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| 2. | 李治安(20130100)。故事角色的第二人生：論著作權法對故事角色之保護。智慧財產權月刊，169，104-127。 延伸查詢 |
| 3. | 林利芝(20160100)。永遠的名偵探夏洛克．福爾摩斯--自Leslie S. Klinger v. Conan Doyle Estate案探討故事角色著作權保護爭議。智慧財產權月刊，205，65-82。 延伸查詢 |
| 4. | Bunker, Matthew D.、Calvert, Clay(2016)。Copyright in Inanimate Characters: The Disturbing Proliferation of Microworks and the Negative Effects on Copyright and Free Expression。Communication Law and Policy，21(3)，281-300。 |
| 5. | Nickles, Christine(1999)。The Conflicts Between Intellectual Property Protections When a Character Enters the Public Domain。UCLA Entertainment Law Review，7(1)，133-168。 |
| 6. | Dean, Drew S.(2016)。Hitting Reset: Devising A New Video Game Copyright Regime。University of Pennsylvania Law Review，164，1239-1280。 |
| 7. | Hart, Terry(2016)。License to Remix。George Mason Law Review，23(4)，837-899。 |
| 8. | Hickey, Kevin J.(2016)。Reframing Similarity Analysis in Copyright。Washington University Law Review，93(3)，681-731。 |
| 9. | Kurtz, Leslie A.(2013)。Fictional Characters and Real People。University of Louisville Law Review，51，435-471。 |
| 10. | Lunsford, Christopher(2013)。Drawing a Line Between Idea and Expression in Videogame Copyright: The Evolution of Substantial Similarity for Videogame Clones。Intell. Prop. L. Bull.，18，87+96-99。 |
| 11. | Said, Zahr K.(2013)。Fixing Copyright in Characters: Literary Perspectives on a Legal Problem。Cardozo Law Review，35，769-829。 |
| 12. | Saval, Joshua(2014)。Copyrights, Trademarks, and Terminations: How Limiting Comic Book Characters in the Film Industry Reflects on Future Intellectual Property Issues for Character Law。FIU L. Rev.，9(2)，405-449。 |
| 13. | Schubert, Heather(2015)。It's Elementary: Why We Need a New Copyright Standard, with Statutory Guidance, for Characters in a Series。Rutgers Journal of Law & Public Policy，12(2)，216-251。 |
| 14. | Skoller, Jenna(2015)。Sherlock Holmes and Newt Scamander: Incorporating Protected Nonlinear Character Delineation into Derivative Works。Columbia Journal of Law & the Arts，38(4)，577-600。 |