| 期刊論文| 1. | 施純宜(20061200)。孕育新的女性主義/國家主義：汀馞蕾珂．渥騰貝克之《破曉》中的生育議題。中外文學，35(7)=415，17-36。 延伸查詢 | | 2. | 楊麗敏(20120600)。Towards a Minor Theatre: The Task of the Playmaker in Our Country's Good。文山評論，5(2)，25-48。  | | 3. | Dahl, Mary Karen(1993)。Constructing the Subject: Timberlake Wertenbaker's The Grace of Mary Traverse。Journal of Dramatic Theory and Criticism，7，149-159。 | | 4. | Merrill, Lisa(1988)。Feminist Humor: Rebellious and Self-affirming。Women's Studies，15，271-280。 | | 5. | Ritchie, Martha(1996)。Almost ‘Better to Be Nobody': Feminist Subjectivity, the Thatcher Years, and Timberlake Wertenbaker's The Grace of Mary Traversed。Traversed Modern Drama，39，404-420。 | | 6. | Carlson, Susan(1993)。Issues of Identity, Nationality, and Performance: The Reception of Two Plays by Timeberlake Wertenbaker。New Theatre Quarterly，9(35)，267-289。 | | 7. | Sullivan, Esther Beth(1993)。Hailing Ideology, Acting in the Horizon, and Reading Between Plays by Timberlake Wertenbaker。Theatre Journal，45(2)，139-154。 | | 8. | Wilson, Ann(1991)。Our Country’s Good: Theatre, Colony and Nation in Wertanbaker’s Adaptation of The Playmaker。Modern Drama，34(1)，23-34。 | 圖書| 1. | Roth, Maya E.、Freeman, Sara(2008)。International Dramaturgy: Translation and Transformations in the Theatre of Timberlake Wertenbaker。New York。 | | 2. | Stephenson, Heidi、Langridge, Natasha(1997)。Rage and Reason: Women Playwrights on Playwriting。London：Methuen。 | | 3. | Kershaw, Baz(1999)。The Radical in Performance: Between Brecht and Baudrillard。London：Routledge。 | | 4. | DiGaetani, J. L.(1991)。A Search for a postmodern theater: Interviews with contemporary playwrights。New York：Greenwood。 | | 5. | Gomceli, N.(2010)。Timberlake Wertenbaker and contemporary British feminist drama。Dublin：Academica Press。 | | 6. | Garber, M.、Vickers, N. J.(2003)。The Medusa reader。New York。 | | 7. | Baker-White, Robert(1999)。The Text in Play: Representations of Rehearsal in Modem Drama。Lewisburg：Bucknell University Press。 | | 8. | Blandford, Steve(2007)。Film, Drama and the Break-Up of Britain。Bristol：Intellect。 | | 9. | Boon, Richard(2016)。Plays of Timberlake Wertenbaker。Exeter：University of Exeter Press。 | | 10. | Bush, Sophie(2013)。The Theatre of Timberlake Wertenbaker。London：Bloomsbury。 | | 11. | Carlson, Susan(1991)。Women and Comedy: Rewriting the British Theatrical Tradition。Ann Arbor：Michigan University Press。 | | 12. | Cohn, Ruby(1991)。Retreats from Realism in Recent English Drama。Cambridge：Cambridge University Press。 | | 13. | Darby, Wendy Joy(2000)。Landscape and Identity: Geographies of Nation and Class in England。Oxford：Berg。 | | 14. | Gamer, Stanton B.(1994)。Bodied Spaces: Phenomenology and Performance in Contemporary Drama。Ithaca：Cornell University Press。 | | 15. | Little, Judy(1983)。Comedy and the Woman Writer: Woolf Spark, and Feminism。Lincoln：Nebraska University Press。 | | 16. | Shih, Yi-chin(2013)。How Timberlake Wertenbaker Constructs New Forms of Gender in Her History Plays。New York：The Edwin Mellen Press Ltd。 | | 17. | Suleiman, Susan R.(1990)。Subversive Intent: Gender, Politics and the Avant-Garde。Cambridge：Harvard University Press。 | | 18. | Wertenbaker, Timberlake(1996)。Plays One: New Anatomies, The Grace of Mary Traverse, Our Country's Good, The Love of the Nightingale, Three Birds Alighting on a Field。London：Faber and Faber。 | | 19. | Wyllie, Andrew(2009)。Sex on Stage: Gender and Sexuality in Post-War British Theatre。Bristol：Intellect。 | | 20. | Hirst, David L.(1979)。Comedy of Manners。Methuen & Co Ltd.。 | | 21. | Buse, Peter(2001)。Drama + Theory: Critical Approaches to Modern British Drama。New York。 | 其他| 1. | Hiley, Jim(19851009)。Review of The Grace of Mary Traversed London Theatre Record。 | | 2. | (19890730)。Reviews of Our Country's Good。 | 圖書論文| 1. | Braverman, Richard(1995)。The Rake's Progress Revisited: Politics and Comedy in the Restoration。Cultural Readings of Restoration and Eighteen-Century English Theater。London：Georgia University Press。 | | 2. | Chaillet, Ned(1993)。Timberlake Wertenbaker。Contemporary Dramatists。London：St. James Press。 | | 3. | Cixous, Helene(1989)。The Laugh of the Medusa。The Feminist Reader: Essays in Gender and the Politics of Literary Criticism。Basingstoke：Macmillan。 | | 4. | Davis, Jim(1993)。A Play for England: The Royal Court Adapts The Playmaker。Novel Images: Literature in Performance。London：Routledge。 | | 5. | Hall, Stuart(1991)。The Local and the Global: Globalization and Ethnicity。Culture, Globalization, and the World-system: Contemporary Conditions for the Representation of Identity。State University of New York。 | | 6. | Jordan, Robert(1972)。The Extravagant Rake in the Restoration Comedy。Restoration Literature: Critical Approaches。London：Methuen。 | | 7. | Khol, Stephan(2006)。Rural England: An Invention of the Motor Industries?。Landscape and Englishness。New York：Rodopi。 | | 8. | Savilonis, Margaret F.(2008)。Value, Voice, and Identity in Three Birds Alighting on a Field。International Dramaturgy: Translation and Transformations in the Theatre of Timberlake Wertenbaker。Oxford：P. I. E. Peter Lang。 | | 9. | Taplin, Oliver(2004)。Sophocles‘ Philoctetes, Seamus Heaney's, and Some Other Recent Half-Rhymes。Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium。Oxford：Oxford University Press。 | | 10. | Wilson, Ann(1993)。Forgiving History and Making New Worlds: Timberlake Wertenbaker's Recent Drama。British and Irish Drama since 1960。London：Macmillan。 | | 11. | Carlson, Susan(2000)。Language and Identity in Timberlake Wertenbaker's Plays。The Cambridge Companion to Modern British Women Playwrights。Cambridge：Cambridge University Press。 | | 12. | Dymkowski, Christine(1997)。"The Play's the Thing" the Metatheatre of Timberlake Wertenbaker。Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage。London：Macmillan。 | |