| 期刊論文1. | Baker, James M.(1990)。The Limits of Tonality in the Late Music of Franz Liszt。Journal of Music Theory,34(2),145-173。 | 2. | Bauer, Marion(1936)。The Literary Liszt。The Musical Quarterly,22(3),308。 | 3. | Forte, Allen(1987)。Liszt's Experimental Idiom and Music of the Early Twentieth Century。19th-Century Music,10(3),209-228。 | 4. | Larry, Todd R.(1988)。The Unwelcome Guest' Regaled: Franz Liszt and the Augmented Triad。19th Century Music,12,93-115。 | 圖書1. | 陳金漢(2006)。Debussy 您說的是印象派音樂?關於他的室內樂與管弦樂。臺北市:國立中正文化中心。 延伸查詢 | 2. | Hooker, Lynn M.(2013)。Redefining Hungarian Music From Liszt to Bartok。New York:Oxford:Oxford University Press。 | 3. | Hull, A. Eaglefield(1915)。Modern Harmony: its Explanation and Application。Boston:Boston Music Co.。 | 4. | Láng, Paul Henry(1941)。Music in the Western Civilization。New York:W.W. Norton and Company, Inc.。 | 5. | Lansky, Paul、Perle, George(2001)。The New Grove Dictionary of Music and Musicians。London:Macmillan Publishers。 | 6. | Lockspeiser, Edward(1965)。Debussy: His Life and Mind。Casell。 | 7. | Miller, Wilfrid(1957)。Romanticism and the 20th Century。London:Rockliff。 | 8. | Weissmann, Adolf(1957)。The Problem of Modern Music。London:J. M. Dent and Sons, Ltd.。 | 其他1. | Meller, Wilfrid(19990212)。Harmony: Functional and Dysfunctiona,http://www.mvdaily.com/articles/1999/02/mellers4.htm。 | 圖書論文1. | Kleinertz, Rainer(2006)。Liszt, Wagner, and Unfolding Form: Orpheus and the Genesis of Tristan Und Isolde。Franz Liszt and His World。Princeton University Press。 | |