The Qing Dynastic murals painted in the Wenshu or Manjusri Hall of Mimi Temple in Fanzhi County demonstrate vividly beliefs of Wutai Mountain and folkloric trends of Buddhism. In the central room of the front veranda, there are three paintings each illustrating a story, i.e. the Miracle Scene witnessed by Master Ciyong during his Wutai Mountain tour, Manjusri’s manifestation as a poor woman and a mysterious event befell on a monk from Yangzhou, which respectively exhibits the void nature and unlimited sympathy of Bodhisattva Manjusri, the admonition to extinguish discrimination between noble and base, as well as the caution to observe monastic disciplines. All of these stories took place at Lingjiu Temple in Wutai Mountain, especially with reference to the Zhenrong Courtyard therein. In the next rooms of left and right sides, the four scenes depicting Prince Siddhārtha’s wandering at four gates are painted, suggesting the suffering nature of life; besides the Bodhisattva Samantabhadra image corresponds with the Manjusri in the main wall of the central room and encourages Bodhisattva practices that aim at perfection of Dharmakāya. The image of Budai or Cloth-bag Monk clustered by children symbolizes the realization of Maitreya’s pure land in this world and the succession of Buddhism; meanwhile it lays an emphasis on prosperous posterity. From the use of legends created in China to express deep Buddhism meanings, one can see an entire merge of Buddhism into Chinese culture, therewith also into regional and folk culture. Layout: 1. Mural paintings of the Mimi Temple and its Wenshu Hall 2. Beliefs of Wutai Mountain reflected by mural paintings in central room of front veranda of Wenshu Hall (1) Beliefs of Wutai Mountain and the Dafu Lingjiu Temple (2) Images of legend stories of Wutai Mountain in mural paintings of the central veranda room ① The Miracle Scene witnessed by Master Ciyong during his Wutai Mountain tour in the central place ② Manjusri’s manifestation as a poor woman in the left place ③ A mysterious event befell on a monk from Yangzhou in the right place 3. Buddhist ideas reflected by murals in next and rear rooms of the front veranda (1) Images of Prince Siddhārtha’s wandering at four gates ① Prince Siddhārtha’s wandering at east gate in the left place in the left next room ② Prince Siddhārtha’s wandering at west gate in the right place in the left next room ③ Prince Siddhārtha’s wandering at south gate in the left place in the right next room ④ Prince Siddhārtha’s wandering at north gate in the right place in the right next room (2) Images of Cloth-bag Monk and Samantabhadra Bodhisattva and their accessories① Images of Cloth-bad Monk and sixteen children in the central place in the left next room ② Images of Samantabhadra Bodhisattva and its accessories (3) Images of the flying dragon and landscape 4. Summary.