Due to the invasion of Western culture, traditional Chinese music had been played in the Western concert hall which is mainly designed in accordance with the acoustic characteristics of Western musical instruments. Morimoto (1989) proposed that the spatial impression of sound field is one of the most important characteristics in the psycho- acoustics, and that the spatial impression is composed of apparent source width (ASW) and listener envelopment (LEV). Ando (1983) suggests that spatial impression of sound field is derived from the evaluation of magnitude of inter-aural cross correlation (IACC). A topic titled on differences between traditional Chinese and Western musical instruments was surveyed in this study. The primary purposes are: (1) different responses for ASW between the traditional Chinese and Western musical sounds; (2) the influence of the reverberation on ASW; (3) the effects on ASW caused by IACC of sound field. The methodology in this study is to utilize the paired comparisons with incomplete data, the responses of the Chinese music source and the Western musical sound, in order to acquire the psycho-scale values (SVs) of ASW perceived subjectively by way of changing physical conditions. The findings of the experiments are: (1) The SVs of ASW of the Western music is obviously larger than that of the traditional Chinese musical sound (p<0.001), and the order of all musical instruments are ranked according to Thurstone's case V theory: cello > French horn > violin > clarinet > dulcimer > Chinese zither > bassoon > ruan > pipe > erhu; (2) Only ASW of Western musical sounds increases as the reverberation time has been grown (p<0.001); (3) When IACC of sound field decreases, the ASW of both the traditional Chinese and Western musical sounds significantly drop.