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題名:一趟女性書寫的藝術
書刊名:藝術評論
作者:羅婉儀
作者(外文):Lo, Yuen-yi
出版日期:2013
卷期:25
頁次:頁35-61
主題關鍵詞:藝術書寫繪畫女性書寫性別差異Visual artsDrawingWritingFeminine writingSexual difference
原始連結:連回原系統網址new window
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當代作家西蘇(Hélène Cixous)說:書寫和素描繪畫,是「冒險活動雙生兒」。以素描繪畫方式呈現的文字,是符號圖像,而成就為畫;以書寫方式呈現的文字,是文字,也是圖像符號。自2006至2009年,筆者以〈文字‧繪畫〉之題在一份香港報刊發表了有關藝術與生活的文章,共計164篇,探討傳統、現(當)代藝術創作與本土語境的緊密關係:藝術是從生活而來,藝術創作是對生活反省的呈現。透過書寫,筆者發展另種討論方式-二人電郵來回問答、重複、前後穿插的喃喃絮語-寫有關繪畫本源、藝術的純粹、在地文化政治、歷史感懷、女性藝術家、藝術的性別政治。對話是開放的、可發展的、可延伸的討論,旨在發展不一樣的流動的書寫的可能,如同當代哲學家伊利格瑞(Luce Irigaray)所言,在實踐「性別差異」。
Drawing and writing, as the contemporary French writer Hélène Cixous states, are 'twin adventures'. Words expressed in the form of drawing are in effect graphics of symbols. Texts expressed in the form of writing are scripts and graphic symbols. Under the title 'Drawing the Writing', I have contributed a total of 164 writings on visual arts and cultures to a weekly column in a local newspaper in Hong Kong from 2006 to 2009. I aim to discuss how closely related the making of traditional or contemporary art is to the local contexts: art comes from life and is the reflection of life. The writings cover areas such as the origin of drawing, the genuineness of art, local cultural politics, reflections on history, female artists, gender politics of art etc. Employing a mode of bilateral email dialogues and through fragmentary and repetitious accounts, I have tried practicing a different style of writing that can lead a discourse to be open, developing and extensive. Whilst discoursing on arts and cultures, my writing demonstrates the possibility of a different form of fluid feminine writing, or as what the contemporary philosopher Luce Irigaray claims, practicing the 'sexual difference'.
圖書
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2.Cixous, Helene、程鍚麟(1993)。從無意識的場景到歷史的場景。文學理論的未來。北京市:中國社會科學出版社。  延伸查詢new window
3.Cixous, Hélène(1993)。Three steps on the ladder writing。New York:Columbia University Press。  new window
4.Cixous, Hélène(1998)。Stigmata, escaping text。London:Routledge。  new window
5.Cixous, Hélène、Clément, Catherine(1996)。The newly born woman。Betsy Wing, MN:University of Minnesota Press。  new window
6.Denis, Maurice(2003)。Cezanne。Art in theory 1900-2000。Boston, MA:Blackwell。  new window
7.Harris, Nathaniel(1983)。The art of Cézanne。London:Optimum Books。  new window
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9.Krauss, Rosalind(2000)。Bachelors。Cambridge, MA:MIT Press。  new window
10.Irigaray, Luce(1984)。This sex which is not one。Ithaca, NY:Cornell University Press。  new window
11.Issak, Jo Anna(1996)。Nancy Spero。London:Phaidon Press。  new window
12.Parker, Rozsika(1996)。Dedicated to the unknown artists。Thinking about art: Conversation with Susan Hiller。New York:Manchester University Press。  new window
13.Woolf, Virginia(1979)。Dorothy Richardson。Virginia Woolf: Women and writing。London:The Women's Press。  new window
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15.Chadwick, Whitney(1990)。Women, Art and Society。London:Thames and Hudson。  new window
16.Marcus, Laura(1994)。Auto/biographical Discourses: Criticism, Theory, Practice。Manchester University Press。  new window
17.Derrida, Jacques、Brault, Pascale-Anne、Naas, Michael(1993)。Memoirs of the Blind。Chicago:The University of Chicago Press。  new window
18.Lucy, Niall(2004)。A Derrida Dictionary。Oxford:Blackwell。  new window
19.Irigaray, Luce、Gill, Gillian C.(1991)。Marine Lover of Friedrich Nietzsche。Columbia University Press。  new window
20.Kandinsky, Wassily、Sadler, M. T. H.(1977)。Concerning the Spiritual in Art。Dover Publications。  new window
21.Nochlin, Linda(1989)。Women, Art, and Power: And Other Essays。London, UK:Thames and Hudson。  new window
圖書論文
1.Trinh, T. Minh-Ha(1987)。Grandma's story。Blasted Allegories: An anthology of writings by contemporary wrtists。New York:MIT Press。  new window
2.Benjamin, Walter(1985)。A small history of photography。One way street and other essays。London:Verso Paperback。  new window
3.Owens, Craig(1983)。The Discourse of Others: Feminists and Postmodernism。The anti-aesthetic: essays on postmodern culture。Port Townsend, Washington:Bay Press。  new window
 
 
 
 
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