:::

詳目顯示

回上一頁
題名:儀式傳承之文本媒介:廣西上林縣壯族師公戒度法事中的唱本分析
書刊名:民俗曲藝
作者:覃延佳
作者(外文):Qin, Yanjia
出版日期:2014
卷期:185
頁次:頁219-295
主題關鍵詞:壯族師公唱本儀式傳承文本媒介Zhuang shigongScriptRitual heritageTextual medium
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:5
  • 點閱點閱:61
戒度儀式既是民間儀式專家傳統賡續的核心路徑,亦是我們區分不同儀式專家傳統的重要依據。以往在研究地方儀式傳統之時,研究者關注較多的是儀式結構、神靈譜系、村落的儀式語境及不同儀式專家之間的互動關聯,對儀式專家儀式傳承的內在實踐討論甚少。其中,文本的運用作為儀式實踐的核心內容之一,需要我們結合儀式語境進行深入分析。處於廣西中部地區的壯族師公在戒度儀式中運用了大量唱本。師公唱本將一名普通人戒度為師公的原因與過程總結成模式化的敘述內容,進而在戒度儀式過程中被師公用來對弟子進行教化。唱本敘事與儀式過程共同展現了師公對「師教」主體性的形塑。通過對戒度儀式中所用唱本的分析,我們可以看出唱本作為師公儀式傳承的一種核心文本媒介,是師公用以修構自身儀式傳統的重要文字依據,亦是其有別於道公、僧公等地方儀式專家的重要標誌。唱文不僅通過儀式展演的形式將師承關係進行固化,同時也將儀式背後的內容展現出來。
The jiedu initiation rite is a pivotal path for ritual experts to carry on their tradition. It is also an important basis for us to differentiate between traditions of ritual experts. In the past, when studying local ritual tradition, the researchers used to pay more attention to the ritual structure, religious pantheon, ritual context of the village and interactions between different ritual experts. Rarely did they bring the ritual experts’ internal practices of ritual transmission into discussion. Use of texts is one of the core content of ritual practice. We need to conduct in-depth analysis of the ritual texts within ritual context. The shigong of the Zhuang people in the central region of Guangxi use many scripts during the jiedu initiation rites. They summarize the process of initiation and give reasons why a disciple becomes a shigong. The shigong uses a script in the jiedu initiation ritual to indoctrinate his disciples. Narration of the scripts and ritual process demonstrate shigong’s conceptual interpretation of the Shijiao subjectivity. Through analysis of scripts used in the jiedu initiation ritual, we can determine that this core textual media is an important written criterion the shigong used to construct their own ritual tradition. It is also an important symbol that separates them from other local ritual experts like Daoist and Buddhist masters. The script consolidates their master-disciple relationship through ritual performance and embodies the intent behind the ritual. With the completion of ritual, the initiated undergoes the indoctrination process of the shigong ritual heritage. The shigong who presides over the ritual also rerecognizes and confirms the script content. This helps the shigong tradition to remain relative consistent within certain regions.
期刊論文
1.Holm, David(19941100)。The Redemption of Vows in Shanglin。民俗曲藝,92,853-916。new window  new window
2.Holm, David(19990100)。The Tao among the Zhuang : Imported and Indigenous Aspects of Zhuang Ritual。民俗曲藝,117,371-388。new window  new window
3.王暉(2008)。凌云壯族七十二巫調研究。百色學院學報,2008(4),31-34。  延伸查詢new window
4.李行山、滕成達(2008)。越南勉瑤供奉盤王和度戒儀式。廣西民族大學學報(哲學社會科學版),2008(1),93-96。  延伸查詢new window
5.張澤洪(2002)。瑤族社會中道教文化的傳播與衍變--以廣西十萬大山瑤族度戒為例。民族研究,2002(1),40-48+108。  延伸查詢new window
6.倪彩霞(2003)。師公戲「三元」祖師考。宗教學研究,2003(1),101-107。  延伸查詢new window
7.覃延佳(2011)。從「天門三真君」到「三元教主」:唐葛周之身份演變。弘道,3,19-29。  延伸查詢new window
8.楊樹喆、葉展新(2000)。一個壯族師公班子的渡戒儀式--壯族師公文化研究系列論文之一。廣西民族研究,2000(1),80-88。  延伸查詢new window
9.谷家榮(2013)。儀式敘事與隱喻轉置:雲南麻栗坡馬嘿村藍靛瑤「度戒」調查。中南民族大學學報(人文社會科學版)。  延伸查詢new window
10.藍翠柳(2011)。瑤族「度戒」儀式的文化傳承及教育意義。廣西民族研究,2011(2),128-131。  延伸查詢new window
11.Holm, David(2004)。The Exemplar of Filial Piety and the End of the Ape-Men: Dong Yong in Guangxi and Guizhou Ritual Performance。T’oung Pao,90(1-3),32-64。  new window
12.Schipper, Kristofer M.(1985)。Vernacular and Classical Ritual in Taoism。The Journal of Asian Studies,45(1),21-57。  new window
學位論文
1.林鳳春(2007)。桂南「跳嶺頭」唱本研究(碩士論文)。廣西師範大學。  延伸查詢new window
2.莫幼政(2004)。馬山縣國興屯壯族師公經書研究(碩士論文)。廣西師範大學。  延伸查詢new window
3.莫幼政(2008)。壯族師公經書《夫子請客》研究:文本解讀及其漢借詞研究(博士論文)。中央民族大學。  延伸查詢new window
4.鄧樺(2011)。雲南文山藍靛瑤「度戒」儀式教育過程的研究(博士論文)。西南大學。  延伸查詢new window
5.Tam, Yik Fai(2005)。A Historiographic and Ethnographic Study of Xianhua Heshang (Incense and Flower Monks) in the Meixian Region(博士論文)。University of California Berkeley。  new window
圖書
1.王象之、李勇先(2005)。輿地紀勝。四川大學出版社。  延伸查詢new window
2.張邵振(1706)。上林縣誌。  延伸查詢new window
3.徐衡紳、周世德(1876)。上林縣誌。  延伸查詢new window
4.楊盟、黃誠沅(1934)。上林縣誌。  延伸查詢new window
5.楊樹喆(2007)。師公•儀式•信仰:壯族民間師公教研究。南寧:廣西人民出版社。  延伸查詢new window
6.龐紹元、王超(1995)。廣西省柳州市師公儺的文武壇法事。臺北:財團法人施合鄭民俗文化基金會。  延伸查詢new window
7.Holm, David(2013)。Mapping the Old Zhuang Character Script: A Vernacular Writing System from Southern China。Leiden:Brill。  new window
8.五洞總兵唱。  延伸查詢new window
9.五龍唱。  延伸查詢new window
10.四帥唱。  延伸查詢new window
11.年值功曹唱。  延伸查詢new window
12.飛書請客唱。  延伸查詢new window
13.書唱2‧送表文寬。  延伸查詢new window
14.訓度師父唱。  延伸查詢new window
15.新戒弟子轉五臺唱。  延伸查詢new window
16.新恩弟子落臺唱。  延伸查詢new window
17.戒度仙臺唱。  延伸查詢new window
18.羽士昇化章。  延伸查詢new window
19.上林縣志編纂委員會(1989)。上林縣志。南寧:廣西人民出版社。  延伸查詢new window
20.汪森(2007)。粵西叢載。南寧:廣西民族出版社。  延伸查詢new window
21.Holm, David(2003)。Killing a Buffalo for the Ancestors: A Zhuang Cosmological Text from Southwest China。DeKalb, IL:Center for Southeast Asian Studies Northern Illinois University。  new window
22.王熙遠(1994)。桂西民間秘密宗教。桂林:廣西師範大學出版社。  延伸查詢new window
23.Holm, David(2004)。Recalling Lost Souls: The Baeu Rodo Scriptures, Tai Cosmogonic Texts from Guangxi in Southern China。Bangkok:White Lotus Publishing Co.。  new window
其他
1.中央檔案館明清檔案部(1773)。軍機處錄副奏折•民族事務類。  延伸查詢new window
圖書論文
1.韋國文(1990)。壯師劇概述。廣西儺藝術論文集。北京:文化藝術出版社。  延伸查詢new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top