在台東美術館戶外廣場中，置入地景般的空間結構，使位於廣場末端的基地引發出新的空間氛圍與新的空間定義。置入本身既是破壞空間性質的動作，破壞並不是貶義的解釋，是指在停滯狀態下改變同質性空間的行為。藉由邏輯性的破壞，循序漸進的找出空間中尚未開發的地帶，因地制宜的模式來重構空間節奏和情境氛圍。大自然的魅力在現代社會中漸漸被忽視，雖存在身旁，人們有看見但視而不見。因此試著在置入後的空間結構中使人真正的看見自然的魅力，讀到環境給予我們的暗語。更重要的是與基地環境相融不衝突，與人能產生共感，而期望這樣的情感最終能達到地方感的認同。

In the square out of Taitung Art Museum, spatial structure as landscape is placed to lead new spatial atmosphere and new spatial definition from the end part of the square. Placement itself is an act to damage a space; damage is not explained narrowly; it means an act to change homogeneous space under stagnant status. With logic damage, undeveloped parts are figured out in the space gradually; the mode which suits to local conditions is used to rebuild spatial rhythm and scenario atmosphere. How charm nature shall be has been ignored in modern society gradually; even though it is around us that people can see it, they often turn the blind eye on it. Therefore, we attempted to make people see real charm of nature in the placed spatial structure and thus reading codes environment has given to us. Most important, it does not cause any conflict with base environment under harmonious state and it may generate resonance with others; such expectation of emotion will achieve cognition from sense of place eventually.