Chocolate can be a cup of hot cocoa in the winter. In the summer, it becomes a cone of rocky road. The story of chocolate can adjust, and become unique, with the difference in scenery. That adjustment is called adaptation. It has been habitual to find novels or comics as the key ingredient in film and theatre adaptation. However, it is not so much vice versa as the kinetic to static differences make such a transformation an anomaly. Despite its rarity, the Green Ray Theatre, one of the most prominent theatres in Taiwan, debuted a comic book adaptation of its popular drama series Human Condition. The play to print shift sheds new light on the formality of adaptation and the uniqueness in the aesthetics produced. The aim of this thesis is to reveal the different characteristics between the two mediums with the spotlight on the second play of the Human Condition series, Those Men in Her Life, to analyze how these characteristics and aesthetics are exhibited. As the perspective is changed from watch to read, the analysis is focused on the categories of time, space, scene and composition for revelation. Different mediums have their own ways of expression. Comic books intrigue visually. Theatres enchant emotionally. Even with the same ingredients, their features translate the story to the scenery, allowing the adaptations to always have a flavor of its own.