:::

詳目顯示

回上一頁
題名:應用環境觀察之認知符號設計動畫地圖
書刊名:地圖
作者:高慶珍 引用關係李明燕 引用關係
作者(外文):Kao, Ching-jenLee, Ming-yen
出版日期:2010
卷期:20:1
頁次:頁27-37
主題關鍵詞:地理視覺化圖畫符號動作記憶長期記憶倒攝抑制Geographic visualizationPictorial symbolsWorking memory long-term memoryRetroactive inhibition
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:2
  • 點閱點閱:23
隨著地理視覺化技術的發展,動畫地圖就成了動態展示時空現象的另一種的方式。動畫的最大特性是利用故事體在限定時間內精準的抓住表現重點,令讀者很快擷取到空間展示特性。經由環境觀察與視覺認知兩階段的實驗,本研究以每秒8.4幀(fps)的動態呈現實驗出最好的認知結果,同時發現當高認知率的靜態符號要調整到動畫呈現時,由於受到時間的限制,首要避免的就是認知過程中,倒攝抑制或記憶超載的現象產生。因此採用圖畫式或具色彩隱喻的符號都是很好的設計,尤其在播放技巧上,可透過重複或在播放中間出現均有助於認知效果的提升。
With the development of geographic visualization (GVIS), animated maps become worldwide mapping technology to represent dynamic spatial-temporal phenomena recently. The nature of animated maps is deals with the depiction of moments to capture the change between dynamic events in chronological order. From the environment observation and visual cognition experiment, this study reveal that 8.4 (fps) is the optimum speed to show animated maps. Owning to limited time, the conclusions also demonstrate that when the static symbols shift to animated ones, the retroactive inhibition and cognition overload from the cognition process should be avoid. By the time, pictorial symbols and symbols with color metaphor are good design for animated maps, especially, repeat appearing and control appearing orders will facilitate the communication effects.
期刊論文
1.高慶珍(20020700)。地圖符號之語意差異研究。地圖,12,29-40。new window  延伸查詢new window
2.Forrest, D.(1998)。On the Design of Point Symbols for Tourist Maps: Enclosed or Not The Question。The Cartographic Journal,35(1),79-81。  new window
3.Mayer, Richard E.、Moreno, Roxana(2003)。Nine Ways to Reduce Cognitive Load in Multimedia Learning。Educational Psychologist,38(1),43-52。  new window
4.Caquard, S.(2009)。Foreshadowing contemporary digital cartography: a historical review of cinematic maps in films。The Cartographic Journal,46(1),46- 55。  new window
5.Caquard, S.、Fraser, D. R.(2009)。What is cinematic cartography?。The Cartographic Journal,46(1),5-8。  new window
6.Castner, Henry W.、Eastman, J. Ronald(1985)。Eye-movement parameters and perceived map complexity。The American Cartographer,12(1),29-40。  new window
7.Castro,T.(2009)。Cinema’s mapping impulse: questioning visual culture。The Cartographic Journal,46(1),9-15。  new window
8.Conley, T.(2009)。Locations of film noir。The Cartographic Journal,46(1),16-23。  new window
9.Harrower, M.(2003)。Tips for designing effective animated maps。Cartographic perspectives,44,63-65。  new window
10.Cartwright, W.(2009)。Applying the theatre metaphor to integrated media for depicting geography。The Cartographic Journal,46(1),24-35。  new window
11.Harrower, M.(2004)。A look at the history and Future of animated maps。Cartographica,39(3),33-42。  new window
12.Harrower, M.(2007)。The cognitive limits of animated maps。Cartographica,42(4),349-357。  new window
學位論文
1.陳昭靜(2008)。國小低年級學童的校園、住家、社區認知圖之行動研究-屏東縣大明國小之個案。  延伸查詢new window
圖書
1.MacEachren, Alan M.(1995)。How Maps Work-Representation, Visualization, and Design。New York:Guilford Press。  new window
2.Harrower, M.、Fabrikant S.(2008)。THe Role of Map Animation for Geographic。Visualization \\ Dodge, M. ; McDerby, M. ; Turner, M. (eds.)。Geographic Visualization, UK。  new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
QR Code
QRCODE