:::

詳目顯示

回上一頁
題名:印尼泗水的「鳳德軒」廟宇布袋戲團發展史
書刊名:民俗曲藝
作者:蕭翡斐
作者(外文):Xiao, Olivia Feifei
出版日期:2010
卷期:170
頁次:頁233-281
主題關鍵詞:瓦揚印尼中國布袋戲藝術WayangIndonesiaChinaPuppet theatreArtistry
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:1
  • 點閱點閱:172
瓦揚(wayang)原本是爪哇語「影子」或「想像」的意思。瓦揚在印尼有很長的歷史,它不止是個育樂表演,也與人民的社會生活息息相關,是一種文化藝術的代表,在2003年被聯合國教科文組織(UNESCO)列爲無形文化遺產。印尼除了受到印度文化的影響,也有部分受到了中國文化的影響。由中國東南沿海移民帶入印尼的布袋戲在印尼也歸類爲瓦揚的一種,而爲了與其他瓦揚分別,就稱爲Wayang Potehi,是從福建話「布袋戲」所擬音的。筆者將探討印尼泗水的「鳳德軒」廟宇與其布袋戲劇團發展史,並論及劇團組織與其藝術。
Wayang in Javanese means "shadow" or "imagination." Wayang has a long history in Indonesia. It is not merely an entertainment, but also a representation of arts and culture that is deeply associated with people's daily social lives. In 2003, it was listed as an Intangible Cultural Heritage by the UNESCO. The culture of Indonesia is influenced by both Indian and Chinese cultures. The puppet theatre budaixi introduced by the immigrants from southeastern coastal China is also classified as a type of wayang. To differentiate it from other wayang, it is called Wayang Potehi, an onomonopoeia for the Fukien pronunciation of pò-tē-hì (puppet theater). In this article, I shall explore the history of the temple Fengdexuan in Surabaya Indonesia, and the development of its puppet theatre troupe. I will also discuss the troupe's organization and its artistic achievement.
期刊論文
1.Seltmann, Friedrich(1976)。Wayang Thithi: Chinesisches Schattenspiel in Jogjakarta。Review of Indonesian and Malayan Affairs,10(1),51-75。  new window
2.李子寧(2004)。面具之舞─印尼爪哇的「托賓」舞劇與面具。傳統藝術,46,34-37。  延伸查詢new window
3.施靜菲、許雅惠(2004)。藝術、信仰與生活─印尼的皮影戲偶與面具。故宮文物月刊,21(12)=252,70-79。new window  延伸查詢new window
4.李子寧(2004)。面具之舞--印尼爪哇的「托賓」舞劇與面具。傳統藝術,46,36。  延伸查詢new window
5.施靜菲、許雅惠(2004)。藝術、信仰與生活--印尼的皮影戲偶與面具。故宮文物月刊,21(12),70-79。new window  延伸查詢new window
6.Seltmann, F.(1976)。Wayang Thithi-Chinesisches Schattenspiel in Jogjakarta。RIMA,10(1),51-75。  new window
學位論文
1.Ardiana, Leo Idra(2003)。Wayang Potehi: Identitas dan Fungsi,Indonesia。  new window
2.Ardiana, Leo Idra(2003)。Wayang Potehi: Identitas dan Fungsi。  new window
3.Sutini(2009)。Wayang Ditinjau dari Sejarah Perkembangan serta Peranannya dalam Menunjang Pendidikan Kepribadian Bangsa。  new window
圖書
1.梁敏和、孔遠志(2002)。印度尼西亞文化與社會。北京:北京大學。  延伸查詢new window
2.孔遠志(1999)。《中國印尼文化交流》。北京:北京大學出版社。  延伸查詢new window
3.孔遠志(1999)。中國印度尼西亞文化交流。中國印度尼西亞文化交流。北京。  延伸查詢new window
4.Hidajat, Zenal Mutakin(1977)。Masyarakat dan kebudayaan Cina Indonesia。Masyarakat dan kebudayaan Cina Indonesia。Bandung。  new window
5.Lombard, Denys、Salmon, Claudine(2001)。Islam and Chineseness。Propagation Of Islam In The Indonesian-Malay Archipelago。Kuala Lumpur。  new window
6.Sutini(2009)。Wayang Ditinjau dari Sejarah Perkembangan serta Peranannya dalam Menunjang Pendidikan Kepribadian Bangsa。Wayang Ditinjau dari Sejarah Perkembangan serta Peranannya dalam Menunjang Pendidikan Kepribadian Bangsa。Indonesia。  new window
7.Hidajat, Zenal Mutakin(1977)。Masyarakat dan Kebudayaan Cina Indonesia。Bandung。  new window
8.Lombard, Denys、Claudine Salmon(2001)。Islam and Chineseness。The Propagation of Islam in the Indonesian-Malay Archipelago。Kuala Lumpur。  new window
其他
1.Wahyudyanti, Lutfi Retno(2009)。Teguh Chandra: Exit the persecuted puppets,Jakarta。  new window
2.Wayang。  new window
3.Wahyudyanti, Lutfi Retno(2009)。Teguh Chandra: Exit the persecuted puppets。  new window
4.(2008)。Wayang,http://en.wikipedia.org/wiki/Wayang, 20081106。  new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
QR Code
QRCODE