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題名:浦朗克作品《夜曲》中的通俗音樂元素
書刊名:遠東通識學報
作者:蘇稚蘋
作者(外文):Su, Chih-pin
出版日期:2011
卷期:5:1=8
頁次:頁135-160
主題關鍵詞:浦朗克夜曲
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
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  • 共同引用共同引用:0
  • 點閱點閱:46
期刊論文
1.莊裕安(19950600)。法國屋頂上的美洲眺望者--米堯[Darius Milhaud,1892-1974]。古典音樂,40,32-34。  延伸查詢new window
2.陳漢金(1999)。無賴與靈修者的雙面ー體。表演藝術,78,65-69。  延伸查詢new window
3.莊裕安(1999)。保守與激進的兩面神一紀念普朗克百年冥誕。古典音樂,89,34-39。  延伸查詢new window
4.焦元溥(1999)。普朗克的鍵盤音樂世界。古典音樂,89,40-57。  延伸查詢new window
5.Smith J.(1999)。Poulenc at the World’s Fair。Piano Today,19,12-15。  new window
6.Stutzenberger, Linda Pruitt。Poulenc's Tempo Indication.: to Follow or not to Follow。American Music Teacher,31(3),26。  new window
7.Smith, H.(1993)。Speaking out for Poulenc。Gramophone,71,20。  new window
8.Blain, T.(1999)。Poulenc: from Salon to Salvation。Class Cd,109,42-47。  new window
9.Daniel, Keith William(1982)。A Preliminary Investigation of Pitch-Class Set Analysis in the Atonal and Polytonal Works of Milhaud and Poulenc。Theory Only,6,22-48。  new window
10.Hill, Barbara F.(1989)。The Related Characteristics of Erik Satie’s Music。The Piano Quarterly,37(14),52-54。  new window
11.Hunter, M.。20th Century: Images of French Music。Musical America,107(1),44-45。  new window
12.Mortenson, G. C.。Jazz Influence on the Developmental Path of Music in France in the Second and Third Decades of the Twentieth-Century。Jazz Research Papers,6,141-145。  new window
13.Werner, W. Kent(1970)。The Piano Music of Francis Poulenc。Clavier,9,17-19。  new window
學位論文
1.Stutzenberger, Linda Pruitt(1979)。The published solo piano works of Francis Poulenc (1899-1963): A performance tape with commentary(-)。  new window
2.Daniel, Keith William(1980)。Francis Poulenc: A Study of His Artistic Development and His Musical Style,Buffalo。  new window
3.邱貞綺。費爾德鋼琴作品《夜曲》之研究(碩士論文)。國立中山大學。  延伸查詢new window
4.趙珮榕(2002)。從三首佛瑞鋼琴夜曲來探討其創作手法與演奏詮釋--以第一第六第十三號夜曲為例/音樂會(碩士論文)。東吳大學。  延伸查詢new window
5.鄭逸伸(2003)。浦浪克:《四旬期的四首經文歌》/鄭逸伸畢業音樂會(碩士論文)。東吳大學。  延伸查詢new window
6.賴尚菁(2001)。從法國小提琴奏鳴曲的演進觀浦朗克小提琴奏鳴曲(碩士論文)。國立臺北藝術大學。  延伸查詢new window
7.賴淑芳(1993)。浦朗克「光榮頌」合唱交響曲之研究(碩士論文)。國立臺灣師範大學。  延伸查詢new window
8.侯德明(2001)。薩悌鋼琴曲《運動與娛樂》特殊創作理念之探討(碩士論文)。國立中山大學。  延伸查詢new window
9.黃郁雯(2004)。浦朗克雙簧管奏鳴曲之演奏探討/黃郁雯雙簧管獨奏會(碩士論文)。東吳大學。  延伸查詢new window
10.楊宗憲(1999)。費爾德John Field與蕭邦Fryderyk Franciszek Chopin「夜曲」Nocturne作品之比較和楊宗憲鋼琴畢業音樂會。東吳大學。  延伸查詢new window
11.Laufers, Elizabeth Ann(2004)。Francis Poulenc's Use of Counterpoint in Chamber and Piano Music, 1917-1925。  new window
12.McKinney, David Conley(1994)。The Influence of Parisian Popular Entertainment on the Piano Works of Erik Satie and Francis Poulenc。  new window
13.Nelson, Jon Ray(1978)。The Piano Music of Francis Poulenc。  new window
14.Perloff, Nancy Lynn(1986)。Art and the Everyday: The Impact of Parisian Popular Entertainment on Satie, Milhaud, Poulenc, and Auric。  new window
15.Scheidker, Barbara Eileen(1995)。Cultural Influences on the Piano Music of “Les Six。  new window
16.Severtson, Kirk A.(2005)。Poulenc’s Development as a Piano Composer: A Comparison of the Solo Piano Works and the “Melodies。  new window
圖書
1.楊沛仁(1996)。鋼琴演奏名家。臺北:萬象圖書。  延伸查詢new window
2.羅梵、馮棠、孟華(1998)。法國文化史。臺北:亞太圖書出版社。  延伸查詢new window
3.Hinson, Maurice.、Irwin Freundlich(1987)。Guide to the Pianist’s Repertoire。Bloomington:Indiana University Press。  new window
4.Meilers, Wilfrid(1993)。Francis Poulenc。New York:Oxford University Press。  new window
5.Ivry, Benjamin(1996)。Francis Poulenc。London:Phaiaon。  new window
6.Schonberg, Harold C.、陳琳琳(1994)。國民樂派。臺北:萬象圖書。  延伸查詢new window
7.Cortot, Alfred.、Hilda Andrews(1977)。French Piano Music。New York:Da Capo Press。  new window
8.Salzman, Eric(1988)。Twentieth-Century Music: An Introduction。Prentice-Hall, Inc。  new window
9.吳祖強(1994)。曲式與作品分析。臺北:世界文物出版社。  延伸查詢new window
10.馬清(2000)。二十世紀歐美音樂風格。臺北:揚智文化事業股份有限公司。  延伸查詢new window
11.解瑄(2002)。法國音樂瘋:音樂文化深度之旅。台北。  延伸查詢new window
12.厲起成、陳文申(1992)。作曲記法的演進。北京。  延伸查詢new window
13.漢斯‧利希特、吳瑪琍(1988)。達達和反藝術。台北。  延伸查詢new window
14.劉振源(1995)。野獣派繪畫。台北。  延伸查詢new window
15.Brown, Maurice J. E.、Hamilton, Kenneth L.(2001)。Nocturne。The New Grove Dictionary of Music and Musicians。  new window
16.Austin, William W.(1966)。Music in the 20th Century, from Debussy through Stravinsky。New York:W. W. Norton & Company。  new window
17.Bemac, Pierre(1977)。Francis Poulenc: The Man and His Songs, Trans. Winifred Radford。New York。  new window
18.Brook, Donald(1947)。Five Great French Composers。London。  new window
19.Whittall, Arnold(2001)。Popular Music。The New Grove Dictionary of Music and Musicians。  new window
20.Buckland, Sidney、Chiménes, Myrian(1999)。Francis Poulenc: Music, Art and Literature。Aldershot。  new window
21.Fulcher, Jane F.(1999)。French Cultural Politics & Music。New York。  new window
22.Gillmor, Alan M.(1988)。Erik Satie。New York。  new window
23.Chiménes, Myriam、Nicholas, Roger(2001)。Poulenc, Francis。The New Grove Dictionary of Music and Musicians。  new window
24.Griffiths, Paul(1994)。Modern Music--A Concise History。New York:Thames and Hudson。  new window
25.Griffiths, Paul(1995)。Modern Music and After。New York。  new window
26.Looseley, David L.(1995)。Popular Music in Contemporary France。New York。  new window
27.Milhaud, Darius(1970)。Notes without Music : An Autobiography。New York。  new window
28.Morgan, Robert P.(1991)。Twentieth- Century Music: A History of Musical Style in Modern。New York。  new window
29.Morgan, Robert P.(1993)。Modern Times。London。  new window
30.Poulenc, Francis(1978)。My Friends and Myself。London。  new window
31.Schmidt, Carl B.(1995)。The Music of Francis Poulence(1899-1963): A Catalogue。New York。  new window
32.Cooper, Martin(2001)。France。The New Grove Dictionary of Music and Musicians。  new window
33.Whittall, Arnold(2001)。Neo-Classicism。The New Grove Dictionary of Music and Musicians。  new window
 
 
 
 
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