The goal of this thesis is not only to experiment the innovative methods in fashion design but also to interpret design formats originally, called ”the soft formation”. ”The soft formation” creation method is a way to solve designers' problems those who has bundles in basic formats about creating new silhouettes and forms in fashion. The aim of this experiment is to investigate into the 3D pattern forms for fashion design method, through three of Antoni Gaudi Cornet's (1852~1926) blue prints, then we can make garment patterns by transforming more innovative thinking into creativities. To presuppose those blue print patterns as pattern-makings after draping works, so now, what we need to do is to ”drape” it over on a dressing form again! The draping results of garment also have to be marketable, not for artistic purpose only. I consider that the Skepticism as a very beginning motivation of fashion design activities due to start skeptic ”certainties”. This is also called an effort result of get rib of the bundle of certainty. As a positive skeptic who believes that does not to think matters of 3D pattern design by certain ways, and doubts on our ability to gain knowledge of fashion field, would be willing to obtain the solutions for skeptical things (uncertainty). To investigate new evolutions and options for garment constructions, the creation process is to innovate 3D patterns by using emerging technology, by means of keeping find out questions from something which has been proved.