| 期刊論文| 1. | Barton, D.(2011)。Master of Metalepsis: Visage/Face and the meaning of the movie。International Journal of Humanities and Social Science，1(16)，142-149。   | | 2. | Bloom, Michelle E.(2014)。The absent father of Sino-French cinema: contemporary Taiwanese cinema and 1950s French auteurs。Journal of Chinese Cinemas，8(1)，37-56。 | | 3. | Bordeleau, E.(2013)。Soulful sedentarity: Tsai Ming-Liang at home at the museum。Studies in European Cinema，10(2/3)，179-194。 | | 4. | Ciment, M.、Tobin, Y.(2010)。Entretien avec Tsai Ming-liang. Le temps est un mauvais guerisseur。Positif，488，8-11。 | | 5. | Craig, K. M.(1983)。Rembrandt and The Slaughtered Ox。Journal of the Warburg and Courtauld Institutes，46，235-239。 | | 6. | Heurtebise, J.-Y.(2013)。About the conditions of possibility of the philosophical analysis of films : A Kierkegaardian, Girardian, and Deleuzian reading of In the mood for love。Revista Portuguesa de Filosofia，69(3/4)，451-470。 | | 7. | Neri, C.(2006)。Past Masters. New Waves: Tsai Ming-liang / François Truffaut。Transtext(e)sTranscultures，1，67-79。 | | 8. | Posèq, A. W. G.(1991)。Soutine's Paraphrases of Rembrandt's Slaughtered Ox。Konsthistorisktidskrift/Joumal of Art History，60(3/4)，210-222。 | | 9. | Wu, I. F.(2002)。Flowing Desire, Floating Souls: Modem Cultural Landscape in Tsai Ming-Liang's Taipei Trilogy。Cineaction，58，58-64。 | 學位論文| 1. | Chang, K. M.(2008)。Disrupting boundaries of desire: Gender, sexuality, and globalization in Tsai Ming-liang's cinema of the oppressed(博士論文)。The University of Texas at Austin。 | 圖書| 1. | Baudelaire, C.(1982)。Les Fleurs du Mai。Boston, MA：David. R. Godine。 | | 2. | Bloom, M. E.(2015)。Contemporary Sino-French Cinemas Absent Fathers, Banned Books, and Red Balloons。Honolulu, HI：University of Hawai'i Press。 | | 3. | DalleVacche, A.(2012)。Film, Art, New Media: Museum Without Walls?。Basingstoke：Palgrave Macmillan。 | | 4. | Den Oudsten, F.(2011)。Spacetimenarrative。London：Ashgate Publishing。 | | 5. | Josephus, F.(2008)。Jewish Antiquities。Hertfordshire, UK：Words worth Publishing。 | | 6. | Lim, Song-Hwee(2014)。Tsai Ming-Liang and a Cinema of Slowness。University of Hawai'i Press。 | | 7. | Lost Books(1926)。The Lost Books of the Bible and the Forgotten Books of Eden。New York, NY：Alpha House。 | | 8. | Muller, J. E.(1969)。Rembrandt。New York, NY：Aimery Somogy。 | | 9. | Rosen, Philip(2001)。Change Mummified: Cinema, Historicity, Theory。University of Minnesota Press。 | | 10. | Tomlinson, Hugh、Galeta, R.、Deleuze, G. H.(2000)。Cinema 2: The Time-Image。London：The Athlone Press。 | | 11. | Wasson, H.(2005)。Museum Movies: the Museum of Modem Art and the Birth of Art Cinema。Berkeley：University of California Press。 | | 12. | Wilde, O.(1914)。The Plays, Salomé。New York, NY：Cosmopolitan Book。 | | 13. | Martin, Fran(2003)。Situating Sexualities: Queer Representation in Taiwanese Fiction, Film and Public Culture。Hong Kong University Press。 | 其他| 1. | Tsai Ming-Liang，Bordeleau, Erik，Lin, Shumay，Tsai, Beth(2011)。On the Uses and Misuses of Cinema: A Conference by Tsai Ming-liang，http://sensesofcinema.com/2011/feature-articles/on-the-uses-andmisuses-of-cinema/，(58)。 | | 2. | Bordeleau, E.(2011)。Lee Kang-Sheng and Tsai Ming-Liang: Une relation idiorythmique ?，http://www.horschamp.qc.ca/spip.php7article454。 | | 3. | Buchan, N.(20100325)。Film's death and resurrection。 | | 4. | De Giuli, M.(2013)。Tsai Ming-liang's face of "true cinema" shakes Venice film festival with emotions，http://news.xinhuanet.com/english/entertainment/2013-09/06/c_l 32695517.htm。 | | 5. | Tsai, M. L.(2009)。Tsai Ming-Liang on 'Face'，http://asiasociety.org/tsai-ming-liang-face-l。 | | 6. | Vijn, A.(2010)。IFFR 2010: an interview with Tsai Ming-liang!，http://screenanarchy.com/2010/12/iffr-2010-an-interview-with-tsai-ming-liang.html。 | 圖書論文| 1. | Peucker, B.(2012)。Foreword: The New Museum: Spectatorship and Installation。Film, Art, New Media: Museum Without Walls?。Basingstoke：Palgrave Macmillan。 | | 2. | Van De Wetering, E.(2011)。Rembrandt--A slaughtered ox Paris (Musée Du Louvre, Inv. No. M.I. 169)。A Corpus of Rembrandt Paintings。 | |