Profile of women in the Renaissance elegance and appeal by three-quarters of the decline of the profile as the front, until the nineteenth century, after the exchange of Eastern and Western art, Japanese art of Ukiyo-e with the line, use of color and composition performance, supporting the European away from the traditional limits of art; this shape with the performance of traditional European and Ukiyo-e, so that profile picture of the performance of more diversified.Draw materials natural insect, plant and fire, ink and the sun and the moon and the stars of the universe, these ornamental elements match the geometric lines, give up the light and shade law and Perspect the law, produce a kind of new level. Combine color lump and lines, there is result of depth of field, there are interconnected systems that behave jointly, that is to say personages become the space sense result of a part of a pattern. The lines change lets the detail of the picture be more abundant, merge color to match, a kind of visual picture complicated but not disorderly appears.Analyze Lucien Levy Dhurmer (1865-1953), Georges de Feure (1868-1943) , and Edgard Maxence (1865-1953) by style. These three French artists in strange the 19th century, probe into the ornamental meaning of the works of the composition, analyze from level, space science and three respects of complexity a painter combines the painting style and ornamental element, draw in various Art Nouveau women the profile chart works.