 9. | 蔡美麗(2007)。胡塞爾。臺北：東大。 延伸查詢 |
| 10. | Sokolowski, Robert、李維倫(2004)。現象學十四講。臺北：心靈工坊出版社。 延伸查詢 |
| 11. | Husserl, Edmund(1999)。內在時間意識現象學。內在時間意識現象學。北京。 延伸查詢 |
| 12. | Dahlhaus, Carl(2006)。古典和浪漫時期的音樂。古典和浪漫時期的音樂。湖南長沙。 延伸查詢 |
| 13. | Botstein, Leon(2001)。Beyond the Illusions of Realism: Painting and Debussy's Break with Tradition。Debussy and His World。Prienceton。 |
| 14. | Dayan, Peter(2006)。Music writing literature, from Sand via Debussy to Derrida。Music writing literature, from Sand via Debussy to Derrida。Vermont。 |
| 15. | Debussy, Claude(1928)。Monsieur Croche, the dilettante hater。Monsieur Croche, the dilettante hater。New York。 |
| 16. | Dufrenne, Mikel Louis(1987)。The A Priori and the Philosophy of Nature。In the presence of the sensuous: essays in aesthetics。Atlantic Highlands, NJ。 |
| 17. | Dziemidok, B.、McCormick, Peter(1989)。On the aesthetics of Roman Ingarden: interpretations and assessments。On the aesthetics of Roman Ingarden: interpretations and assessments。Dordrecht。 |
| 18. | Ellis, Katharine(2005)。Interpreting the Musical Past: Early Music in Nineteenth-Century France。Interpreting the Musical Past: Early Music in Nineteenth-Century France。Oxford。 |
| 19. | Fulcher, Jane(2001)。Speaking the Truth to Power: The Dialogic Element in Debussy’s Wartime Compositions。Debussy and His World。Prienceton。 |
| 20. | Le Guin, Elisabeth(2004)。One Bar in Eight: Debussy and the Death of Description。Beyond structural listening?: postmodern modes of hearing。Berkeley。 |
| 21. | Lippman, Edward A(1999)。The Philosophy and Aesthetics of Music。The Philosophy and Aesthetics of Music。Lincoln。 |
| 22. | Pytlak, Andrzej(1989)。On Ingarden’s Conception of the Musical Composition。On the aesthetics of Roman Ingarden: interpretations and assessments。Dordrecht。 |
| 23. | Schultz, Timothy(2001)。Performing French classical music: sources and applications。Performing French classical music: sources and applications。Hillsdale, New York。 |
| 24. | Cox, David Vassall(1995)。德布西管弦樂。德布西管弦樂。臺北。 延伸查詢 |
| 25. | Dahlhaus, Carl(2006)。音樂美學觀念史引論。音樂美學觀念史引論。上海。 延伸查詢 |
| 26. | Embree, Lester(2007)。反思性分析：現象學硏究入門。反思性分析：現象學硏究入門。臺北市。 延伸查詢 |