| 期刊論文1. | Babbitt, Milton(1960)。Twelve-tone invariants as compositional determinants。The Musical Quarterly,46(2),246-259。 | 2. | Babbitt, Milton(1958)。Who cares if you listen?。High Fidelity,8(2),38-40+126-127。 | 3. | Dahlhaus, Carl(1976)。Schönbergs musikalische Poetik。Archiv für Musikwissenschaft,33,81-88。 | 4. | Forte, Allen(1978)。Schoenberg’s creative evolution: the path to atonality。The Musical Quarterly,64(2),133-176。 | 5. | Strasser, Michael(1995)。A Survivor from Warsaw as Personal Parable。Music and Letters,76(1),52-63。 | 6. | Toye, Francis(1918)。A Case for Musical Nationalism。The Musical Quarterly,4(1),12-22。 | 7. | White, Harry(2002)。Is This Song about You? Some Reflections on Music and Nationalism in Germany and Ireland。International Review of the Aesthetics and Sociology of Music,33(2),131-147。 | 圖書1. | Cherlin, Michael(2007)。Schoenberg’s Musical Imagination。Cambridge:Cambridge University Press。 | 2. | Cross, Charlotte M.、Berman, Russell A.(2000)。Political and Religious Ideas in the Works of Arnold Schoenberg。New York:Garland。 | 3. | Dahlhaus, Carl、Whittal, Mary(1980)。Between Romaticism and Modernism: Four Studies in the Music of the Later Nineteenth Century。Berkeley. CA:University of California Press。 | 4. | Dahlhaus, Carl、Puffett, Derrick、Clayton, Alfred(1987)。Schoenberg and the New Music。Cambridge:Cambridge University Press。 | 5. | Ennulat, Egbert M.(1991)。Arnold Schoenberg Correspondence: a Collection of Translated and Annotated Letter Exchanged with Guido Adler, Pable Casals, Emanuel Feuermann and Olin Downes。Metuchen, NJ:Scarecrow。 | 6. | Gervink, Manuel(2000)。Arnold Schönberg und seine Zeit。Laaber:Laaber-Verlag。 | 7. | MacDonald, Malcolm(2008)。Schoenberg。New York:Oxford University Press。 | 8. | Newlin, Dika(1980)。Schoenberg Remembered: Diaries and Recollections (1938-76)。New York:Pendragon。 | 9. | Ringer, Alexander L.(1990)。Arnold Schoenberg: The Composer as Jew。Oxford:Clarendon。 | 10. | Schoenberg, Arnold、Stein, Leonard(1969)。Structural Functions of Harmony。New York:W. W. Norton。 | 11. | Schoenberg, Arnold、Stein, Leonard、Black, Leo(1984)。Style and Idea。Berkeley, LA:University of California Press。 | 12. | White, Pamela C.(1985)。Schoenberg and the God-Idea: The Opera Moses und Aron。Ann Arbor, Michigan:UMI Research Press。 | 13. | 亞里斯多德、陳中梅(2003)。詩學。臺北:臺灣商務。 延伸查詢 | 14. | 馬水龍(1976)。十二音作曲法研究。臺北:洪建金教育文化基金會書評書目社。 延伸查詢 | 15. | 洪鎌德(2003)。民族主義。臺北:一橋出版社。 延伸查詢 | 16. | 卡爾‧修斯克、黃煜文(2002)。世紀末的維也納。臺北:麥田出版股份有限公司。 延伸查詢 | 17. | Burkholder, J. Peter、Grout, Donald、Palisca, Claude V.(2010)。A History of Western Music。New York:W. W. Norton & Company。 | 18. | Dahlhaus, Carl、Robinson, J. Bradford(1989)。Nineteenth-Century Music。University of California Press。 | 19. | 尼采、劉崎(1974)。悲劇的誕生。臺北:志文。 延伸查詢 | 其他1. | Samson, Jim(2010)。Romanticism,http://www.oxfordmusiconline.com/subscriber/article/grove/music/23751, 2010/07/08。 | 2. | Schiano, Michael J.(2010)。Grundgestalt,http://www.oxfordmusiconline.com/subscriber/article/grove/music/11868, 2010/07/15。 | 3. | Schoenberg, Arnold(2010)。Music manuscript: database of works and sources, Dreimal tausend Jahre, op. 50A,http://www.schoenberg.at/index.php?option=com_content&view=article&id=374&Itemid=179&lang=en,(MS 54)。 2010/09/30。 | 4. | Taruskin, Richard(2010)。Nationalism,http://www.oxfordmusiconline.com/subscriber/article/grove/music/50846, 2010/10/08。 | |