| 期刊論文| 1. | Armstrong, Carol(2012)。Automatism and Agency Intertwined: A Spectrum of Photographic Intentionality。Critical Inquiry，38(4)，705-726。   | | 2. | Di Bello, Patrizia。Seductions and Flirtations。Photographies，1(2)，143-155。 | | 3. | Costello, Diarmuid、Iversen, Margaret(2012)。Photography between Art History and Philosophy。Critical Inquiry，38(4)，679-693。 | | 4. | De Duve, Thierry(1978)。Time Exposure and Snapshot: The Photograph as Paradox。October，5，113-125。 | | 5. | Dean, Tacita(2002)。Obsolescence。October，100，26-27。 | | 6. | Dietrich, Dorothea(2002)。The Space Between: Tacita Dean's Russian Ending。Art on Paper，6(5)，48-53。 | | 7. | Godfrey, Mark(2005)。Photography Found and Lost: On Tacita Dean's Floh。October，114，90-199。 | | 8. | Iversen, Margaret(2012)。On Zoe Leonard and Tacita Dean。Critical Inquiry，38(4)，796-818。 | | 9. | Mazzanti, Nicola、Dean, Tacita、Taubin, Amy(2015)。The Last Picture Show? The Survival of Film in the Digital Age。Art Forum，2015(Oct.)。 | 圖書| 1. | Debord, Guy(1992)。La société du spectacle。Paris：Gallimard。 | | 2. | Sontag, Susan(2003)。Regarding the Pain of Others。New York：Picador。 | | 3. | Baudrillard, Jean(1981)。Simulacres et simulation。Paris：Galilée。 | | 4. | Barthes, Roland、Howard, Richard(2000)。Camera Lucida: Reflections on Photography。London：Vintage Books。 | | 5. | Barthes, Roland、Heath, Stephen(1977)。Image-Music-Text。London：Fontana Press。 | | 6. | Bruno, Giuliana(2014)。Surface: Matters of Aesthetics, Materiality, and Media。Chicago：University of Chicago Press。 | | 7. | Carrier, David(1996)。High Art: Charles Baudelaire and the Origins of Modernist Painting。University Park, PA：The Pennsylvania State University Press。 | | 8. | Dean, Tacita(2001)。Floh。 | | 9. | Dean, Tacita、Obrist, Hans Ulrich(2012)。The Conversation Series。Cologne：Walter König。 | | 10. | Douglas, Crimp、Lerm-Hayes, Christa-Maria、Warner, Marina(2011)。Tacita Dean: Seven Books Grey。Göttingen：Steidl。 | | 11. | Hellings, James(2014)。Adorno and Art: Aesthetic Theory Contra Critical Theory。Houndmills：Palgrave Macmillan。 | | 12. | Henry, William、Fox, Talbot(1944)。The Pencil of Nature。London：Longman, Brown, Green and Longmans。 | | 13. | Kraus, Karola、Hochdörfer, Achim、Pichler, Wolfram、Bürger, Peter、Crimp, Douglas、Lerm-Hayes, Christa-Maria、Warner, Marina(2011)。Tacita Dean: Seven Books Grey。Göttingen：Steidl。 | | 14. | Kelsey, Robin(2015)。Photography and the Art of Chance。Cambridge, MA：Harvard University Press。 | | 15. | Matisse, Henri(1947)。Jazz。Paris：Tériade。 | | 16. | Matisse, Henri(1950)。Poèmes de Charles d'Orléans。Paris：Tériade。 | | 17. | Nora, Pierre(2011)。Présent, nation, mémoire。Paris：Gallimard。 | | 18. | Olin, Margaret(1948)。Touching Photographs。University of Chicago。 | | 19. | Pierre, Reverdy、Picasso, Pablo(1948)。Le Chant des morts。Paris：Tériade。 | | 20. | Schröter, Harm G.(2005)。Americanization of the European Economy: A compact survey of American economic influence in Europe since the 1880s。Dordrecht：Springer。 | | 21. | Scott, Clive(2014)。Translating Apollinaire。Exeter：University of Exeter Press。 | | 22. | Thompson, Jerry L.(2013)。Why Photography Matters。Cambridge, MA：The MIT Press。 | | 23. | Weisenfeld, Gennifer S.(2012)。Imaging Disaster: Tokyo and the Visual Culture of Japan's Great Earthquake of 1923。University of California Press。 | 其他| 1. | (2015)。Wreck Report for Plympton (S.S.), no. 7302, 11 Oct. 1909，PortCities Southampton。 | 圖書論文| 1. | Brown, Kathryn(2013)。Influence as Appropriation of the Artistic Gesture。Questions of Influence in Modern French Literature。Houndmills：Palgrave Macmillan。 | | 2. | Cocker, Emma(2013)。Salvaging a Romantic Trope: The Conceptual Resurrection of Shipwreck in Recent Art Practice。Shipwreck in Art and Literature: Images and Interpretations from Antiquity to the Present Day。Routledge。 | | 3. | Dean, Tacita(2011)。Obsolescence。Seven Books Grey。Göttingen：Steidl。 | | 4. | Guerin, Frances、Hallas, Roger(2007)。[The Image and the Witness: Trauma, Memory and Visual Culture] Introduction。The Image and the Witness: Trauma, Memory and Visual Culture。Wallflower Press。 | |