| 期刊論文| 1. | Bud, A.(2014)。The end of Nollywood's guilded age? Marketers, the state and the struggle for distribution。Critical African Studies，6(1)，91-121。   | | 2. | Flew, Terry(20150700)。Copyright and Creativity: An Ongoing Debate in the Creative Industries。International Journal of Cultural and Creative Industries，2(3)，4-17。 | | 3. | Haynes, J.(2014)。New Nollywood: Kunle Afolayan。Black Camera，5(2)，53-73。 | | 4. | Kehoe, K.、Mateer, J.(2015)。The impact of digital technology on the distribution value chain model of independent feature films in the UK。International Journal of Media Management，17(2)，93-108。 | | 5. | Larkin, B.(2004)。Degraded images, distorted sounds: Nigerian videos and the infrastructure of piracy。Public Culture，16(2)，289-314。 | | 6. | Lobato, R.(2012)。A sideways view of the film economy in an age of digital piracy。Necsus. European Journal of Media，1(1)，85-97。 | | 7. | Lobato, R.、Thomas, J.(2012)。Piracy cultures | The business of anti-piracy: New zones of enterprise in the copyright wars。International Journal of Communication，6(Special Sections)，606-625。 | | 8. | Lobato, R.(2010)。Creative industries and informal economies Lessons from Nollywood。International Journal of Cultural Studies，13(4)，337-354。 | | 9. | Miller, J.(2012)。Global Nollywood: The Nigerian movie industry and alternative global networks in production and distribution。Global Media and Communication，8，117-133。 | | 10. | Paulson, C.(2012)。Marketers and pirates, businessmen and villains: The blurred lines of Nollywood distribution networks。St Anthony's International Review，7(2)，51-68。 | | 11. | Perren, A.(2013)。Rethinking distribution for the future of media industry studies。Cinema Journal，52(3)，165-171。 | 圖書| 1. | Cunningham, S.、Silver, J.(2013)。Screen distribution and the new King Kongs of the online world。Palgrave Macmillan。 | | 2. | Curtin, M.、Holt, J.、Sanson, K.(2014)。Distribution revolution: Conversations about the digital future of film and television。University of California Press。 | | 3. | Jenkins, H.、Ford, S.、Green, J.(2013)。Spreadable media: Creating value and meaning in a networked culture (Postmillennial Pop)。New York：NYU Press。 | | 4. | Krings, M.、Okome, O.(2013)。Global Nollywood: The transnational dimensions of an African video film industry。Indiana University Press。 | | 5. | Lessig, L.(2009)。Remix: Making art and commerce thrive in the hybrid economy。Penguin Books。 | | 6. | Lessig, L.(2005)。Free culture: The nature and future of creativity。London：Penguin Books。 | | 7. | Lobato, R.(2012)。Shadow economies of cinema: Mapping informal film distribution。BFI, London：Palgrave Macmillan。 | | 8. | Lobato, R.、Thomas, J.(2015)。The informal economy。Cambridge：Polity Press。 | | 9. | McLeod, K.、Kuenzli, R.(2011)。Cutting across media: Appropriation art, interventionist collage, and copyright law。Durham：London：Duke University Press。 | | 10. | Rifkin, J.(2014)。The zero marginal cost society: The internet of things, the collaborative commons, and the eclipse of capitalism。Palgrave Macmillan。 | 其他| 1. | Abell, J.(2010)。Undersea cable set to boost West Africa broadband，http://www.wired.com/2010/07/undersea-cable-set-to-boost-west-africa-broadband/。 | | 2. | Alexa.com(2015)。Netflix: Site Information，http://www.alexa.com/siteinfo/netflix.com。 | | 3. | Alexa.com(2015)。iROKOtv: Site information，http://www.alexa.com/siteinfo/irokotv.com。 | | 4. | Bandele, B.(2013)。Half of a Yellow Sun，British Film Institute。 | | 5. | Broderick, P.(2008)。Welcome to the new world of distribution，http://www.peterbroderick.com/writing/writing/welcometothenewworld.html。 | | 6. | CinemaKpatakpata.com。Press Kit，https://cinemakpatakpata.files.wordpress.com/2013/06/confusion-na-wa-press-kit.pdf。 | | 7. | Coker, O.(2015)。iROKOtv has announced it is providing content for Netflix's African Section，http://techcabal.com/2015/04/15/irokotv-has-announced-it-is-providingcontent-for-netflixs-african-section/。 | | 8. | European Commission(2014)。Report on the responses to the Public Consultation on the Review of the EU Copyright Rules，http://ec.europa.eu/internal_market/consultations/2013/copyright-rules/docs/contributions/consultation-report_en.pdf。 | | 9. | Gyang, K.(2013)。Confusion Na Wa，Nigeria：Cinema Kpatakpata。 | | 10. | Gyang, K.(2013)。Cinema Kpatakpata Press Kit，https://cinemakpatakpata.files.wordpress.com/2013/06/confusion-na-wapress-kit.pdf。 | | 11. | Iordanova, D.，Cunningham, S.(2012)。Digital disruption: Cinema moves online，University of St Andrews。，http://irokotv.com/video/5722/confusion-na-wa。 | | 12. | Jedlowski, A.(2010)。Beyond the video boom: New tendencies in the Nigerian video industry，http://orbi.ulg.ac.be/bitstream/2268/177492/1/Beyond_the_video_boom_-_A.Jedlowski-libre.pdf。 | | 13. | Knittingfactoryrecords.com(2015)。Fela Kuti，http://www.knittingfactory-records.com/artists/fela/。 | | 14. | Kuti, A. F.(1974)。Confusion，Nigeria：EMI。 | | 15. | Lodderhose, D.(20140717)。Movie piracy: Threat to the future of films intensifies。 | | 16. | National Film and Video Censorship Board (NFVCB)，http://www.nfvcb.gov.ng/。 | | 17. | Netflix(2015)。Netflix Availability，https://help.netflix.com/en/node/14164。 | | 18. | Netflix(2015)。Netflix: African and Nollywood Movies，http://www.netflix.com/browse/genre/3761?bc=78367。 | | 19. | Ogunjiofor, O.，Rapu, C.(1992)。Living in Bondage，Nigeria。 | | 20. | Reda, J.(2015)。Draft Report on the implementation of Directive 2001/29/EC，http://www.europarl.europa.eu/sides/getDoc.do?type=COMPARL&mode=XML&language=EN&reference=PE546.580。 | | 21. | Sacchi, F.(2007)。This is Nollywood，Boston, MA：Centre for Digital Imaging Arts & Eureka Film Productions。 | | 22. | Sandvine(2014)。Global internet phenomena report，https://www.sandvine.com/dow nloads/general/global-internet-phenomena/2014/1h-2014-global-internet-phenomena-report.pdf。 | | 23. | Spillane, C.(2015)。Naspers in talks with Vodacom to offer Africans video on demand，http://www.bloomberg.com/news/articles/2015-08-17/naspers-in-talks-with-vodacom-to-offer-africans-video-on-demand。 | | 24. | UNESCO Institute for Statistics(2012)。From international blockbusters to National Hits: Analysis of the 2010 survey of feature film statistics，Montreal：UNESCO。，http://www.uis.unesco.org/FactSheets/Documents/ib8-analysis-cinema-production-2012-en2.pdf。 | | 25. | UNESCO Institute for Statistics(2013)。Emerging markets and the digitalization of the film industry: An analysis of the 2012 UIS international survey of feature film statistics，Montreal：UNESCO。，http://www.uis.unesco.org/culture/Docu-ments/IP14-2013-cinema-surveyanalysis-en.pdf。 | | 26. | Vourlias, C.(2014)。Hooray for Nollywood: Nigerian film industry raises the artistic bar，http://america.aljazeera.com/multimedia/2014/12/nollywood-nigeriaregroups.html。 | | 27. | YouTube(2015)。YouTube: Music Key，https://www.youtube.com/musickey。 | | 28. | Zuckerman, E.(2010)。Nollywood: Is better distribution the remedy for piracy，http://www.ethanzuckerman.com/blog/2010/10/06/nollywood-is-betterdistribution-the-remedy-for-piracy/。 | 圖書論文| 1. | Drake, P.(2008)。Distribution and marketing in contemporary Hollywood。The Contemporary Hollywood Film Industry。Oxford：New York：Blackwell。 | | 2. | Foucault, M.(1978)。Governmentality。The Foucault Effect: Studies in Governmentality。University of Chicago Press。 | | 3. | Jedlowski, A.(2013)。From Nollywood to Nollyworld: Processes of the transnationalization of the Nigerian video film Industry。Global Nollywood: The transnational dimensions of an African video film industry。Indiana University Press。 | | 4. | Karaganis, J.(2011)。Rethinking piracy。Media piracy in emerging economies。Washington, D.C.：Social Science Research Council。 | | 5. | Lessig, L.(2012)。REMIX. How creativity is being strangled by the law。The Social Media Reader。New York：London：New York University Press。 | | 6. | Okome, O.(2013)。Reversing the filmic gaze: Comedy and the critique of the postcolony in Osuofia in London。Global Nollywood: The transnational dimensions of an African video film industry。Indiana University Press。 | | 7. | Sjoman, A.(2014)。[Distribution revolution: Conversations about the digital future of film and television] Interview。Distribution revolution: Conversations about the digital future of film and television。University of California Press。 | |