本文旨在對德勒茲的音樂分析所呈現的兩種系譜進行解讀，希望從音樂與哲學交纏的來龍去脈，指出雙重系譜的啟示。這種解讀不只可揭示德勒茲後期思想一種思考動力論的特殊哲學形態，某種超越的內在性與音樂交媾的奇特實踐，也可對他在藝術哲學上的貢獻作更有效的理解。

This paper aims to decipher the double-genealogy of music presented in the analysis of music by Gilles Deleuze with the goal of pointing out the direction for music from the long and short of the interlace between philosophy and music. The analysis does not only reveal the unique form of philosophy in his ”dynamism of think”, an interactive realization between transcendental immanence and music, but also provide effective comprehension toward his contribution in art philosophy.