Mañjusri is one of the most significant bodhisattvas in the Mahayana Buddhism. Since Buddhism entered China, Mahayana belief spread to the north and south China where different Buddhist groups were established. Mañjusri belief emerged in Mt. Wutai, attracted numerous believers, and became the first of the four main bodhisattva beliefs in China. While the related sutras being translated, Mañjusrsi belief began to widely spread and so did the Mañjusri images. Since Han and Jin dynasties, Mañjusri has had changed his appearance in different dynasty and the history of the paintings and sculptures of Mañjusri have continued developing for more than two thousand years. The Huayen World Community of Taiwan has great collections of Buddhist objects. Within them, most of the images of Mañjusri were made by contemporary artists. Yet, the iconography of every Mañjusri in this collection, including their halos, crowns, clothes, gestures, attributes, lotus daises, and vehicles, could be traced back to early images and many of them contain the original meanings. This paper discusses around 20 pieces of the most representative Mañjusri images in this collection for the first time. Base on the characteristics of their appearance, this paper will first classify them into difference categories and then analyze their visual details to trace the origins of their styles and iconographies. This paper has seven sections, the contents as the following: Foreword Chapter 1 Description of Mañjusri's appearance in early Mahayana Sutra Chapter 2 The early Mañjusri image in China Chapter 3 Description of Mañjusri's appearance in Vajrayana Sutra Chapter 4 Description of Mañjusri's appearance in Avatamsaka Sutra Chapter 5 Manjushri's crown and the light around body Chapter 6 Conclusions.